Masses BWV 233-236

~ Uitgave van Johann Sebastian Bach (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▼cd: Masses BWV 233 & 234
#TitelArtiestWaarderingDuur
1Mass in F major, BWV 233: I. Kyrie
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
koor:
Dresdner Kreuzchor
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe F-Dur, BWV 233: I. Coro "Kyrie eleison" (van 1972-04 tot 1972-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1738)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
versie van:
Kyrie eleison F-Dur, BWV 233a "Christe, du Lamm Gottes"
deel van:
Messe F-Dur, BWV 233
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig5:03
2Mass in F major, BWV 233: II. Gloria
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
koor:
Dresdner Kreuzchor
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe F-Dur, BWV 233: II. Coro "Gloria in excelsis Deo" (van 1972-04 tot 1972-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1738)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe F-Dur, BWV 233
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig6:37
3Mass in F major, BWV 233: III. Domine Deus
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
basvocalen:
Theo Adam (German classical bass-baritone)
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe F-Dur, BWV 233: III. Aria (Bass) "Domine Deus" (van 1972-04 tot 1972-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1738)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe F-Dur, BWV 233
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig3:30
4Mass in F major, BWV 233: IV. Qui tollis
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
sopraanvocalen:
Renate Krahmer (soprano)
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe F-Dur, BWV 233: IV. Aria (Soprano) "Qui tollis peccata mundi" (van 1972-04 tot 1972-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1738)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
deel van:
Messe F-Dur, BWV 233
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig4:57
5Mass in F major, BWV 233: V. Quoniam
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
altvocalen:
Annelies Burmeister (contralto)
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe F-Dur, BWV 233: V. Aria (Alto) "Quoniam tu solus sanctus" (van 1972-04 tot 1972-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1738)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 102 "Herr, deine Augen sehen nach dem Glauben"
deel van:
Messe F-Dur, BWV 233
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig4:42
6Mass in F major, BWV 233: VI. Cum Sancto Spirito
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
koor:
Dresdner Kreuzchor
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe F-Dur, BWV 233: VI. Coro "Cum sancto spiritu" (van 1972-04 tot 1972-06)
had de première in:
Leipzig, Sachsen (Saxony), Duitsland
gecomponeerd in:
Leipzig, Sachsen (Saxony), Duitsland (in 1738)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
is gebaseerd op:
Kantate, BWV 40 "Darzu ist erschienen der Sohn Gottes": I. Coro "Darzu ist erschienen der Sohn Gottes"
deel van:
Messe F-Dur, BWV 233
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig3:13
7Mass in A major, BWV 234: I. Kyrie
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
koor:
Dresdner Kreuzchor
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe A-Dur, BWV 234: I. Coro "Kyrie eleison" (van 1972-04 tot 1972-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe A-Dur, BWV 234
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig7:03
8Mass in A major, BWV 234: II. Gloria
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
koor:
Dresdner Kreuzchor
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe A-Dur, BWV 234: II. Coro "Gloria in excelsis Deo" (van 1972-04 tot 1972-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe A-Dur, BWV 234
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig5:38
9Mass in A major, BWV 234: III. Domine Deus
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
basvocalen:
Theo Adam (German classical bass-baritone)
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe A-Dur, BWV 234: III. Aria (Bass) "Domine Deus" (van 1972-04 tot 1972-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe A-Dur, BWV 234
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig6:13
10Mass in A major, BWV 234: IV. Qui tollis
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
sopraanvocalen:
Renate Krahmer (soprano)
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe A-Dur, BWV 234: IV. Aria (Soprano) "Qui tollis peccata mundi" (van 1972-04 tot 1972-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe A-Dur, BWV 234
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig6:52
11Mass in A major, BWV 234: V. Quoniam
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
altvocalen:
Annelies Burmeister (contralto)
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe A-Dur, BWV 234: V. Aria (Alto) "Quoniam tu solus sanctus" (van 1972-04 tot 1972-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe A-Dur, BWV 234
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig3:37
12Mass in A major, BWV 234: VI. Cum Sancto Spirito
technicus:
Gerald Junge (sound engineer)
producent:
Reimar Bluth
koor:
Dresdner Kreuzchor
orkest:
Dresdner Philharmonie (Dresden Philharmonic Orchestra)
was dirigent:
Martin Flämig
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland
is een opname van:
Messe A-Dur, BWV 234: VI. Coro "Cum sancto spiritu" (van 1972-04 tot 1972-06)
componist:
Johann Sebastian Bach (German Baroque period composer & musician)
deel van:
Messe A-Dur, BWV 234
Johann Sebastian Bach; Dresdner Kreuzchor, Dresdner Philharmonie, Martin Flämig3:25
2▶cd: Masses BWV 235 & 236