Closed Collection Vol. 1

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Johnny Come Home
Produzent(in):
Andy Cox (Composer) und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
phonographisches Urheberrecht (℗) von:
London Records (UK, 1947–1999, re-launched 2011–present) (in 1985)
Musikvideos:
Johnny Come Home von Fine Young Cannibals
recording of:
Johnny Come Home
Verfasser(in):
Roland Gift und David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1985)
Fine Young Cannibals3.73:36
2Tainted Love
Techniker(in):
Paul Hardiman
Produzent(in):
Mike Thorne (UK producer & keyboardist)
Mix:
Harvey Goldberg
elektronische Instrumente und andere Instrumente:
Dave Ball (UK electronic musician, part of Soft Cell)
Saxophon:
David Tofani
Hintergrundgesang:
Vicious Pink
vocals:
Marc Almond (English pop singer and songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
aufgenommen bei:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Tainted Love von Soft Cell (1980s English synth‐pop duo)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 8), New York Post: 100 Greatest Covers (2007) (Nummer: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 33) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 46)
cover recording of:
Tainted Love
Texter und Komponist(in):
Ed Cobb
publisher:
Burlington Music Co., Ltd. und Embassy Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:42
3Cruel Summer
Produzent(in):
Steve Jolley und Tony Swain (songwriter, producer)
Sologesang:
Sara Dallin (in 1983-04), Siobhan Fahey (in 1983-04) und Keren Woodward (in 1983-04)
Interpret(in):
Bananarama (in 1983-04)
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1983) und London Records Ltd. (not release label) (in 1984)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 44) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 414)
recording of:
Cruel Summer (in 1983-04)
Texter:
Sara Dallin, Siobhan Fahey, Steve Jolley, Tony Swain (songwriter, producer) und Keren Woodward
Komponist(in):
Leo Birenberg (soundtrack composer), Sara Dallin, Siobhan Fahey, Steve Jolley, Kari Kimmel (singer, songwriter, composer, producer, piano, guitar), Tony Swain (songwriter, producer) und Keren Woodward
publisher:
In a Bunch Music Ltd., PolyGram Songs, Red Bus Music Ltd., Reverb Music Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bananarama43:35
4Fantasy
Produzent(in):
Groove Groove Melody
Mix:
Daniele Davoli "DJ Lelewel", Mirko Limoni und Valerio Semplici (Black Box)
conductor:
Daniele Davoli "DJ Lelewel", Mirko Limoni und Valerio Semplici (Black Box)
arranger:
Daniele Davoli "DJ Lelewel", Mirko Limoni und Valerio Semplici (Black Box)
cover recording of:
Fantasy
Verfasser(in):
Eduardo Del Barrio (Eduardo Gutiérrez del Barrio), Maurice White (Earth, Wind & Fire) und Verdine White
publisher:
Criga Music, EMI Songs Australia Pty. Ltd. und Saggifire Music
Black Box5:16
5Love Is a Shield
recording of:
Love Is a Shield
Texter:
Peter Godwin, Oliver Kreyssig und Marcus Meyn
Komponist(in):
Heiko Maile
publisher:
Blue Box Publishing Promotion Karin Wirthmann
Camouflage4:02
6More, More, More
Mix:
Harvey Goldberg
recording of:
More, More, More
Verfasser(in):
Gerry Darby, Carmel McCourt, Jim Paris (Jim Parris) und Pete Saunders (British keyboardist)
Carmel6:26
7Ain't Necessarily So
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1984)
cover recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
Bronski Beat4:43
8You Keep It All In
zusätzliche membranophone-Programmierung:
Mel Wesson
Techniker(in):
Ian Grimble und Dave Meegan (producer)
Produzent(in):
Mike Hedges (UK producer/recording engineer)
Bassgitarre:
Sean Welch
Flügelhorn und Trompete:
John Thirkell (British trumpet and flugelhorn player)
flute und Saxophon:
Gary Barnacle
Gitarre:
Dave Rotheray
Keyboard:
Mel Wesson
Keyboard und Klavier:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Perkussion:
Martin Ditcham
Posaune:
Peter Thoms (trombone)
Schlagzeug:
David Stead
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1989)
recording of:
You Keep It All In
Texter:
Paul Heaton
Komponist(in):
Paul Heaton und Dave Rotheray
publisher:
Island Music Ltd.
The Beautiful South3.352:55
9Latin Lover
leitende(r) Produzent(in):
Peter Zumsteg
Produzent(in):
Gianna Nannini und Conny Plank (German producer and sound engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
produced for:
G.N. S.R.L. (company; do NOT use as release label)
recording of:
Latin Lover
Texter:
Gianna Nannini
Komponist(in):
Gianna Nannini und Mauro Paoluzzi
publisher:
Ed. Jubal (publisher; do NOT use as release label) (in 1982), Intersong Italiana (publisher; do NOT use as release label) (in 1982) und Z-Muzik (publisher; do NOT use as release label) (in 1982)
Gianna Nannini4:37
10Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:54
11Tears in the Rain
recording of:
Tears in the Rain
Verfasser(in):
Desmond Child und Diane Warren (US songwriter)
publisher:
Realsongs und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Robin Beck4:44
12Breathless
Produzent(in):
Lou Depryck
recording of:
Breathless
Verfasser(in):
Philippe Allaert (Belgian jazz/fusion drummer, producer) und Viktor Lazlo (French-Belgian singer)
Viktor Lazlo3:42
13This Is the World Calling
recording of:
This Is the World Calling
Verfasser(in):
Raymond Doom und Bob Geldof
publisher:
Intersong Music Ltd., NOB Music (publisher) und RCA Music Ltd. (publisher)
Bob Geldof4:50
14Dub Be Good to Me
Produzent(in):
Norman Cook
Mix:
Simon Thornton (Big beat mixing engineer)
Sologesang:
Lindy Layton
Interpret(in):
Lindy Layton
Samples:
L’uomo dell’armonica von Ennio Morricone (Italian classical and score composer) und The Guns of Brixton (original studio mix) von The Clash (70s–80s British punk rock band)
recording of:
Dub Be Good to Me
Komponist(in):
Norman Cook, James Harris III (James Harris of Jam & Lewis) und Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Version von:
Just Be Good to Me
Beats International3:39

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