Bach Edition, V: Vocal Works

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 7 beschikbaar)

Aantekening

FIXME (see also Edit #25169889 for the disc order):

* These are CDs V-1-32 (107-138 in total) from the 2006 155-CD box.
* The rest will also be added (or has already been added) as pseudo-volumes to the same release group to avoid issues with the single 155-CD release being too large.
* Once there are no more 502 errors with large releases, all those pseudo-volumes should be merged into a single release.

Aantekening het laatst bewerkt op 2015-02-10 07:54 UTC.

Nummerlijst

1▶cd: Mass in B Minor / Hohe Messe BWV 232 (disc 1)
2▼cd: Mass in B Minor / Hohe Messe BWV 232 (disc 2)
#TitelWaarderingDuur
1Hohe Messe in b moll (BWV 232) / Credo: Chorus: Credo in unum Deum
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
1:58
2Hohe Messe in b moll (BWV 232) / Credo: Chorus: Patrem omnipotentem
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:01
3Hohe Messe in b moll (BWV 232) / Credo: Duet (soprano I, alto): Et in unum Dominum
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
altvocalen en contratenorvocalen:
James Bowman (UK countertenor)
sopraanvocalen:
Catherine Dubosc (soprano)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:22
4Hohe Messe in b moll (BWV 232) / Credo: Chorus: Et incarnatus est
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
The Symphony of Harmony and Invention
was dirigent:
Harry Christophers (conductor)
uitvoerend artiest:
The Sixteen (UK choir)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:20
5Hohe Messe in b moll (BWV 232) / Credo: Chorus: Crucifixus
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:12
6Hohe Messe in b moll (BWV 232) / Credo: Chorus: Et resurrexit
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:01
7Hohe Messe in b moll (BWV 232) / Credo: Aria (bass): Et in Spiritum Sanctum
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
basvocalen:
Michael George (operatic bass)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:18
8Hohe Messe in b moll (BWV 232) / Credo: Chorus: Confiteorunum baptisma
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:54
9Hohe Messe in b moll (BWV 232) / Credo: Chorus: Et expecto
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:05
10Hohe Messe in b moll (BWV 232) / Sanctus: Chorus: Sanctus
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:50
11Hohe Messe in b moll (BWV 232) / Chorus: Osanna in excelsis I
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:03
12Hohe Messe in b moll (BWV 232) / Aria (tenor): Benedictus
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
tenorvocalen:
John Mark Ainsley (tenor)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
4:25
13Hohe Messe in b moll (BWV 232) / Chorus: Osanna in excelsis II
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
3:03
14Hohe Messe in b moll (BWV 232) / Aria (alto): Agnus Dei
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
altvocalen:
James Bowman (UK countertenor)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:37
15Hohe Messe in b moll (BWV 232) / Chorus: Dona nobis pacem
technicus:
Mike Hatch (engineer/editor)
producent:
Mark Brown (operatic bass, early music singer, conductor, and producer)
koor:
The Sixteen (UK choir)
orkest:
Orchestra of The Sixteen
was dirigent:
Harry Christophers (conductor)
opgenomen bij:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Verenigd Koninkrijk
is een opname van:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1994-04)
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (van 1747 tot 1749)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Dona nobis pacem
deel van:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
2:43
3▶cd: Messen, BWV 233 & 234
4▶cd: Messen, BWV 235 & 236
5▶cd: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 1)
6▶cd: Geistliche Lieder und Arien aus "Musicalisches Gesangbuch G.C. Schemelli", BWV 439-507 (disc 2)
7▶cd: Motetten
8▶cd: Osteroratorium, BWV 249
9▶cd: Secular Cantatas: Schwingt freudig euch empor / Non sa che sia dolore / Amore traditore
10▶cd: Secular Cantata, BWV 201; Geschwinde, ihr wirbelnden Winde - Der Streit zwischen Phoebus und Pan
11▶cd: Zwei Hochzeitskantaten, BWV 202 & 210
12▶cd: Secular Cantatas, BWV 204 & 208; Was mir behagt, ist nur die muntre Jagd / Ich bin in mir vergnügt
13▶cd: Secular Cantatas, BWV 205 & 207: Zerreißet, zersprenget, zertrümmert die Gruft / Vereinigte Zwietracht der wechselnden Saiten
14▶cd: Secular Cantatas, BWV 206 & 215: Schleicht, spielende Wellen / Preise dein Glücke, gesegnetes Sachsen
15▶cd: Secular Cantatas, BWV 211 & 212: Schweigt stille, plaudert nicht (Kaffee-Kantate) / Mehr hahn en neue Oberkeet (Bauernkantate)
16▶cd: Secular Cantatas, BWV 213 & 214; Laßt uns sorgen, laßt uns wachen, Herkules auf dem Scheidewege / Tönet ihr Pauken! Erschallet, Trompeten!
17▶cd: Matthäus-Passion, BWV 244 (disc 1)
18▶cd: Matthäus-Passion, BWV 244 (disc 2)
19▶cd: Matthäus-Passion, BWV 244 (disc 3)
20▶cd: Johannes-Passion, BWV 245 (disc 1)
21▶cd: Johannes-Passion, BWV 245 (disc 2)
22▶cd: Weihnachtsoratorium, BWV 248 (disc 1)
23▶cd: Weihnachtsoratorium, BWV 248 (disc 2)
24▶cd: Himmelfahrts-Oratorium, BWV 11; Ich habe genug, BWV 82a; Sanctus, BWV 238
25▶cd: Tilge, Höchster, meine Sünden, BWV 1083 (nach Pergolesis's Stabat Mater), BWV 1083; BWV 118, 200, 231
26▶cd: Magnificat, BWV 243; Choräle
27▶cd: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 1)
28▶cd: Choräle (aus der Breitkopf-Edition "389 Choräle") (disc 2)
29▶cd: Choräle (disc 1)
30▶cd: Choräle (disc 2)
31▶cd: Choräle (disc 3)
32▶cd: Choräle (disc 4)