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~ Veröffentlichung von Luciano Pavarotti (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelKünstlerBewertungLänge
1Mattinata
recording engineer:
Kenneth Wilkinson (engineer)
Produzent(in):
James Mallinson (producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1977-04)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger und Orchestrator(in):
Alexander Faris (conductor)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-04)
recording of:
Mattinata (in 1977-04)
Texter und Komponist(in):
Ruggero Leoncavallo (composer)
recording of:
Mattinata (catch-all for arrangements)
Komponist(in):
Ruggero Leoncavallo (composer)
basiert auf:
Mattinata
Ruggero Leoncavallo1:59
2Volare
recording of:
Nel blu dipinto di blu (Volare)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
publisher:
Curci und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
Grammy Award: Song of the Year nominees (Nummer: 1959 winner)
Domenico Modugno3:44
3’O sole mio
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1979-03)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-03)
recording of:
’O sole mio (arr. Chiaramello for tenor and orchestra) (in 1979-03)
Texter:
Giovanni Capurro
Komponist(in):
Eduardo Di Capua und Alfredo Mazzucchi (Italian composer, known for “’O sole mio”)
arranger:
Giancarlo Chiaramello
Arrangement von:
’O sole mio
Eduardo Di Capua3:23
4Funiculì, funiculà
Tenor-Gesang:
Luciano Pavarotti (tenor)
recording of:
Funiculì, funiculà
komponiert in:
Castellammare di Stabia, Napoli, Campania (Kampanien), Italien (in 1880)
Texter:
Peppino Turco
Komponist(in):
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. und Robbins Music Corp.
Luigi Denza2:43
5Core ’ngrato
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1985-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
Dala Luma
aufgenommen bei:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
Texter:
Riccardo Cordiferro (in 1911)
Komponist(in):
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA (Italian publisher)
Salvatore Cardillo4:54
6Maria, Marì!
recording of:
Maria, Marì!
Texter:
Vincenzo Russo
Komponist(in):
Eduardo Di Capua
Eduardo Di Capua4:00
7Martha: “M’apparì tutt’amor”
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-06)
Tenor-Gesang [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-05, in 1973-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05, in 1973-06)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1973-05)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-05)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-06)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Komponist(in):
Friedrich von Flotow (composer)
Librettist:
Friedrich Wilhelm Riese
Teil von:
Martha: Akt III
Friedrich von Flotow3:29
8Torna a Surriento
Tenor-Gesang:
Luciano Pavarotti (tenor)
recording of:
Torna a Surriento
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
Ernesto De Curtis4:27
9Non ti scordar di me
recording of:
Non ti scordar di me (arr. Mancini)
Texter:
Domenico Furnò
Komponist(in):
Ernesto De Curtis (composer)
arranger:
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Non ti scordar di me
Ernesto De Curtis2:58
10La danza
recording engineer:
Colin Moorfoot (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
aufgenommen bei:
Teatro Comunale di Bologna in Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 1973-07)
live recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (in 1973-07)
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
Gioachino Rossini3:07
11Mamma
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1984-01)
Orchester:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Grand Casino Noga Hilton in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1984-01)
recording of:
Mamma (arr. Mancini) (in 1984-01)
Texter:
Bixio Cherubini
Komponist(in):
Cesare Andrea Bixio
arranger:
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Mamma
Cesare Andrea Bixio3:35
12Chitarra romana
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
The Henry Mancini Chorus (in 1984-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1984-01)
Orchester:
The Henry Mancini Orchestra (in 1984-01)
conductor:
Henry Mancini (US composer, conductor & arranger) (in 1984-01)
arranger:
Henry Mancini (US composer, conductor & arranger)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
Grand Casino Noga Hilton in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1984-01)
recording of:
Chitarra romana (in 1984-01)
Texter:
Bruno Cherubini (brother of Bixio Cherubini) und Eldo di Lazzaro (singer, composer)
Komponist(in):
Eldo di Lazzaro (singer, composer)
Eldo di Lazzaro3:18
13Musica proibita
recording of:
Musica proibita
Texter:
Flick‐Flock (in 1881)
Komponist(in):
Stanislao Gastaldon (in 1881)
Stanislao Gastaldon3:10
14Vieni sul mar
recording of:
Vieni sul mar
Texter:
Aniello Califano
Komponist(in):
[traditional] (special purpose artist)
[traditional]3:31
15L’ultima canzone
recording of:
L’ultima canzone
Texter:
Francesco Cimmino
Komponist(in):
Francesco Paolo Tosti (Paolo Tosti, composer)
gewidmet:
Rina Giacchetti
Francesco Paolo Tosti4:18
16Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Franz Schubert4:50
17Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Techniker(in):
John Dunkerley (engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Ave Maria (Bach/Gounod) (in 1976-01)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (Bach/Gounod) (in 1976)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer) (in 1853)
basiert auf:
Méditation sur le Premier Prélude de Piano de S. Bach
basiert auf:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Johann Sebastian Bach, Charles Gounod0.52:57
18Caro mio ben
recording engineer und Tonmeister(in):
Kenneth Wilkinson (engineer)
Produzent(in):
James Mallinson (producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1977-04)
vocals:
Luciano Pavarotti (tenor)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1977-04)
conductor:
Piero Gamba (conductor and pianist) (in 1977-04)
arranger:
Alexander Faris (conductor)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1977-04)
recording of:
Caro mio ben (in 1977-04)
Texter:
[anonymous] (special purpose artist)
vorher zugeschrieben zu:
Giuseppe Giordani und Tommaso Giordani
publisher:
G. Schirmer Inc.
Giuseppe Giordani3:06
19Gianni Schicchi: “O mio babbino caro”
Soprangesang [Lauretta]:
Mirella Freni (soprano) (in 1991)
Orchester:
Orchestra del Maggio Musicale Fiorentino (in 1991)
conductor:
Bruno Bartoletti (conductor) (in 1991)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1994)
aufgenommen bei:
Teatro Verdi in Firenze (Florence), Firenze, Toscana (Tuscany), Italien (in 1991)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (in 1991)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. und G. Ricordi & Co. (London) Ltd. (UK division)
Teil von:
Gianni Schicchi
Giacomo Puccini2:10
20La bohème: Musetta’s Waltz
Baritongesang [Marcello]:
Rolando Panerai (baritone)
Soprangesang [Mimì]:
Mirella Freni (soprano)
Soprangesang [Musetta]:
Elizabeth Harwood (soprano)
Tenor-Gesang [Alcindoro]:
Michel Sénéchal (tenor)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor)
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
teilweise recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:48
21Canta pe’ me
Tenor-Gesang:
Giuseppe Di Stefano (tenor)
recording of:
Canta pe' me
Texter:
Libero Bovio
Komponist(in):
Ernesto De Curtis (composer)
Ernesto De Curtis3:06
22Turandot: “Nessun dorma”
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini52:57

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