Now! That’s What I Call a Singer

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶Digitales Medium
2▶Digitales Medium
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Fly Me to the Moon
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Bass:
Buddy Catlett
Bratsche / Viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Virginia Majewski (violist) und Paul Robyn
Cello:
Ann Goodman und Edgar Lustgarten (, am 1964-06-09)
Geige / Violine:
Israel Baker (American violinist), Thelma Beach, Bonnie Douglas, Jacques Gasselin, James Getzoff (American concertmaster and violinist), Erno Neufeld, Lou Raderman, Paul Shure, Marshall Sosson und Gerald Vinci (American violinist and strings conductor)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Perkussion:
Emil Richards
Posaune:
Henderson Chambers, Henry Coker (jazz trombonist) (am 1964-06-09), Bill Hughes (jazz trombonist) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Marshall Royal, Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (baritone saxophonist) (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
George Cohn, Don Rader (US jazz trumpeter and music arranger), Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (, am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (am 1964-06-09)
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
Frank Sinatra42:27
2Stand by Me (single version)
Ben E. King2:53
3(Sittin’ on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:37
4That Ole Devil Called Love
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
Musikvideos:
That Ole Devil Called Love von Alison Moyet
cover recording of:
That Ole Devil Called Love
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:02
5How Do I Live
recording of:
How Do I Live
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und Realsongs (vom 1997 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 2)
LeAnn Rimes4.54:22
6The Power of Love
Produzent(in):
Wolfgang Detmann (aka Candy de Rouge) und Gunther Mende
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1984) und Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (in 1984)
recording of:
The Power of Love (Jennifer Rush song)
Verfasser(in):
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge), Gunther Mende und Jennifer Rush
publisher:
CBS Songs Ltd., EMI April Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., EMI Songs Musikverlag GmbH, Libra Phone Music Verlag GmbH, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (bis 2015-01-01), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Jennifer Rush2.54:25
7Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
Interpret(in):
Rory Dodd (in 1983)
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
Texter und Komponist(in):
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) und Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:25
8Hello
Produzent(in):
James Anthony Carmichael und Lionel Richie
Interpret(in):
Ocobamba
Blechblasinstrumente [horn] arranger und Saiteninstrumente [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael und Lionel Richie
vocals arranger:
Lionel Richie
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
Hello
Texter und Komponist(in):
Lionel Richie
zusätzliche(r) Verfasser(in):
James Anthony Carmichael
publisher:
Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Lionel Richie3.854:07
9Let It Go
recording engineer und Mix:
David Boucher
Produzent(in):
Kristen Anderson‐Lopez (American songwriter), Earl Ghaffari und Robert Lopez (songwriter of musicals)
Editing:
Earl Ghaffari
vocals:
Idina Menzel
conductor:
Stephen Oremus
phonographisches Urheberrecht (℗) von:
Walt Disney Records (in 2013)
Teil von:
Billboard Year-End Hot 100 singles of 2014 (Nummer: 21) und Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 31)
recording of:
Let It Go (Frozen)
Orchestrator(in):
David Metzger
Verfasser(in):
Kristen Anderson‐Lopez (American songwriter) und Robert Lopez (songwriter of musicals)
publisher:
Wonderland Music Company, Inc. (a division of Disney Music Publishing)
Teil von:
The 86th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 2013 winner)
Teil von:
Frozen (Disney 2013 animated musical film, English soundtrack and score)
Idina Menzel3.253:41
10I Say a Little Prayer
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bass:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-04-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 117)
cover recording of:
I Say a Little Prayer (am 1968-04-17)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:30
11Midnight Train to Georgia
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 432) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 470)
recording of:
Midnight Train to Georgia
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:37
12(You Make Me Feel Like) A Natural Woman
Techniker(in):
Hank Cicalo
Produzent(in):
Lou Adler
Keyboard:
Carole King
Kontrabass:
Charles Larkey
vocals:
Carole King
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
(You Make Me Feel Like) A Natural Woman
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Carole King4.353:46
13Lovely Day
Produzent(in):
Clarence McDonald und Bill Withers
Bassgitarre:
Jerry Knight (in 1977)
Gitarre:
Ray Parker (in 1977)
Keyboard:
Clarence McDonald (in 1977)
Perkussion:
Ralph MacDonald (in 1977)
Schlagzeug und shakers:
Russell Kunkel (session drummer) (in 1977)
Sologesang:
Bill Withers (in 1977)
arranger:
Clarence McDonald
concertmaster:
Charles Veal (violinist, conductor and arranger) (in 1977)
phonographisches Urheberrecht (℗) von:
CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1977), CBS, Inc. (US broadcasting company; file no releases here!) (in 1977) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1977)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 402)
recording of:
Lovely Day (in 1977)
Verfasser(in):
Skip Scarborough und Bill Withers
publisher:
Chappell Music Ltd., Chelsea Music Publishing Co., Ltd., Golden Withers Music, Plaid Flowers Music, Sweet Cookie Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bill Withers4.54:10
149 to 5
Produzent(in):
Gregg Perry (American producer, arranger, songwriter and keyboardist)
baritone saxophone:
Kim S. Hutchcroft (in 1980)
Bassgitarre:
Abraham Laboriel (in 1980)
Gitarre:
Jeff Baxter (in 1980) und Martin K. Walsh (in 1980)
Klavier:
Larry Knechtel (in 1980)
Perkussion:
Leonard Castro (in 1980)
Posaune:
William Reichenbach (jazz trombonist) (in 1980)
Saxophon:
Tom Saviano (in 1980)
Schlagzeug:
Richard Schlosser (drummer) (in 1980)
Trompete:
Jerry Hey (in 1980)
Hintergrundgesang:
Anita Ball (in 1980), Denise Maynelli (in 1980) und Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) (in 1980)
vocals:
Dolly Parton (in 1980)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1980) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 191)
recording of:
9 to 5 (in 1980)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Canada Ltd. (Canadian publisher), Fox Fanfare Music, Screen Gems–EMI Music und Velvet Apple Music
Teil von:
The 53rd Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1980 nominee)
Dolly Parton3.552:44
15Valerie
assistierende(r) Techniker(in):
Nobby
Produzent(in):
Steve Winwood
aufgenommen bei:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Vereinigtes Königreich
recording of:
Valerie
Verfasser(in):
Will Jennings und Steve Winwood
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner Chappell North America
Steve Winwood44:05
16You’re the First, the Last, My Everything
Techniker(in):
Frank Kejmar (engineer)
Produzent(in):
Barry White
arranger:
Gene Page (conductor, composer, arranger and record producer) und Barry White
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
Verfasser(in):
Peter Sterling Radcliffe, Tony Sepe und Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. und World Song Publishing Inc.
Barry White43:22
171973
recording of:
1973
Verfasser(in):
Mark Batson (American producer, songwriter, composer, arranger, and musician) und James Blunt
James Blunt4:38
18Leave Right Now
sonstige Unterstützung:
Isobel Griffiths
Programmierung und Produzent(in):
Stephen Lipson
Techniker(in) und Mix:
Heff Moraes
guitar family:
John Themis und Eg White
Keyboard:
Anne Dudley (English score composer) und Greg Wells
membranophone:
Steve Barney (Drummer)
Hintergrundgesang:
Tracy Ackerman
recording of:
Leave Right Now
Orchestrator(in):
Anne Dudley (English score composer)
Texter und Komponist(in):
Eg White
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Will Young3.253:32
19Slow
recording of:
Slow
Texter und Komponist(in):
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3:34
20You’ve Lost That Lovin’ Feelin’
recording of:
You’ve Lost That Lovin’ Feelin’
Verfasser(in):
Barry Mann, Phil Spector und Cynthia Weil
publisher:
ABKCO Music Publishing Pty Ltd, ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Righteous Brothers3:44
21That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:06
22What a Wonderful World
recorded in:
New York, Vereinigte Staaten (am 1967-08-16)
Techniker(in):
Eddie Brackett und Bob Simpson (US jazz engineer/producer)
Produzent(in):
Bob Thiele (producer & songwriter)
alto saxophone:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
baritone saxophone:
Raymond Stanfield (am 1967-08-16)
flute:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16), Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Gitarre:
Allen Hanlon (jazz guitarist) (am 1967-08-16), Art Ryerson (am 1967-08-16) und Willard Suyker (am 1967-08-16)
Klarinette:
Sam Marowitz (saxophonist and clarinetist) (am 1967-08-16) und Jerome Richardson (am 1967-08-16)
Klavier:
Hank Jones (piano) (am 1967-08-16)
Kontrabass:
Russ Savakus (am 1967-08-16)
Perkussion:
Warren Hard (am 1967-08-16)
Posaune:
Urbie Green (am 1967-08-16) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1967-08-16)
Schlagzeug:
Grady Tate (am 1967-08-16)
Tenorsaxophon:
Jerome Richardson (am 1967-08-16) und Daniel Trimboli (am 1967-08-16)
Trompete:
Louis Armstrong (am 1967-08-16), Clark Terry (American swing trumpeter) (am 1967-08-16) und Joe Wilder (am 1967-08-16)
Sologesang:
Louis Armstrong (am 1967-08-16)
Orchester:
Louis Armstrong’s Orchestra and Chorus (am 1967-08-16)
conductor und chorus master:
Tommy Goodman (pianist, arranger for Benny Goodman and Duke Ellington) (am 1967-08-16)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968) und Project 3 Records Inc. (in 1988)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 171) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 283)
recording of:
What a Wonderful World (am 1967-08-16)
Verfasser(in):
George Douglas (producer & songwriter) und George David Weiss
publisher:
Abilene Music Inc., Carlin Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Memory Lane Music (publishing company), Quartet Music Inc., Range Road Music Inc. und Valando Music, Inc.
sub-publisher:
BMC Publishing NV, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Teil von:
12 Monkeys Soundtrack
Teil von:
Freaky Friday (2003)
Louis Armstrong3.952:20

Nennungen

Veröffentlichung

zum Herunterladen kaufen:https://itunes.apple.com/gb/album/id1045440896 [Info]
ASIN:UK: B015O4349K [Info]

Veröffentlichungsgruppe

Teil von:Now That’s What I Call…... (UK compilations outside the main numbered series or subseries) (Reihenfolge: 56)