My Baby Just Cares for Me

~ Veröffentlichung von Nina Simone (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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2▼CD
Nr.TitelBewertungLänge
1Please Don’t Let Me Be Misunderstood
aufgenommen bei:
Teatro Sistina in Roma (Rom), Roma, Lazio, Italien (am 1969-11-03)
Bearbeitung von:
Please Don’t Let Me Be Misunderstood (live, 1969‐11‐03: Teatro Sistina, Rome, Italy) von Nina Simone
live cover recording of:
Don’t Let Me Be Misunderstood (am 1969-11-03)
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
5:52
2Little Girl Blue
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
44:22
3Porgy
recorded in:
Newport, Rhode Island, Vereinigte Staaten (am 1960-06-30)
Bass:
Chris White (jazz bassist) (am 1960-06-30)
Gitarre:
Al Schackman (am 1960-06-30)
Klavier:
Nina Simone (am 1960-06-30)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (am 1960-06-30)
vocals:
Nina Simone (am 1960-06-30)
aufgenommen bei:
Newport Jazz Festival (1960-06-30 – 1960-07-04)
live recording of:
Blues for Porgy (am 1960-06-30)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
1.55:10
4I Want a Little Sugar in My Bowl
recording engineer:
Mickey Crofford (am 1967-01-05) und Ray Hall (engineer) (am 1967-01-05)
Produzent(in):
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
Interpret(in):
Sam Ellis (House DJ)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
aufgenommen bei:
RCA Studio B (New York) in New York, New York, Vereinigte Staaten (am 1967-01-05)
recording of:
I Want a Little Sugar in My Bowl (Nina Simone's version) (am 1967-01-05)
Verfasser(in):
James “Tim” Brymn, Nina Simone, Dally Small und Clarence Williams (US jazz pianist, composer, singer and bandleader)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Co. (publisher; do NOT use as release label)
Version von:
Need a Little Sugar in My Bowl (Bessie Smith's version)
4.152:32
5Gin House Blues
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
cover recording of:
Gin House Blues (in 1961)
Komponist(in):
Fletcher Henderson (in 1925) und Henry Troy (in 1925)
publisher:
Carlin Music Corp
33:04
6It Don’t Mean a Thing
Sologesang:
Nina Simone (in 1962)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (in 1962)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
42:32
7I Ain’t Got No
Gitarre:
Emile Latimer (am 1969-11-03) und Tommy Smith (guitar) (am 1969-11-03)
Keyboard und Orgel:
Weldon Irvine (am 1969-11-03)
Klavier:
Nina Simone (am 1969-11-03)
Perkussion:
Jumma Santos (am 1969-11-03)
Schlagzeug:
Don Alias (am 1969-11-03)
vocals:
Nina Simone (am 1969-11-03)
conductor:
Weldon Irvine (am 1969-11-03)
aufgenommen bei:
Teatro Sistina in Roma (Rom), Roma, Lazio, Italien (am 1969-11-03)
live cover recording of:
Ain’t Got No, I Got Life (am 1969-11-03)
Texter:
James Rado (US actor, playwright, director, writer & composer) und Gerome Ragni
Komponist(in):
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI U Catalog (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Medley von:
I Got Life (from “Hair”)
Medley von:
Ain’t Got No (from “Hair”)
6:44
8You’ll Never Walk Alone
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
instrumental cover recording of:
You’ll Never Walk Alone (Carousel) (in 1957-12)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
33:50
9Don’t Smoke in Bed
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Bass:
Jimmy Bond (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Philips (publisher; do NOT use as release label) (in 1964)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
Texter und Komponist(in):
Willard Robison
publisher:
MCA Music Ltd. und Oriole Music Corp.
33:14
10The Other Woman
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
aufgenommen bei:
The Town Hall in Theater District, New York, New York, Vereinigte Staaten (am 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
Texter und Komponist(in):
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.653:01
11He Needs Me
recorded in:
New York, New York, Vereinigte Staaten (in 1957-12)
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
cover recording of:
He Needs Me (in 1957-12)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Warner Chappell North America
52:32
12I Like the Sunrise
Sologesang:
Nina Simone
cover recording of:
Liberian Suite: I Like the Sunrise
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1947)
publisher:
Duke Ellington Music und Tempo Music, Inc. (Duke Ellington’s music publishing company)
33:01
13Cotton Eyed Joe
recorded in:
New York, New York, Vereinigte Staaten (in 1959-10)
Produzent(in):
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") und Jack Gold
Bass:
Jimmy Bond (in 1959-10)
Klavier:
Nina Simone (in 1959-10)
Schlagzeug:
Albert “Tootie” Heath (in 1959-10)
vocals:
Nina Simone (in 1959-10)
cover recording of:
Cotton‐Eyed Joe (traditional song) (in 1959-10)
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 942)
22:52
14It Might as Well Be Spring
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
It Might as Well Be Spring (State Fair) (in 1959-04)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
3.753:57
15Blue Prelude
recording engineer:
Rudy van Gelder (in 1959-04)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959-04)
vocals:
Nina Simone (in 1959-04)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2004)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959-04)
cover recording of:
Blue Prelude (in 1959-04)
Texter:
Gordon Jenkins
Komponist(in):
Joe Bishop
43:22
16You’ve Been Gone Too Long
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
You’ve Been Gone Too Long (in 1959)
Texter und Komponist(in):
Brother John Sellers
52:11
17Chilly Winds Don’t Blow
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier:
Nina Simone (in 1959)
vocals:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
recording of:
Chilly Winds Don’t Blow (in 1959)
Verfasser(in):
Hecky Krasnow und Bill Lovelock (songwriter)
basiert auf:
Chilly Winds (a.k.a. Lonesome Road Blues - catch-all work)
42:47
18Willow Weep for Me
recording engineer:
Rudy van Gelder (in 1959)
Produzent(in):
Hecky Krasnow
Klavier und Sologesang:
Nina Simone (in 1959)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (in 1959)
cover recording of:
Willow Weep for Me (in 1959)
Texter und Komponist(in):
Ann Ronell (in 1932)
publisher:
Ann Ronell Music und Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3.253:14
19Rags and Old Iron
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone (in 1961)
remixer:
Layo & Bushwacka! (DJs Layo Paskin & Matthew Benjamin)
cover recording of:
Rags and Old Iron (in 1961)
Texter und Komponist(in):
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
4.654:09
20Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und Sony/ATV Harmony
Version von:
Concerto for Cootie
3.652:58