Music Lovers Choice, Volume 7: Authentic Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Caution: Like most of the cds in this series, pressed by PDO in the UK, laser rot (or effectively similar deterioration) makes it hard to properly read them any more.

Anmerkung zuletzt geändert am 2019-04-01 13:56 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Weihnachts-Oratorium: Jauchzet, Frohlocket
Chorgesang:
Chorus of Collegium Vocale, Ghent (in 1989-01)
Orchester:
Orchestra of Collegium Vocale, Ghent (in 1989-01)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1989-01)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
aufgenommen bei:
Mindersbroederskerk in Ghent (Gent), Oost-Vlaanderen (Provinz Ostflandern), Flanders (Flämische Region), Belgien (in 1989-01)
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1989-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:45
2Toccata, Adagio & Fugee in G major: Toccata
Cembalo:
Maggie Cole (harpsichordist)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
aufgenommen bei:
Fenton House (Hampstead) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
recording of:
Toccata G-Dur, BWV 916: I. Presto (von 1987-07 bis 1988-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Toccata G-Dur, BWV 916 (Toccata in G major, BWV 916)
Johann Sebastian Bach2:09
3Fantasy a 4 for the "Great Dooble Base"
Orgel:
Paul Nicholson (harpsichordist & organist)
Saiteninstrumente [viols]:
Fretwork (consort of viols)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Fantasy a 4 for the "Great Dooble Base"
Komponist(in):
Orlando Gibbons (composer)
Orlando Gibbons4:33
4Stingo/Paggington’s Pound
Geige / Violine:
David Douglass (conductor, violinist, producer)
Instrumente:
The Musicians of Swanne Alley (US early music ensemble)
Soprangesang:
Emily Van Evera (soprano)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Paggington’s Pound
Verfasser(in):
[anonymous] (special purpose artist)
recording of:
Stingo
Verfasser(in):
[anonymous] (special purpose artist)
[anonymous]5:08
5Fantasia de redobles
vihuela:
Christopher Wilson (lute and theorbo player)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Fantasia de redobles
Komponist(in):
Miguel de Fuenllana
Miguel de Fuenllana2:03
6Tirsi morir volea
Orchester:
The Consort of Musicke (British early-music group)
conductor:
Anthony Rooley (lute player / conductor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Tirsi morir volea
Komponist(in):
Giaches de Wert (Franco-Flemish 16th century composer)
Teil von:
Il settimo libro de madrigali (Seventh book of madrigals of Giaches De Wert for mostly five voices, pub. 1577) (Nummer: 12)
Giaches de Wert4:03
7Symphony no. 9: Scherzo
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Sir Charles Mackerras (Australian conductor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Symphony no. 9 in C major, D. 944 “The Great”: III. Scherzo. Allegro vivace
Komponist(in):
Franz Schubert (composer) (von 1825-07 bis 1826-07)
Teil von:
Symphony no. 9 in C major, D. 944 “The Great”
Franz Schubert3:08
8Clarinet Concerto no. 2: Romanza
Produzent(in):
James Mallinson (producer)
Klarinette:
Antony Pay (clarinetist) (von 1987-10-21 bis 1987-10-23)
Orchester:
Orchestra of the Age of Enlightenment (von 1987-10-21 bis 1987-10-23)
conductor:
Antony Pay (clarinetist)
Tonmeister(in):
Nicholas Parker (classical violinist, producer, engineer)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (von 1987-10-21 bis 1987-10-23)
recording of:
Clarinet Concerto no. 2 in E-flat major, op. 74: II. Andante con moto (von 1987-10-21 bis 1987-10-23)
Komponist(in):
Carl Maria von Weber (composer) (in 1811)
Teil von:
Clarinet Concerto no. 2 in E-flat major, op. 74 (Concerto for Clarinet and Orchestra no. 2 in E-flat major, op.74)
Carl Maria von Weber6:47
9A Midsummer Night’s Dream: Scherzo
Orchester:
Orchestra of the Age of Enlightenment
conductor:
Sir Charles Mackerras (Australian conductor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1842)
Teil von:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:41
10Leçons de ténèbres: Iod/Caph
Soprangesang:
Noémi Rime (Soprano)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
Michel Lambert5:06
11Pièces de clavecin en concerts: Premier concert II, III
Cembalo:
Mitzi Meyerson (harpsichordist)
Geige / Violine:
Monica Huggett (violinist)
viola da gamba:
Sarah Cunningham (classical string player)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7: La Livri (pour clavecin seul)
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7
recording of:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7: Le Vézinet
Komponist(in):
Jean‐Philippe Rameau (French composer of the Baroque era)
Teil von:
Pieces de Clavecin en Concerts, Premier Concert, RCT 7
Jean‐Philippe Rameau6:11
12Flow My Tears
Audio-Engineering:
Mike Hatch (engineer/editor) (in 1987-11)
Laute:
Paul O’Dette (American conductor and lute player specialising in early music)
Tenor-Gesang:
Nigel Rogers (tenor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
aufgenommen bei:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, Vereinigtes Königreich (in 1987-11)
recording of:
The Second Booke of Songs or Ayres, No. 2: "Flow My Tears" (in 1987-11)
Komponist(in):
John Dowland (English Renaissance composer, lutenist, and singer) (in 1600)
Teil von:
The Second Booke of Songs or Ayres
John Dowland4:17
13Symphony no. 26: Allegro assai con spirito
Techniker(in):
Heinz Wildhagen (engineer, producer) (in 1988-03)
leitende(r) Produzent(in):
Simon Foster (executive producer)
Produzent(in):
Heinz Wildhagen (engineer, producer)
Orchester:
La Petite Bande (Belgian chamber orchestra) (in 1988-03)
conductor:
Sigiswald Kuijken (in 1988-03)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1988)
aufgenommen bei:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1988-03)
recording of:
Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”: I. Allegro assai con spirito (in 1988-03)
Komponist(in):
Joseph Haydn (composer) (in 1768)
Teil von:
Symphony no. 26 in D minor, Hob. I:26 “Lamentatione”
Joseph Haydn4:03
14Clarice Cara
Bass-Gesang:
Harry van der Kamp (operatic bass)
Tenor-Gesang:
Christoph Prégardien (tenor)
Orchester:
La Petite Bande (Belgian chamber orchestra)
conductor:
Sigiswald Kuijken
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Aria for Tenor & Orchestra in D major, K. 256: "Clarice cara mia sposa"
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Köchelverzeichnis (original numbering) (Nummer: 256) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 256)
Wolfgang Amadeus Mozart1:40
15Brandenburg Concerto no. 5: Affettuoso
Cembalo:
Malcolm Proud (harpsichordist)
flute:
Lisa Beznosiuk (flautist)
Geige / Violine:
Elizabeth Wallfisch (violinist)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Version von:
Concerto D-Dur, BWV 1050a: II. Adagio
Teil von:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:11
16Messe nn h-Moll: Benedictus/Osanna
Chorgesang:
Chorus of Collegium Vocale, Ghent
Tenor-Gesang:
Howard Crook (tenor)
Orchester:
Orchestra of Collegium Vocale, Ghent
conductor:
Philippe Herreweghe (Belgian conductor)
phonographisches Urheberrecht (℗) von:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus")
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis")
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:33

Nennungen

Veröffentlichung

hergestellt in:England, Vereinigtes Königreich
gedruckt in:the UK
hergestellt von:PDO (Philips DuPont Optical, Blackburn, UK)
urheberrechtlich geschützt (©) von:Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1989)
Teil von:Veritas (Virgin Classics) (Reihenfolge: 1)
Discogs:https://www.discogs.com/release/7917009 [Info]