Was het nu 70 of 80?

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Zanna
recording of:
Zanna
Verfasser(in):
Anna Domino (American singer) und Luc Van Acker (Belgian musician, producer & songwriter)
publisher:
Het Gerucht
Luc van Acker & Anna Domino3:09
2She Said the Same Things to Me
Mix:
Scott Hendricks (producer)
guitar family:
Mac Gayden
Bass-Gesang:
Willie Greene, Jr.
vocals:
Frieda Woody
recording of:
She Said the Same Things to Me
Texter und Komponist(in):
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Universal Music Careers
John Hiatt4:00
3The Way It Is
Techniker(in):
Elliot Scheiner
Produzent(in):
Bruce Hornsby und Elliot Scheiner
Klavier und Synthesizer:
Bruce Hornsby
Perkussion und Schlagzeug:
John Molo
vocals:
Bruce Hornsby
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), BMG Entertainment (in 1986), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
Texter und Komponist(in):
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) und Zappo Music (vom 1986 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby4.054:57
4Torch
Produzent(in):
Mike Thorne (UK producer & keyboardist)
recording of:
Torch
Texter:
Marc Almond (English pop singer and songwriter)
Komponist(in):
Dave Ball (UK electronic musician, part of Soft Cell)
publisher:
Arto Music Ltd.
Soft Cell4:07
5Be My Number Two
Techniker(in):
Rik Pekkonen
Bassgitarre:
Graham Maby (in 1984)
Flügel und Sologesang:
Joe Jackson (English musician) (in 1984)
Gitarre:
Vinnie Zummo (in 1984)
Saxophon:
Tony Aiello (in 1984)
Schlagzeug:
Gary Burke (in 1984)
arranger:
Joe Jackson (English musician)
aufgenommen bei:
Vanguard Studios (23rd Street, New York) in New York, New York, Vereinigte Staaten (in 1984)
recording of:
Be My Number Two (in 1984)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson34:22
6I Love the Sound of Breaking Glass
recording engineer:
Barry Farmer
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Mix:
Roger Bechirian
Bassgitarre:
Andrew Bodnar (bass player)
Gitarre:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Klavier:
Bob Andrews (keyboardist and producer)
Schlagzeug:
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
Tamburin:
Roger Bechirian
Hintergrundgesang:
Roger Bechirian und Nick Lowe (UK singer/songwriter/instrumentalist/producer)
recording of:
I Love the Sound of Breaking Glass
Texter:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Komponist(in):
Andrew Bodnar (bass player), Steve Goulding (English drummer for the Rumour, Mekons, etc.) und Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Nick Lowe43:12
7Suspicious Minds
cover recording of:
Suspicious Minds
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. und Sony/ATV Songs LLC
Fine Young Cannibals3.153:57
8Virginia Plain
Techniker(in):
Andy Hendriksen (in 1972-03)
Produzent(in):
Peter Sinfield
Bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
aufgenommen bei:
Command Studios in London (Greater London), England, Vereinigtes Königreich (in 1972-03)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 3) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 348)
recording of:
Virginia Plain (in 1972-03)
Texter und Komponist(in):
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. und Buggane Music, Ltd. (in 1972)
Roxy Music3.652:58
9You Get to Me
recording of:
You Get to Me
Texter und Komponist(in):
Jan Leyers (Belgian singer & songwriter)
Soulsister3:45
10Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:24
11I Scare Myself
cover recording of:
I Scare Myself
Texter und Komponist(in):
Dan Hicks
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Oh Boy Music Company
Thomas Dolby5:28
12The Future Is So Bright
Timbuk 33:22
13Nescio
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983)
recording of:
Nescio
Texter und Komponist(in):
Henk Hofstede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Nitsongs
Nits4:46
14Echo Beach
assistierende(r) Techniker(in):
Laurence Diana
Techniker(in):
Richard Manwaring (Producer)
Produzent(in):
Mike Howlett
phonographisches Urheberrecht (℗) von:
Dindisc Ltd (in 1980) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1979-08)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 87)
recording of:
Echo Beach
Texter und Komponist(in):
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:37
15Town Called Malice
Produzent(in):
The Jam (late 70s/early 80s UK punk/mod revival band) und Peter Wilson (UK Producer)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1981-12)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 151)
recording of:
Town Called Malice
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. und Universal Music Publishing MGB Australia
The Jam4.82:52
16Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:21
17Putain Putain
T.C. Matic5:54

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Teil von:Was het nu 70 of 80? (Nummer: 1) (Reihenfolge: 1)