Classic Pop Groups

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

℗ & © «2016 Spectrum Music»
℗ «This Compilation»

Annotazione modificata l'ultima volta il 2021-07-22 06:32 UTC.

Elenco tracce

1▶Supporto digitale
2▼Supporto digitale
#TitoloArtistaValutazioneDurata
1I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
The Jackson 54.153:02
2Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:38
3Baby Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
basso :
James Jamerson (il 1964-08-13)
batteria :
Richard "Pistol" Allen (il 1964-08-13)
calpestio di piedi [footstomps] :
Michael Valvano (il 1964-08-13)
chitarra :
Eddie Willis (il 1964-08-13)
pianoforte :
Earl Van Dyke (il 1964-08-13)
sassofono baritono :
Mike Terry (60s US soul arranger/conductor) (il 1964-08-13)
sassofono tenore :
Henry Cosby (il 1964-08-13)
strumenti:
The Funk Brothers (il 1964-08-13)
vibrafono :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (il 1964-08-13)
voce di accompagnamento:
Florence Ballard (il 1964-08-13) e Mary Wilson (il 1964-08-13)
voce principale:
Diana Ross (il 1964-08-13)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1964-08-13)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 324) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 499)
registrazione di:
Baby Love (il 1964-08-13)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Jobete Music (UK) Ltd. e Stone Agate Music Division
The Supremes4.352:37
4Daydream Believer
produttore:
Chip Douglas
basso :
Chip Douglas (dal 1967-06-14 al 1967-08-09)
batteria :
Eddie Hoh (dal 1967-06-14 al 1967-08-09)
chitarra :
Michael Nesmith (dal 1967-06-14 al 1967-08-09)
percussione :
William E. Martin (dal 1967-06-14 al 1967-08-09)
pianoforte :
Peter Tork (dal 1967-06-14 al 1967-08-09)
tromba :
Pete Candoli (dal 1967-06-14 al 1967-08-09), Al Porcino (dal 1967-06-14 al 1967-08-09) e Manuel Stevens (dal 1967-06-14 al 1967-08-09)
trombone :
Richard Noel (trombonist) (dal 1967-06-14 al 1967-08-09)
trombone basso :
Richard Leith (trombonist) (dal 1967-06-14 al 1967-08-09) e Phil Teele (dal 1967-06-14 al 1967-08-09)
violino :
Nathan Kaproff (dal 1967-06-14 al 1967-08-09), George Kast (dal 1967-06-14 al 1967-08-09), Alex Murray (violinist) (dal 1967-06-14 al 1967-08-09) e Erno Neufeld (dal 1967-06-14 al 1967-08-09)
voce di accompagnamento:
Micky Dolenz (dal 1967-06-14 al 1967-08-09)
voce principale:
Davy Jones (The Monkees member) (dal 1967-06-14 al 1967-08-09)
arrangiatore corno e archi :
Shorty Rogers (trumpet)
video musicali:
Daydream Believer di The Monkees
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 39)
registrazione di:
Daydream Believer (dal 1967-06-14 al 1967-08-09)
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees4.652:54
5Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.652:04
6I’m Gonna Be (500 Miles)
tecnico:
Barry Hammond
produttore:
Pete Wingfield (keyboardist, singer, producer, songwriter)
batteria :
Paul Robinson (UK drummer, also Turning Point member)
chitarra acustica :
Jerry Donahue e Charlie Reid
chitarra basso :
Phil Cranham
chitarra elettrica :
Jerry Donahue
chitarra steel :
Gerry Hogan
fisarmonica :
Dave Whetstone
mandolino e tin whistle :
Stuart Nisbet
tastiera :
Pete Wingfield (keyboardist, singer, producer, songwriter)
violino folk :
Steve Shaw (Steve Brennan)
voce:
Charlie Reid e Craig Reid
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1988) e Chrysalis Records, Inc. (not for release label use!) (nel 1988)
registrata presso e mixata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 21)
registrazione di:
I’m Gonna Be (500 Miles)
autore:
Charlie Reid e Craig Reid
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:38
7Take on Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.43:47
8Is There Something I Should Know
co-produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
produttore:
Duran Duran (English rock band) e Ian Little (producer, engineer, songwriter)
tecnico di missaggio:
Ian Little (producer, engineer, songwriter) e Alex Sadkin
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
registrazione di:
Is There Something I Should Know?
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
Duran Duran3.14:10
9Poison Arrow
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
voce principale:
Martin Fry
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
The Downloader’s Music Source Book (numero: 76)
registrazione di:
Poison Arrow
autore:
Martin Fry, Mark Lickley, Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Virgin Music (Publishers) Ltd. e Virgin Music (Publishing) Ltd.
parte di:
Mantrap (ABC long-form film)
ABC4.43:25
10Labour of Love (edit)
produttore:
The Was Bros
registrazione di:
Labour of Love
autore:
Gregory Kane e Patrick Kane
Hue and Cry3.23:33
11Down to Earth
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1986)
registrazione di:
Down to Earth
autore:
Toby Andersen (keyboardist), Julian Godfrey Brookhouse, Michael Drummond, Nicholas Bernard Thorp e Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
editore:
Chelsea Music Publishing Co., Ltd., Curio Sounds Ltd. e Warner Bros. (holding: file NO releases)
Curiosity Killed The Cat43:50
12You Sexy Thing (single version)
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975) e CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1984)
registrazione di:
You Sexy Thing (nel 1975)
autore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.854:06
13Shattered Dreams
produttore:
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) e Mike Nocito
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1987)
registrazione di:
Shattered Dreams
paroliere e compositore:
Clark Datchler
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sweet Oily Music
Johnny Hates Jazz4.53:29
14True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:32
15Goodnight Girl
diritti fonografici (℗) detenuti da:
PolyGram e Mercury Records Ltd. (not for release label use!) (nel 1992)
registrazione di:
Goodnight Girl
autore:
Graeme Clark (founder member of Wet Wet Wet), Tom Cunningham (Scottish musician, drummer for Wet Wet Wet), Neil Mitchell e Marti Pellow
editore:
Chrysalis e Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Wet Wet Wet43:41
16When You Say Nothing at All
programmazione e produttore:
Stephen Lipson
tecnico e tecnico di missaggio:
Heff Moraes
basso :
Stephen Lipson
batteria :
Andy Duncan (UK drummer and producer)
chitarra :
Dominic Miller (guitarist)
fisarmonica e fischietto :
James McNally
tastiera :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Ronan Keating
voce di accompagnamento:
Tessa Niles e Miriam Stockley
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1999) e Polygram Ireland Ltd. (nel 1999)
registrata presso:
Metropolis (London) in London (Greater London), England, Regno Unito e The Aquarium (Studio) in London (Greater London), England, Regno Unito
mixata presso:
The Aquarium (Studio) in London (Greater London), England, Regno Unito
registrazione cover di:
When You Say Nothing at All
autore:
Paul Overstreet (country singer and songwriter) e Don Schlitz
Boyzone2.754:18
17Time (Clock of the Heart)
assistente tecnico:
Gordon Milne (engineer)
tecnico:
Steve Levine (producer) e Mike Ross (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
basso e moog [Moog bass] :
Michael Craig (Culture Club bassist)
batteria e tamburello :
Jon Moss
campane tubolari e chitarra :
Roy Hay (Member of Culture Club and composer for film and television)
sassofono :
Steve Grainger (saxophonist)
tastiera aggiunto:
Phil Pickett (songwriter, producer, keyboard player)
voce di accompagnamento:
Helen Terry (UK singer)
voce principale:
Boy George
arrangiatore archi :
Trevor Bastow
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983)
è stato produttore per:
Do Not Erase Productions Ltd.
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Red Bus Studios in London (Greater London), England, Regno Unito
video musicali:
Time (Clock of the Heart) di Culture Club (English pop group)
registrazione di:
Time (Clock of the Heart)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd. (nel 1982)
Culture Club3.83:39
18He Ain’t No Competition
registrazione di:
He Ain't No Competition
compositore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., Mike Stock Publishing Limited, Sid’s Songs Limited, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Brother Beyond3:22
19Crazy for You
produttore:
Nicky Graham
registrazione di:
Crazy for You
paroliere e compositore:
Richie Wermerling
Let Loose2.354:09
20Hands to Heaven (radio mix)
registrazione di:
Hands to Heaven
autore:
David Glasper (Singer - Performer, author & lyricist) e Marcus Lillington
editore:
Virgin Music (Publishers) Ltd. (nel 1988)
Breathe4:19
3▶Supporto digitale

Accreditamenti