Love Action 80's: 54 Classic Love Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:30
2Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:24
3No Regrets
registrazione cover di:
No Regrets
paroliere e compositore:
Tom Rush
editore:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music e Westminster Music Ltd.
Midge Ure34:02
4Something's Gotten Hold of My Heart
registrazione cover di:
Something’s Gotten Hold of My Heart
paroliere e compositore:
Roger Cook (US‐based British singer, songwriter and producer) e Roger Greenaway
editore:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e PolyGram Music Publishing
Marc Almond & Gene Pitney4:40
5Thinking of You
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 50)
registrazione di:
Thinking of You
autore:
Terry Hall e Toby Lyons
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
The Colourfield33:29
6What Becomes of the Broken Hearted
registrazione cover di:
What Becomes of the Brokenhearted
autore:
James Dean (US soul songwriter), Paul Riser e William Weatherspoon
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Jobete Music (UK)
Dave Stewart3:55
7Love Don't Live Here Anymore
registrazione cover di:
Love Don’t Live Here Anymore
paroliere e compositore:
Miles Gregory
editore:
Sony/ATV Ballad e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Jimmy Nail3:53
8More Than I Can Say
produttore:
Alan Tarney
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Rhino Entertainment Company (not for release label use!) (nel 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1980) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
registrazione cover di:
More Than I Can Say (nel 1980)
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
registrazione di:
More Than I Can Say
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:35
9Everybody's Gotta Learn Sometime
diritti fonografici (℗) detenuti da:
Action Replay Records (nel 1990)
registrazione di:
Everybody’s Got to Learn Sometime
paroliere e compositore:
James Warren (English singer and guitarist)
editore:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (nel 1980) e Warner Bros. Ltd. (publisher) (nel 1980)
The Korgis4.054:06
10Sexy Eyes
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979)
registrazione di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
registrazione cover di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters (Country music singer and songwriter)
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
Dr. Hook42:55
11Heart and Soul
tecnico:
Jerry Napier
produttore:
Roy Thomas Baker (producer)
altri strumenti [other bits] e chitarra [guitar solos] solista :
Taj Wyzgowski
altri strumenti [some bits] e chitarra [rhythm guitar] :
Ron Rogers (Ronald Phillip Rogers, T'Pau)
basso :
Paul Jackson (T'Pau bassist)
batteria [drums] e percussione :
Tim Burgess (T'Pau drummer)
tastiera [keyboards] :
Michael Chetwood
voce:
Carol Decker
diritti fonografici (℗) detenuti da:
Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1987)
è stato produttore per:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 69)
registrazione di:
Heart and Soul
autore:
Carol Decker e Ron Rogers (Ronald Phillip Rogers, T'Pau)
editore:
AMP Publishing Ltd e Virgin Music (Publishing) Ltd.
T’Pau4.254:10
12(I Just) Died in Your Arms Tonight
tecnico:
Terry Brown (producer)
produttore:
Terry Brown (producer), Cutting Crew e John Jansen (US recording engineer and producer)
tecnico di missaggio:
Tim Palmer (British producer/mixer)
basso :
Colin Farley
batteria , percussione e tamburello :
Martin Beedle
chitarra acustica , chitarra elettrica e sintetizzatore [E-mu Emulator] :
Kevin MacMichael
pianoforte :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce di accompagnamento:
Peter Birch
voce principale:
Nick Van Eede
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) e Siren Records Ltd. (company and copyrights holder. File NO releases) (nel 1986)
registrata presso:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
mixata presso:
Utopia Studios (London) in London (Greater London), England, Regno Unito
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 26)
registrazione di:
(I Just) Died in Your Arms
paroliere e compositore:
Nick Van Eede
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. e Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:33
13Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:27
14Bette Davis Eyes
tecnico di registrazione:
Val Garay (nel 1981-01)
produttore:
Val Garay
chitarra elettrica :
Waddy Wachtel (nel 1981-01)
voce principale:
Kim Carnes (nel 1981-01)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1981), EMI America Records, Inc. (holding – file NO releases here!) (nel 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1981) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1997)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (nel 1981-01)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 18) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 425)
registrazione cover di:
Bette Davis Eyes (nel 1981-01)
autore:
Jackie DeShannon e Donna Weiss
editore:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. e Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:40
15Imagination
registrazione di:
Imagination
paroliere e compositore:
Neville Keighley
Belouis Some33:34
16Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.653:30
17C'est la vie
registrazione di:
C’est la vie
autore:
Mark Holding, Robbie Nevil e Duncan Pain (songwriter)
editore:
AFG House Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Colgems-EMI Music Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dresden China Music (A), EMI Music Publishing (do not use as a release label!), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), PolyGram Music Publishing, Universal‐MCA Music Publishing (US), Warner/Chappell Music Ltd. (1996–2019) e WC Music Corp.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Robbie Nevil3:02
18Love Is a Battlefiled
produttore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman e Peter Coleman (British engineer & producer)
tecnico di missaggio:
Neil Giraldo (multi-instrumentalist, songwriter, producer) e Peter Coleman (British engineer & producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps
chitarra elettrica :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce:
Pat Benatar
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1984)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (nel 1983)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4.14:09
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