Atlantic Records: The Time Capsule

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: 1948-1959
2▶CD: 1960-1967
3▼CD: 1967-1970
Nr.TitelKünstlerBewertungLänge
1Sunshine of Your Love
recording engineer:
Tom Dowd (von 1967-04 bis 1967-05)
Produzent(in):
Felix Pappalardi
Bass:
Jack Bruce (von 1967-04 bis 1967-05)
Gitarre:
Eric Clapton (von 1967-04 bis 1967-05)
Schlagzeug:
Ginger Baker (von 1967-04 bis 1967-05)
vocals:
Jack Bruce (von 1967-04 bis 1967-05) und Eric Clapton (von 1967-04 bis 1967-05)
phonographisches Urheberrecht (℗) von:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) und Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1967-04 bis 1967-05)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 65) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (von 1967-04 bis 1967-05)
Verfasser(in):
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce und Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
Cream4.14:12
2(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:43
3Tighten Up
recording engineer:
Bert Frilot
Produzent(in):
Skipper Lee Frazier
Sologesang:
Archie Bell (vocals, of Archie Bell & the Drells) (in 1967-10)
vocals:
Billy Buttier (in 1967-10), Joe Cross (in 1967-10) und James Wise (singer in Archie Bell & The Drells) (in 1967-10)
Interpret(in):
The TSU Toronadoes (in 1967-10)
aufgenommen bei:
Jones Town Studio in Houston, Texas, Vereinigte Staaten (in 1967-10)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Tighten Up (in 1967-10)
Texter:
Billy Butler (60-70s R&B singer)
Komponist(in):
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:12
4People Got to Be Free
Hintergrundgesang:
David Brigati
conductor:
Arif Mardin
arranger:
Arif Mardin
recording of:
People Got to Be Free
Verfasser(in):
Eddie Brigati und Felix Cavaliere (American singer, songwriter, record producer, and musician)
publisher:
Eddie Brigati Music, EMI April Music Inc., EMI Jamaxal Music Inc., Huna Music und Slacsar Pub. Co. Ltd.
The Rascals33:00
5In‐A‐Gadda‐Da‐Vida
recording engineer und Produzent(in):
Jim Hilton
Bassgitarre:
Lee Dorman
Gitarre:
Erik Brann (guitarist for Iron Butterfly)
Orgel:
Doug Ingle
Schlagzeug:
Ron Bushy
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Ultrasonic Studios in Hempstead, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 24) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
In‐A‐Gadda‐Da‐Vida
Texter und Komponist(in):
Douglas Lloyd Ingle
publisher:
Ten East‐Cotillion‐Itasca
Iron Butterfly4.2517:05
6Fire
Partner-Produzent(in):
Pete Townshend (of The Who)
Produzent(in):
Kit Lambert
Bass:
Sean Nicholas
Orgel:
Vincent Crane
Schlagzeug:
Dracken Theaker
vocals:
Arthur Brown
arranger:
Vincent Crane
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1968)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Fire
Verfasser(in):
Arthur Brown, Vincent Crane, Mike Finesilver und Peter Ker (producer and songwriter)
publisher:
Gowmonk, Inc. und Onward Music Ltd.
The Crazy World of Arthur Brown3.852:55
7Son‐Of‐A Preacher Man
Techniker(in):
Ed Kollis
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Bassgitarre:
Tommy Cogbill (in 1968-09)
Gitarre und Sitar:
Reggie Young (guitarist and songwriter) (in 1968-09)
Hybrid-Piano und Orgel:
Bobby Emmons (in 1968-09)
Schlagzeug:
Gene Chrisman (in 1968-09)
Hintergrundgesang:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
Blechblasinstrumente arranger:
Tom Dowd
Blechblasinstrumente und Saiteninstrumente arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1968)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 168) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 240)
recording of:
Son of a Preacher Man (in 1968-09)
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield4.452:26
8Good Times Bad Times
Techniker(in):
Glyn Johns
leitende(r) Produzent(in):
Peter Grant (English manager, notably of Led Zeppelin, Bad Company, and The Yardbirds among others)
Produzent(in):
Jimmy Page
E-Bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968-10)
Gitarre:
Jimmy Page (in 1968-10)
Schlagzeug:
John Bonham (in 1968-10)
vocals:
Robert Plant (of Led Zeppelin) (in 1968-10)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1968-10)
recording of:
Good Times Bad Times (von 1968-09 bis 1968-10)
Verfasser(in):
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Superhype Music, Inc., Superhype Publishing, Inc., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Led Zeppelin4.152:47
9Can’t Find My Way Home
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
Bass:
Ric Grech (in 1969-06)
Gitarre:
Eric Clapton (in 1969-06) und Steve Winwood (in 1969-06)
Schlagzeug:
Ginger Baker (in 1969-06)
vocals:
Steve Winwood (in 1969-06)
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 2001)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1969-06)
recording of:
Can’t Find My Way Home (in 1969-06)
Texter und Komponist(in):
Steve Winwood
publisher:
F.S. Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell Music Ltd. (1996–2019)
Blind Faith43:18
10Something in the Air
Produzent(in):
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
Texter und Komponist(in):
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) und Songs of Windswept Pacific
Thunderclap Newman43:54
11Suite: Judy Blue Eyes
recording engineer:
Bill Halverson
Produzent(in):
David Crosby, Graham Nash und Stephen Stills
Mix:
David Crosby, Bill Halverson, Graham Nash und Stephen Stills
Bassgitarre, Gitarre und Perkussion:
Stephen Stills (in 1969)
vocals:
David Crosby (in 1969), Graham Nash (in 1969) und Stephen Stills (in 1969)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
aufgenommen bei:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1969)
mixed at:
Wally Heider Recording Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 222) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 418)
recording of:
Suite: Judy Blue Eyes (in 1969)
Texter und Komponist(in):
Stephen Stills
publisher:
Gold Hill Music (BMI)
Crosby, Stills & Nash4.67:25
12Whipping Post
recording engineer und Produzent(in):
Adrian Barber (producer/engineer)
Akustikgitarre und Slide-Gitarre:
Duane Allman (in 1969-09)
Bass:
Berry Oakley (US bassist, The Allman Brothers Band) (in 1969-09)
Orgel und Klavier:
Gregg Allman (in 1969-09)
Schlagzeug und Perkussion:
Jai Johanny Johanson (in 1969-09) und Butch Trucks (in 1969-09)
vocals:
Gregg Allman (in 1969-09)
arranger:
The Allman Brothers Band
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1969-09)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 383) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 410)
recording of:
Whipping Post (in 1969-09)
Texter und Komponist(in):
Gregg Allman
publisher:
Elijah Blue Music, Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Allman Brothers Band4.355:18
13Compared to What
Les McCann & Eddie Harris8:38
14Take a Letter Maria
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1969-08-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
vocals:
R.B. Greaves (am 1969-08-19)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
conductor:
Arif Mardin (am 1969-08-19)
arranger:
Arif Mardin
recording of:
Take a Letter Maria (am 1969-08-19)
Texter und Komponist(in):
R.B. Greaves
publisher:
PolyGram Music Publishing
R.B. Greaves42:45
15Rainy Night in Georgia
Produzent(in):
Arif Mardin
Bass:
Harold Cowart (am 1969-09-11)
Gitarre:
Cornell Dupree (in 1969) und Jim O’Rourke (US musician & producer, b. 1969) (am 1969-09-11)
Instrumente:
Cold Grits (in 1969)
Klavier:
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (am 1969-09-11)
Mundharmonika:
Toots Thielemans (in 1969)
Orgel:
Billy Carter (organ, jazz) (am 1969-09-11)
Schlagzeug:
Ron Ziegler (drummer) (am 1969-09-11)
Hintergrundgesang:
The Sweet Inspirations (am 1969-09-11)
arranger:
Arif Mardin
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1969-09-11)
spätere Veröffentlichungen:
Rainy Night in Georgia von Brook Benton
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 498)
cover recording of:
Rainy Night in Georgia (am 1969-09-11)
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Brook Benton43:53
16Patches
cover recording of:
Patches
Verfasser(in):
Ronald Dunbar (Songwriter, A&R director and record producer) und Norman Johnson (US soul singer, R&B songwriter & producer)
Clarence Carter3:12
4▶CD: 1970-1973
5▶CD: 1974-1978
6▶CD: 1978-1983
7▶CD: 1983-1990
8▶CD: 1990-2001
9▶CD: 2001-2009

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