The Classics (deluxe edition)

~ Pubblicazione di Tony Bennett (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

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#TitoloValutazioneDurata
1The Boulevard of Broken Dreams (Gigolo and Gigolette)
voce:
Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Boulevard of Broken Dreams (Green Day)
paroliere:
Billie Joe Armstrong
compositore:
Green Day
registrazione cover di:
Boulevard of Broken Dreams
paroliere:
Al Dubin (nel 1933)
compositore:
Harry Warren (US composer and lyricist) (nel 1933)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019) e 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
42nd Street (full musical)
2:58
2Because of You
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
Percy Faith
registrazione cover di:
Because of You (il 1951-04-04)
autore:
Arthur Hammerstein e Dudley Wilkinson
editore:
Julian Stearns Arena Music, Inc
43:00
3Cold, Cold Heart
pianoforte :
John Bunch (jazz pianist)
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Cold, Cold Heart
paroliere e compositore:
Hank Williams (country music legend)
editore:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1951-02-16)
2:40
4Blue Velvet
voce:
Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione cover di:
Blue Velvet (il 1951-07-17)
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3:04
5Rags to Riches
voce:
Tony Bennett (US jazz/standards vocalist) e Tony Bennett (US jazz/standards vocalist)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione di:
Rags to Riches (il 1953-03-17)
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
registrazione cover di:
Rags to Riches
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
2:51
6Stranger in Paradise
registrata a:
New York, Stati Uniti (il 1953-10-13)
voce:
Tony Bennett (US jazz/standards vocalist), Tony Bennett (US jazz/standards vocalist) e The Ray Charles Singers
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti
registrazione cover di:
Stranger in Paradise (popular song from the 1953 musical “Kismet”) (il 1953-10-13)
paroliere:
George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
compositore:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) e Robert Wright (US stage & screen composer & lyricist)
editore:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Frank Music Co. Ltd. (dal 1953 a oggi)
si basa su:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
parte di:
Kismet (full musical)
3:08
7Just in Time
voce:
Tony Bennett (US jazz/standards vocalist) (il 1956-09-19)
orchestra:
Percy Faith & His Orchestra (Faith’s orchestra before his death in 1976)
registrazione di:
Just in Time (Bells Are Ringing) (il 1956-09-19)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
registrazione cover di:
Just in Time (Bells Are Ringing)
paroliere:
Betty Comden (nel 1956) e Adolph Green (nel 1956)
compositore:
Jule Styne (nel 1956)
editore:
Chappell Music (UK), Stratford Music Corporation e Warner/Chappell North America
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Bells Are Ringing (stage musical)
2:35
8The Way You Look Tonight
registrazione cover di:
The Way You Look Tonight (from “Swing Time”)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
3:07
9Put on a Happy Face
voce:
Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
Frank De Vol
registrazione cover di:
Put On a Happy Face (Bye Bye Birdie)
paroliere:
Lee Adams (US musical theatre lyricist & librettist)
compositore:
Charles Strouse
editore:
Edwin H. Morris & Company (a division of MPL Communications Inc.)
parte di:
Bye Bye Birdie
2:41
10I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-01-23)
direttore d'orchestra:
Marty Manning
arrangiatore:
Marty Manning
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
32:55
11I Wanna Be Around
tecnico:
Ted Brosnan e Frank Laico
produttore:
Ernest Altschuler
pianoforte :
Ralph Sharon (il 1962-10-19)
voce:
Tony Bennett (US jazz/standards vocalist) (il 1962-10-19)
direttore d'orchestra:
Marty Manning (il 1962-10-19)
arrangiatore:
Ralph Burns e Marty Manning
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (il 1962-10-19)
registrazione cover di:
I Wanna Be Around (il 1962-10-19)
paroliere:
Johnny Mercer e Sadie Vimmerstedt
compositore:
Johnny Mercer
editore:
Commander Publications
2:14
12The Good Life
pianoforte :
John Bunch (jazz pianist) e Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
registrazione cover di:
The Good Life
paroliere:
Jack Reardon (American songwriter)
compositore:
Sacha Distel (nel 1962)
editore:
Intersong USA, Inc. (publisher) e Prosadis
versione di:
Marina
42:18
13Who Can I Turn To (When Nobody Needs Me)
voce:
Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
George Siravo
arrangiatore:
George Siravo
registrazione cover di:
Who Can I Turn To (When Nobody Needs Me)
autore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Concord Music Ltd, Downtown DMP Songs, Musical Comedy Prods. e TRO Muscal Comedy Productions, Inc.
parte di:
The Roar of the Greasepaint – The Smell of the Crowd
2:58
14If I Ruled the World
produttore:
Ernie Altschuler
produttore esecutivo:
Danny Bennett
basso :
Hal Gaylor (Canadian bassist)
batteria :
William "Billy" Exiner
pianoforte :
Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
arrangiatore:
Don Costa (US pop music arranger & producer)
registrazione cover di:
If I Ruled the World (Pickwick)
paroliere:
Leslie Bricusse
compositore:
Cyril Ornadel
editore:
Delfont Music
parte di:
Pickwick
3:03
15My Favorite Things
voce:
Tony Bennett (US jazz/standards vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1968)
registrazione cover di:
My Favorite Things (The Sound of Music)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
American Splendor
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
registrazione di:
My Favorite Things (The Sound of Music)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
Williamson Music Company
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
American Splendor
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
3:19
16How Do You Keep the Music Playing
registrazione cover di:
How Do You Keep the Music Playing?
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
compositore:
Michel Legrand
editore:
Warner Olive Music LLC e WB Music Corp. (1929–2019) (nel 1982)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
4:21
17When Do the Bells Ring for Me
produttore:
Danny Bennett
pianoforte :
Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
registrata presso:
Master Sound Astoria in Astoria, New York, New York, Stati Uniti (il 1989-05-18)
registrazione di:
When Do the Bells Ring for Me
paroliere e compositore:
Charles DeForest
editore:
Benedetto Music
registrazione cover di:
When Do the Bells Ring for Me
paroliere e compositore:
Charles DeForest
editore:
Benedetto Music
2:58
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