The Best of the Best

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: © 2026 UMG Recordings, Inc.
℗ 2026 UMG Recordings, Inc.

Anmerkung zuletzt geändert am 2026-07-02 19:22 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1On the Floor
recording engineer:
Jim Annunziato, Al Burna (Recording and mixing engineer), Josh Gudwin, Kuk Harrell, Chris “Tek” O’Ryan, RedOne und Trevor Lyle Muzzy
Techniker(in):
Chris “Tek” O’Ryan (Aufgabe: digital editing engineer)
leitende(r) Koproduzent(in):
Benny Medina
leitende(r) Produzent(in):
Antonio "L.A." Reid, Jennifer Lopez (American singer and actress aka J.Lo) und RedOne
Produzent(in):
Kuk Harrell und RedOne
Mix:
Trevor Lyle Muzzy
accordion:
Alessandro Giulini
Gast vocals:
Pitbull (American rapper)
Hintergrundgesang:
Kuk Harrell
Sologesang:
Jennifer Lopez (American singer and actress aka J.Lo)
vocals arranger:
Kuk Harrell und RedOne
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 2011)
produced for:
RedZone Entertainment und Suga Wuga Music, Inc.
recording of:
On the Floor
Verfasser(in):
Achraf Jannusi, Bilal “The Chef” Hajji, Kinda “Kee” Hamid, Gonzalo Hermosa, Ulises Hermosa, Armando Pérez, RedOne und Teddy Sky
basiert auf:
Llorando se fue
Jennifer Lopez & Pitbull44:45
2There's Nothing Holdin' Me Back
Musikvideo für:
There's Nothing Holdin' Me Back von Shawn Mendes
Teil von:
Billboard Year-End Hot 100 singles of 2017 (Nummer: 23)
recording of:
There’s Nothing Holdin’ Me Back
Verfasser(in):
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Geoff Warburton (Canadian songwriter)
Shawn Mendes4.253:19
3Everybody Wants to Rule the World
Techniker(in):
David Bascombe
Produzent(in):
Chris Hughes (producer, aka “Merrick”)
Mix:
Steven Wilson (founder of Porcupine Tree)
Bassgitarre:
Curt Smith (in 1984)
Gitarre und Solo-Gitarre:
Neil Taylor (guitarist) (in 1984)
Keyboard:
Ian Stanley (in 1984)
Schlagzeug:
Manny Elias (in 1984)
Hintergrundgesang:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
Sologesang:
Curt Smith
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) und Phonogram Ltd. (not for release label use!) (in 1985)
Musikvideos:
Everybody Wants to Rule the World von Tears for Fears
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 28) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
Verfasser(in):
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) und Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31) und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute)
Tears For Fears3.954:13
4Walking on a Dream
recording engineer und Mix:
Peter Mayes
zusätzlich recording engineer:
Chris Vallejo
Koproduzent(in):
Peter Mayes
Produzent(in):
Donnie Sloan
phonographisches Urheberrecht (℗) von:
Nick Littlemore (in 2008)
phonographisches Urheberrecht (℗) von:
The Sleepy Jackson Pty Ltd. (in 2008)
Musikvideos:
Walking on a Dream von Empire of the Sun
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 24), triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (Nummer: 4), Pitchfork Presents: The 100 Best Tracks of 2008 (Nummer: 96) und Indie 88: Top 500 Indie Rock Songs (Nummer: 146)
recording of:
Walking on a Dream
Texter:
Nick Littlemore und Jonathan Sloan
Komponist(in):
Jonathan Sloan und Luke Steele
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing Australia Pty Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Empire Of The Sun43:18
5Dancing Queen
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bass:
Rutger Gunnarsson (von 1976-08-04 bis 1976-08-05)
Bratsche / Viola:
Åke Arvinder (Swedish violist) (am 1976-09-12), Lars Brolin (am 1976-09-12) und Håkan Roos (Swedish violist) (am 1976-09-12)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1976-09-12) und Åke Olofsson (Swedish cellist) (am 1976-09-12)
Clavinet und Keyboard:
Benny Andersson (ABBA) (von 1976-08-04 bis 1976-08-05)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1976-09-12), Anders Dahl (Swedish violinist) (am 1976-09-12), Lars Stegenberg (Swedish violinist) (am 1976-09-12), Gunnar Michols (Swedish violinist) (am 1976-09-12), Claes Nilsson (Swedish violinist) (am 1976-09-12), Bertil Orsin (Swedish violinist) (am 1976-09-12), Sixten Strömvall (Swedish violinist) (am 1976-09-12), Harry Teike (am 1976-09-12) und Krzysztof Zdrzalka (Swedish violinist) (am 1976-09-12)
Schlagzeug:
Roger Palm (von 1976-08-04 bis 1976-08-05, am 1976-12-03)
Sologesang:
Agnetha Fältskog (in 1976-09) und Frida (Swedish singer and member of ABBA) (in 1976-09)
Saiteninstrumente arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976) und Polar Music International AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Schweden (von 1976-08-04 bis 1976-08-05) und KMH Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 9), Q50 – December 2005 (Nummer: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 171) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 286)
recording of:
Dancing Queen (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA4.053:51
6Hot n Cold
sonstige Unterstützung:
Gary "G" Silver (Aufgabe: production coordinated)
Programmierung:
benny blanco (producer Benjamin Levin) und Dr. Luke
Techniker(in):
Nick Banns, Tatiana Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy und Emily Wright
Produzent(in):
Dr. Luke
zusätzliche(r) Produzent(in):
benny blanco (producer Benjamin Levin)
assistierende(r) Mix:
Tim Roberts (engineer)
Mix:
Serban Ghenea
Bassgitarre [bass]:
Dr. Luke
Gitarre [guitars]:
Dr. Luke und Max Martin (Swedish record producer)
Schlagzeug [drums]:
benny blanco (producer Benjamin Levin) und Dr. Luke
Sologesang:
Katy Perry
phonographisches Urheberrecht (℗) von:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dr. Luke's in New York, New York, Vereinigte Staaten und Legacy Recording Studio (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 25), Billboard Year-End Hot 100 singles of 2008 (Nummer: 36), BILLIONS CLUB und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 321)
recording of:
Hot n Cold
Verfasser(in):
Łukasz Gottwald, Max Martin (Swedish record producer) und Katy Perry
publisher:
Kasz Money Publishing (ASCAP affiliated), Maratone, Maratone AB und When I’m Rich You’ll Be My Bitch
Katy Perry4.153:40
7The Way I Are
recording engineer:
Demacio "Demo" Castellon
Koproduzent(in):
Danja (US producer Nate Hills)
Produzent(in):
Timbaland
Mix:
Marcella "Ms. Lago" Araica (American songwriter, recording and mixing engineer)
Editing:
Ron Taylor (audio editing)
Keyboard:
Danja (US producer Nate Hills)
membranophone:
Danja (US producer Nate Hills) und Timbaland
Gast vocals:
Keri Hilson
vocals:
D.O.E. (US rapper)
Gast-Interpret(in):
D.O.E. (US rapper) und Keri Hilson
aufgenommen bei:
Thomas Crown Studio in Virginia Beach, Virginia, Vereinigte Staaten
mixed at:
Pacifique Recording Studios (Burbank) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
The Way I Are
Verfasser(in):
Garland Mosley (US rapper Garland Mosley, brother of Timbaland), Keri Hilson, John Maultsby (US rapper), Balewa Muhammad, Nate Hills (US producer Nate Hills), Candice Nelson und Timothy Mosley
publisher:
Boootleggerstop, Danjahandz Muzik, Jerry Lee Publishing, Keriokey Music, Universal Music Publishing (Belgium), Virginia Beach Music und Warner Chappell Publishing
Timbaland, Keri Hilson & D.O.E.4.32:59
8Drivers License
Assistent recording engineer:
Dan Viafore
recording engineer und Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
drum machine-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
Mix:
Mitch McCarthy (mixer)
Bassgitarre, Klavier, Perkussion, Schlagzeug, Synthesizer und Hintergrundgesang:
Daniel Nigro (songwriter and instrumentalist)
vocals:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2021)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten und Funk Studios, Salt Lake City in Salt Lake City, Utah, Vereinigte Staaten
mixed at:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
drivers license (explicit music video) von Olivia Rodrigo (US singer‐songwriter) und drivers license (music video & behind the scenes) von Olivia Rodrigo (US singer‐songwriter)
Teil von:
Apple Music Award: Top Song of the Year (Nummer: 2021), Billboard Year-End Hot 100 singles of 2021 (Nummer: 8), Grammy Award: Best Pop Solo Performance nominees (Nummer: 2022 winner), Grammy Award: Record of the Year nominees (Nummer: 2022), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 72) und BILLIONS CLUB
recording of:
drivers license
Verfasser(in):
Daniel Leonard Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
publisher:
Daniel Leonard Nigro Music, Liv Laf Luv, Sony Music Publishing (Germany) GmbH, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV Allegro, Sony/ATV Tunes LLC (ASCAP) und Sony Music Publishing (Hong Kong) Limited (2021–) (vom 2021 bis heute)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 2022)
Olivia Rodrigo3.754:02
9Bitter Sweet Symphony (remastered 2016)
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Produzent(in):
Andrew Loog Oldham, The Verve und Youth (producer/bassist Martin Glover)
zusätzliche(r) Produzent(in) und zusätzliche(r) Mix:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
Sologesang:
Richard Ashcroft
Orchester:
The Andrew Oldham Orchestra
zusätzlich Saiteninstrumente arranger:
Wil Malone
Samples:
The Last Time von The Andrew Oldham Orchestra
Musikvideos:
Bitter Sweet Symphony von The Verve
Teil von:
Triple J’s Hottest 100: Twenty Years (2013) (Nummer: 5), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 18), Indie 88: Top 500 Indie Rock Songs (Nummer: 22) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 382)
recording of:
Bitter Sweet Symphony
Texter und Komponist(in):
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
basiert auf:
The Last Time
The Verve4.35:58
10Cold Heart (PNAU remix)
drum machine [drum]-Programmierung, Schlagzeug [drums]-Programmierung und Synthesizer [synth]-Programmierung:
Sam Littlemore, Peter Mayes und Nicholas Littlemore
Techniker(in):
Rafael Fadul und Peter Mayes
Produzent(in):
Sam Littlemore, Peter Mayes, Nicholas Littlemore und Mark Schick (Aufgabe: Dua Lipa vocal)
Mix:
Josh Gudwin
vocals:
Elton John (English singer, songwriter, pianist, and composer) und Dua Lipa
remixer:
PNAU
phonographisches Urheberrecht (℗) von:
Mercury Records Limited (not for release label use!) (in 2021)
Teil von:
Billboard Hot 100: 2022-02-05 (Nummer: 10) und BILLIONS CLUB
recording of:
Cold Heart (PNAU remix)
Verfasser(in):
Elton John (English singer, songwriter, pianist, and composer), Sam Littlemore, Peter Mayes, Nicholas Littlemore und Bernie Taupin
publisher:
Chenfield Limited, Cow Dog Music, Inc., HST Global Limited und Solola Limited
basiert auf:
Kiss the Bride
basiert auf:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
basiert auf:
Sacrifice
basiert auf:
Where's the Shoorah?
Elton John & Dua Lipa3.43:23
11Lovefool (radio edit)
Techniker(in) und Produzent(in):
Tore Johansson
Bassgitarre:
Magnus Sveningsson
Gitarre:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Keyboard:
Lars-Olof Johansson
Perkussion und Schlagzeug:
Bengt Lagerberg
Hintergrundgesang:
Magnus Sveningsson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Sologesang:
Nina Persson
phonographisches Urheberrecht (℗) von:
Stockholm Records und Universal Music AB (Swedish subsidiary of Universal Music Group)
engineered at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
produced at:
Tambourine Studios in Malmö, Skåne (Skåne county), Schweden
Musikvideos:
Lovefool von The Cardigans (Swedish rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 242)
recording of:
Lovefool
Texter:
Nina Persson und Peter Svensson (guitarist, composer, producer; member of The Cardigans)
Komponist(in):
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
Stockholm Songs und Universal–Songs of PolyGram International, Inc.
The Cardigans3.653:18
12Don't Matter
recorded in:
White Room Studios (Detroit), Michigan, Vereinigte Staaten (bis 2006)
Produzent(in):
Akon (US singer and producer)
Interpret(in):
Akon (US singer and producer)
recording of:
Don’t Matter
Verfasser(in):
Akon (US singer and producer) und Anthony Lawson (songwriter)
basiert auf:
Ignition
basiert auf:
Zimbabwe (Bob Marley)
Akon44:53
13Roxanne (remastered 2003)
Techniker(in):
Chris Gray (UK engineer) und Nigel Gray (UK producer)
Produzent(in):
The Police (British rock band)
E-Bass:
Sting (singer, songwriter & member of The Police)
E-Gitarre:
Andy Summers
Schlagzeug:
Stewart Copeland (drummer, percussionist, pianist and composer)
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographisches Urheberrecht (℗) von:
A&M Records (in 1978), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1978), A&M Records, Inc. (in 1997) und A&M Records, Ltd. (in 2003)
aufgenommen bei:
Surrey Sound Studios in Leatherhead, Surrey, England, Vereinigtes Königreich
Musikvideos:
Roxanne (Music video) von The Police (British rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 388)
recording of:
Roxanne
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label’s publishing company) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:12
14Bad Idea Right?
drum machine [drum]-Programmierung:
Daniel Nigro (songwriter and instrumentalist)
assistierende(r) Techniker(in):
Austen Healey (engineer)
Techniker(in):
Sterling Laws, Daniel Nigro (songwriter and instrumentalist), Sam Stewart (English musician, in Blondelle, Lo Moon, Nightmare and the Cat) und Dan Viafore
Produzent(in):
Daniel Nigro (songwriter and instrumentalist) und Daniel Nigro (songwriter and instrumentalist) (Sologesang)
assistierende(r) Mix:
Matt Wolach
Mix:
Mark “Spike” Stent (producer, engineer)
Bassgitarre [bass], Gitarre und Perkussion:
Daniel Nigro (songwriter and instrumentalist)
Schlagzeug:
Sterling Laws
Solo-E-Gitarre:
Sam Stewart (English musician, in Blondelle, Lo Moon, Nightmare and the Cat)
Hintergrundgesang [backing vocals]:
Daniel Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
Sologesang:
Olivia Rodrigo (US singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Olivia Rodrigo (US singer‐songwriter) (in 2023)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
SLS Studios in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
bad idea right? (explicit) von Olivia Rodrigo (US singer‐songwriter)
Teil von:
Stereogum Readers’ Top 10 Songs of 2023 (Nummer: 8)
recording of:
bad idea right?
Verfasser(in):
Daniel Nigro (songwriter and instrumentalist) und Olivia Rodrigo (US singer‐songwriter)
publisher:
Daniel Leonard Nigro Music, Liv Laf Luv, Sony/ATV Allegro und Sony/ATV Tunes LLC (ASCAP)
Olivia Rodrigo43:05
15Night Fever (From "Saturday Night Fever" Soundtrack)
Produzent(in):
Bee Gees, Albhy Galuten und Karl Richardson
Bass:
Maurice Gibb (in 1977)
E-Gitarre:
Alan Kendall (in 1977)
Gitarre [rhythm guitar] und Sologesang:
Barry Gibb (in 1977)
Keyboard, Klavier und Synthesizer:
Blue Weaver (in 1977)
Perkussion:
Dennis Bryon (Welsh drummer, author) (in 1977) und Joe Lala (in 1977)
Schlagzeug:
Dennis Bryon (Welsh drummer, author) (in 1977)
Hintergrundgesang und sonstiger Gesang [harmony vocals]:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
Barry Gibb (in 1977), Maurice Gibb (in 1977) und Robin Gibb (in 1977)
phonographisches Urheberrecht (℗) von:
PolyGram International Ltd. (in 1977), PolyGram International Music B.V. (not for release label use!) (in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1977)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 2) und Billboard: Greatest of All Time Hot 100 Songs (Nummer: 47)
recording of:
Night Fever (in 1977)
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Chappell & Co Ltd., Crompton Songs, Gibb Brothers Music und R.S.O. Publishing Ltd.
Bee Gees3.93:33
16Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:26
17Good Time
recording engineer und Programmierung:
Adam Young (American musician, songwriter; Owl City)
Produzent(in):
Mastermix Music Limited und Adam Young (American musician, songwriter; Owl City)
zusätzliche(r) Produzent(in):
Ryan Stewart (Canadian producer)
Mix:
Robert Orton
elektronische Instrumente, Keyboard, Synthesizer und Sologesang:
Adam Young (American musician, songwriter; Owl City)
Hintergrundgesang und zusätzlich Hintergrundgesang:
Matt Thiessen
zusätzlich vocals:
Minneapolis Youth Chorus und Carly Rae Jepsen
Musikvideos:
Good Time von Owl City feat. Carly Rae Jepsen
Teil von:
Billboard Year-End Hot 100 singles of 2012 (Nummer: 38)
recording of:
Good Time
Texter:
Adam Young (American musician, songwriter; Owl City)
Verfasser(in):
Brian Lee (Korean American songwriter) und Matt Thiessen
Komponist(in):
Brian Lee (Korean American songwriter), Matt Thiessen und Adam Young (American musician, songwriter; Owl City)
publisher:
Briyunlee Songs, Ocean City Park, Songs for Beans (BMI-affiliated), Songs Music Publishing LLC, Songs of Kobalt Music Publishing, Inc. (BMI-affiliated), Stylishly Flyfishing Publishing und Universal Music Corporation (USA, affiliated with ASCAP)
Owl City & Carly Rae Jepsen3.43:26
18Barbie Girl
Produzent(in) und Mix:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
arranger:
Delgado (Karsten Rene Dahlgaard), Johnny Jam, Claus Norreen und Søren Rasted
phonographisches Urheberrecht (℗) von:
Universal Music A/S (not for release label use! Danish subsidiary of Universal Music Group) (in 1997)
Musikvideos:
Barbie Girl von Aqua (Danish Euro‐dance group)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 48), Cachitos Nochevieja 2022 (Nummer: 157) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 220)
recording of:
Barbie Girl
Verfasser(in):
Lene Grawford Nystrøm, Claus Norreen, Søren Rasted und René Dif
publisher:
MCA Music Scandinavia AB und Warner/Chappell Music Denmark, A/S (KODA)
Aqua3.753:18
19Sexy and I Know It
phonographisches Urheberrecht (℗) von:
Foo & Blu, LLC (in 2011) und Interscope Records (part of UMG Recordings, Inc.) (in 2011)
Teil von:
Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2013), Billboard Year-End Hot 100 singles of 2012 (Nummer: 13) und Billboard Year-End Hot 100 singles of 2011 (Nummer: 57)
recording of:
Sexy and I Know It
Verfasser(in):
Erin Beck, David Listenbee, George Robertson, Kenny Oliver, Skyler Gordy und Stefan Gordy
publisher:
Chebra Music, ESKAYWHY Publishing, Hi Mom I Did It, Hi Mom I Did It Music, Kobalt Songs Music Publishing (USA, ASCAP affiliated), Redfoo LLC und Yeah Baby Music
LMFAO3.43:20
20Human
Techniker(in):
Robert Root
Produzent(in):
The Killers (American rock band) und Stuart Price
assistierende(r) Mix:
Alex Dromgoole und Dave Emery (engineer)
Mix:
Stuart Price
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
engineered at:
Battle Born Studios in Las Vegas, Nevada, Vereinigte Staaten
Musikvideos:
Human (official music video) von The Killers (American rock band)
recording of:
Human
Verfasser(in):
Brandon Flowers, Dave Keuning, Mark Stoermer und Ronnie Vannucci Jr.
The Killers3.64:06
21Heartache on the Dance Floor
Jon Pardi3.53:25
22Boom, Boom, Boom, Boom!!
Produzent(in):
Danski und DJ Delmundo
phonographisches Urheberrecht (℗) von:
Motor Music GmbH (in 1998)
aufgenommen bei:
Violent Studios (Studio 4045) in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
Teil von:
Cachitos Nochevieja 2022 (Nummer: 119)
recording of:
Boom, Boom, Boom, Boom!!
Texter:
Wessel van Diepen und Dennis van der Driesschen
Komponist(in):
Benny Andersson (ABBA), Wessel van Diepen, Dennis van der Driesschen und Björn Ulvaeus
publisher:
Peer Musikverlag GmbH (Peermusic Musikverlag GesmbH) und Violent Publishing
quotes music from:
Lay All Your Love on Me
Vengaboys2.93:23
23Ladies Room
Programmierung:
Aqualung (English songwriter, musician & record producer Matt Hales)
assistierende(r) Techniker(in):
James Pinfield-Wells (assistant engineer at Miloco Studios)
Techniker(in):
Aqualung (English songwriter, musician & record producer Matt Hales) und Daniel Moyler (engineer)
Produzent(in):
Aqualung (English songwriter, musician & record producer Matt Hales) und Aston Rudi
Mix:
Manon Grandjean
baritone saxophone und Tenorsaxophon:
Kaidi Akinnibi (London-based saxophonist)
Bassgitarre:
Finn Zeferino-Birchall (UK session bass & guitar player)
Gitarre:
Taran Stormes Martino
Keyboard:
Deschanel Gordon
Perkussion:
Olivia Dean und Dan See
Posaune:
James Wade-Sired
Schlagzeug:
Joel Waters
Trompete:
Elias Atkinson
vocals:
Olivia Dean
recording of:
Ladies Room
Verfasser(in):
Olivia Dean, Britten Newbill und Aston Rudi
Olivia Dean43:40
24If I Can't Have You
recording engineer und Mix:
George Seara
Programmierung:
Raul Cubina (Producer and songwriter, member of Ojivolta), Teddy Geiger, Shawn Mendes und Mark Williams (Producer and songwriter, member of Ojivolta)
Techniker(in):
Zubin Thakkar
Produzent(in):
Teddy Geiger und Shawn Mendes
zusätzliche(r) Produzent(in):
Scott Harris (Shawn Mendes collaborator), Nate Mercereau (US guitarist and songwriter) und Ojivolta
assistierende(r) Mix:
Mike Gnocato
Bassgitarre und Klavier:
Nate Mercereau (US guitarist and songwriter)
Flügelhorn und Trompete:
Ryan Svendsen (trumpet player)
Gitarre:
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes, Nate Mercereau (US guitarist and songwriter) und Mark Williams (Producer and songwriter, member of Ojivolta)
Keyboard:
Teddy Geiger und Mark Williams (Producer and songwriter, member of Ojivolta)
Perkussion:
Raul Cubina (Producer and songwriter, member of Ojivolta)
Schlagzeug:
Raul Cubina (Producer and songwriter, member of Ojivolta) und Teddy Geiger
Hintergrundgesang:
Ray ‘August Grant’ Jacobs
vocals:
Shawn Mendes
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2019)
Teil von:
Spotify: Top Hits of 2019 (Nummer: 13) und Billboard Year-End Hot 100 singles of 2019 (Nummer: 29)
recording of:
If I Can’t Have You
Verfasser(in):
Teddy Geiger, Scott Harris (Shawn Mendes collaborator), Shawn Mendes und Nate Mercereau (US guitarist and songwriter)
Komponist(in):
Dmitry Fedorov (Dmitry Fedorov Alekseevich)
Shawn Mendes3.63:11
25California Gurls
Programmierung:
benny blanco (producer Benjamin Levin) (in 2010), Dr. Luke (in 2010) und Max Martin (Swedish record producer) (in 2010)
assistierende(r) Techniker(in):
Aniela Gottwald und Tim Roberts (engineer)
Techniker(in):
John Hanes (audio engineer, mixer), Sam Holland (sound engineer) und Emily Wright
Produzent(in):
benny blanco (producer Benjamin Levin), Dr. Luke und Max Martin (Swedish record producer)
Mix:
Serban Ghenea
andere Instrumente:
Tamra Natisin (in 2010)
Keyboard und Schlagzeug:
benny blanco (producer Benjamin Levin) (in 2010), Dr. Luke (in 2010) und Max Martin (Swedish record producer) (in 2010)
Gast vocals:
Snoop Dogg (US rapper) (in 2010)
vocals:
Katy Perry (in 2010)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2012)
aufgenommen bei:
Conway Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 2010)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2010 (Nummer: 4) und BILLIONS CLUB
recording of:
California Gurls (in 2010)
Verfasser(in):
Benjamin Levin (producer Benjamin Levin), Calvin Broadus (aka Snoop Dogg), Łukasz Gottwald, Max Martin (Swedish record producer), Bonnie McKee und Katy Perry
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Copyrights SARL, MXM Music AB, My Own Chit Publishing, Prescription Songs, Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), EMI Blackwood Music Inc. (in 2010), Kasz Money Publishing (ASCAP affiliated) (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) und Where da Kasz At (in 2010)
Katy Perry & Snoop Dogg43:55
26I Could Be the One (Avicii vs. Nicky Romero) (radio edit)
Produzent(in):
Ash Pournouri (music manager, songwriter and record label owner), Avicii und Nicky Romero
Sologesang:
Noonie Bao
phonographisches Urheberrecht (℗) von:
Avicii Music AB (holding company - do not use as release label) (in 2012)
Bearbeitung von:
I Could Be The One (original mix) von Avicii vs Nicky Romero
recording of:
I Could Be the One
Texter und Komponist(in):
Arash Pournouri (music manager, songwriter and record label owner), Tim Bergling, Jonnali Parmenius, Lotus IV, Nick Rotteveel und Måns Vredenberg
Avicii & Nicky Romero3.93:28
27Buzzcut Season
Techniker(in), Produzent(in) und Mix:
Joel Little
zusätzliche(r) Produzent(in):
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter)
Instrumente:
Joel Little
Sologesang:
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
aufgenommen bei:
Golden Age in Auckland, Auckland (Region Auckland), North Island, Neuseeland
recording of:
Buzzcut Season
Verfasser(in):
Ella Yelich O’Connor (Lorde, New Zealand singer‐songwriter) und Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lorde3.64:07
28Boom Boom Pow
Teil von:
Billboard Year-End Hot 100 singles of 2009 (Nummer: 1)
recording of:
Boom Boom Pow
Verfasser(in):
Allan Pineda, Jaime Gomez (member of Black Eyed Peas), Stacy Ferguson (American singer) und William Adams (American rapper and producer)
Black Eyed Peas44:11
29Lay Me Down
Musikvideos:
Lay Me Down von Sam Smith (English singer‐songwriter)
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 81)
recording of:
Lay Me Down
Verfasser(in):
Jimmy Napes, Elvin Smith und Sam Smith (English singer‐songwriter)
Sam Smith4.654:14
30COULD BE WRONG
LOSTBOYJAY3:06
31The Time (dirty bit)
assistierende(r) Mix:
Anthony Taglianetti und Jorge Velasco
Mix:
Dylan “3-D” Dresdow
mixed at:
Paper V.U. Studios und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2011 (Nummer: 37)
recording of:
The Time (Dirty Bit)
Texter:
Donald Markowitz
Komponist(in):
Allan Pineda, Damien LeRoy, John DeNicola, Donald Markowitz, Franke Previte und William Adams (American rapper and producer)
basiert auf:
(I’ve Had) The Time of My Life
Black Eyed Peas45:08
32One of Your Girls
Programmierung:
Oscar Görres
Techniker(in):
Bryce Bordone
Mix:
Serban Ghenea
Bass, Gitarre, Keyboard, Pauke, Perkussion und Schlagzeug:
Oscar Görres
Hintergrundgesang:
Oscar Görres und Troye Sivan
vocals:
Troye Sivan
Musikvideos:
One of Your Girls von Troye Sivan
recording of:
One of Your Girls
Verfasser(in):
Brett McLaughlin (Brett McLaughlin, Los Angeles electronic producer), Oscar Görres und Troye Sivan
Troye Sivan3:01
33Femininomenon
recording engineer, Programmierung und Techniker(in):
Daniel Nigro (songwriter and instrumentalist) und Michael Wise (Canadian composer, music producer, engineer)
Produzent(in):
Daniel Nigro (songwriter and instrumentalist)
zusätzliche(r) Produzent(in):
Michael Wise (Canadian composer, music producer, engineer)
Mix:
Mitch McCarthy (mixer)
E-Bass und E-Gitarre:
Daniel Nigro (songwriter and instrumentalist)
Saiteninstrumente:
Paul Cartwright
Hintergrundgesang:
Daniel Nigro (songwriter and instrumentalist) und Emily Williams
Sologesang:
Kayleigh Amstutz
phonographisches Urheberrecht (℗) von:
KRA International Inc. (in 2023)
aufgenommen bei:
Amusement Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Femininomenon
publisher:
Kayleigh Rose Amstutz
Verfasser(in):
Kayleigh Rose Amstutz und Daniel Nigro (songwriter and instrumentalist)
publisher:
Daniel Leonard Nigro Music, Sony/ATV Allegro und Sony/ATV Songs LLC
sub-publisher:
Sony/ATV Music Publishing Canada (SOCAN), Sony/ATV Songs (SOCAN) und Sony/ATV Tunes (SOCAN)
Chappell Roan3.83:40
34Looking at Me
Assistent recording engineer:
Cory Bice und Will Quinnell
recording engineer:
Mattias Bylund, Sam Holland (sound engineer) und Jeremy Lertola
Programmierung:
CJ Baran und Johan Carlsson (Swedish‐American pop producer and songwriter)
Techniker(in):
John Hanes (audio engineer, mixer)
Produzent(in):
Johan Carlsson (Swedish‐American pop producer and songwriter)
Mix:
Serban Ghenea
Cello:
David Bukovinszky
Geige / Violine:
Mattias Johansson (violinist)
Gitarre und Synthesizer:
Johan Carlsson (Swedish‐American pop producer and songwriter)
Saiteninstrumente:
Mattias Bylund
Trompete:
Gunhild Carling
Hintergrundgesang:
CJ Baran, Johan Carlsson (Swedish‐American pop producer and songwriter) und Sabrina Carpenter
Interpret(in):
Sabrina Carpenter
recording of:
Looking at Me
Verfasser(in):
Johan Carlsson (Swedish‐American pop producer and songwriter), Sabrina Carpenter und James Alan Ghaleb (singer/songwriter)
Sabrina Carpenter4.353:01
35Voulez-Vous
Techniker(in):
Michael B. Tretow (am 1979-02-01)
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bassgitarre:
Arnold Paseiro (am 1979-02-01)
Gitarre:
Janne Schaffer (in 1979), Ish Ledesma (am 1979-02-01), George Terry (guitar player with Clapton in 70's) (am 1979-02-01) und Björn Ulvaeus (am 1979-02-01)
Klavier:
Paul Harris (American keyboardist/pianist session player) (am 1979-02-01)
Posaune:
Nils Landgren (Swedish trombonist and singer) (am 1979-03-19)
Schlagzeug:
Joe Galdo (US drummer & percussionist) (am 1979-02-01)
Sopransaxophon und Tenorsaxophon:
Johan Stengård (am 1979-03-19)
Synthesizer:
Benny Andersson (ABBA) (am 1979-02-01)
Tenorsaxophon:
Halldor Pálsson (am 1979-03-19)
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1979)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1979-02-01) und Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1979-03-19)
mixed at:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1979-03-20)
Remaster:
Voulez‐vous (edit) von ABBA (Swedish pop group)
recording of:
Voulez‐Vous (in 1979)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (beendet), Universal Music Publishing Group (beendet), Universal/Union Songs Musikförlag AB (beendet), EMI Waterford Music, Union Songs Music, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Artwork Music Co., Inc. (vom 1979 bis ????)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.75:07