Billboard Top Pop Hits: 1967

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
2San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.753:01
3A Little Bit Me, a Little Bit You
produttore:
Jeff Barry
basso :
Louis Mauro (il 1967-01-21) e James Tyrrell (il 1967-01-21)
batteria :
Herb Lovelle (il 1967-01-21)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-01-21), Hugh McCracken (il 1967-01-21) e Don Thomas (US guitarist, singer songwriter) (il 1967-01-21)
organo :
Artie Butler (il 1967-01-21)
pianoforte :
Stan Free (il 1967-01-21)
tamburello :
Thomas Cerone (il 1967-01-21)
voce principale:
Davy Jones (The Monkees member) (il 1967-01-21)
arrangiatore:
Jeff Barry
registrazione di:
A Little Bit Me, a Little Bit You (il 1967-01-21)
paroliere e compositore:
Neil Diamond
The Monkees4.52:49
4To Sir With Love
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
registrazione di:
To Sir With Love (il 1967-03-20)
paroliere:
Don Black (English lyricist)
compositore:
Mark London (musical theater)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music Ltd.
Lulu52:47
5Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:23
6(We Ain’t Got) Nothin’ Yet
produttore:
Art Polhemus e Bob Wyld (independent producer based in New York City)
registrazione di:
(We Ain’t Got) Nothin’ Yet
autore:
Emil Thielhelm, Mike Esposito (guitarist in the Blues Magoos), Ronnie Gilbert (bass player for the Blues Magoos) e Ralph Scala
editore:
Musicville Ltd.
The Blues Magoos42:20
7Never My Love
The Association2:56
8Sock It to Me Baby
Mitch Ryder & The Detroit Wheels3:07
9Ode to Billie Joe
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1967)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 51), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 191) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 412)
registrazione di:
Ode to Billie Joe (nel 1967-03)
paroliere e compositore:
Bobbie Gentry (Roberta Lee Streeter - American singer-songwriter)
editore:
Larry Shayne Music, Inc. e Universal/MCA Music Publishing Pty Ltd
Bobbie Gentry54:19
10Dedicated to the One I Love
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
Dunhill Records Inc. (nel 1967)
è stato produttore per:
Dunhill Records USA
registrazione cover di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.22:57

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Pubblicazione

ASIN:US: B0000033IX [info]

Gruppo di pubblicazioni

parte di:Billboard Top Pop Hits (numero: 1967) (ordine: 8)