Australian Legends II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Cheap Wine
tecnico:
Mark Opitz e Neil Rawle
produttore:
Cold Chisel
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
pianoforte :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
voce:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) e Ian Moss
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1999) e Cold Chisel Pty Ltd (nel 2011)
registrazione di:
Cheap Wine
paroliere e compositore:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor e Rondor Music (Australia) Pty Ltd
Cold Chisel33:22
2Girls on the Avenue
diritti fonografici (℗) detenuti da:
Festival Records (Australian) (nel 1974), Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1975) e Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1999)
registrazione di:
Girls on the Avenue (Richard Clapton song)
autore:
Richard Clapton
editore:
Festival Music, Festival Music Pty, Ltd., Festival Music Publishing (APRA-affiliated), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Richard Clapton3:10
3Things Don't Seem
tecnico:
Dave Marett (engineer)
produttore:
Peter Dawkins
basso :
Paul Williams (bassist in 'Australian Crawl') (dal 1981-03 al 1981-04)
batteria e percussione :
Bill McDonough (dal 1981-03 al 1981-04)
chitarra :
Guy McDonough (dal 1981-03 al 1981-04) e Brad Robinson (dal 1981-03 al 1981-04)
chitarra acustica , chitarra elettrica e chitarra slide :
Simon Binks (dal 1981-03 al 1981-04)
pianoforte e voce principale:
James Reyne (dal 1981-03 al 1981-04)
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1981, nel 1998) e Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 1981)
registrata presso e mixata presso:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (dal 1981-03 al 1981-04)
registrazione di:
Things Don't Seem (dal 1981-03 al 1981-04)
compositore:
Sean Higgins e Guy McDonough
editore:
Warner/Chappell Pty. Ltd.
Australian Crawl3:56
4Better Be Home Soon
tecnico di registrazione:
Tchad Blake
produttore:
Mitchell Froom
tecnico di missaggio:
Bob Clearmountain
basso elettrico [bass] :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra e voce principale:
Neil Finn
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1988)
mixata per:
Fast Forward Productions, Ltd.
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 38)
registrazione di:
Better Be Home Soon
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing e Roundhead Music (BMI) (Neil Finn)
Crowded House3.53:08
5To Her Door
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 22)
registrazione di:
To Her Door
paroliere e compositore:
Paul Kelly (Australian singer/songwriter)
editore:
Mushroom Music Publishing e Sony/ATV Music Publishing
Paul Kelly and the Coloured Girls33:15
6Chain Reaction
assistente tecnico:
Mat Thomas
tecnico:
Doug Brady (engineer)
produttore:
Ross Fraser
armonica (a bocca) [harp] :
Steve Williams (Australian saxophone and harmonica player)
batteria :
Angus Burchall
chitarra :
Phil Buckle, Ross Fraser e Brett Garsed
chitarra acustica e voce aggiuntiva:
Ross Fraser
tastiera :
David Hirschfelder (Australian score composer)
voce:
Lindsay Field e Venetta Fields
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
arrangiatore voci:
John Farnham, Lindsay Field e Venetta Fields
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1990) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1990)
registrata presso:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia
registrazione di:
Chain Reaction
autore:
Siobhan Fahey e David Stewart (english singer-songwriter)
editore:
BMG Music, BMG Music Publishing Australia Pty Ltd e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
John Farnham43:13
7Friday on My Mind
produttore:
Shel Talmy
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967) e United Artists (nel 1966)
è stato produttore per:
Albert Productions
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats3.52:40
8Reminiscing
registrata a:
Australia (nel 1978-03)
prodotta a:
Australia
produttore:
John Boylan e Little River Band
archi :
Rick Formosa (nel 1978-03)
basso :
George McArdle (nel 1978-03)
batteria :
Derek Pellicci (nel 1978-03)
chitarra elettrica :
Beeb Birtles (nel 1978-03), David Briggs (producer, guitarist of Little River Band) (nel 1978-03) e Graham Goble (nel 1978-03)
flicorno soprano solista :
Bob Venier (brass) (nel 1978-03)
pianoforte elettrico ospite :
Peter Jones (Australian pianist/composer) (nel 1978-03)
tromba solista :
Bill Harrower (nel 1978-03)
voce:
Beeb Birtles (nel 1978-03), Graham Goble (nel 1978-03) e Glenn Shorrock (nel 1978-03)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (nel 1978), EMI Music Australia Pty. Limited (not for release label use!) (nel 1978, nel 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (nel 1978) e EMI Music Australia (defunct holding company, not for release label use!) (nel 2002)
è stato produttore per:
Tumbleweed Productions
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 17) e Billboard Year-End Hot 100 singles of 1978 (numero: 65)
registrazione di:
Reminiscing (nel 1978-03)
paroliere e compositore:
Graeham Goble
editore:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:09
9I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.53:46
10Who Can It Be Now?
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Colin Hay e Ron Strykert
sassofono :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981, nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1996)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
registrazione di:
Who Can It Be Now?
paroliere e compositore:
Colin Hay
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Ltd.
Men at Work4.43:20
11I Don't Want to Be With Nobody but You
diritti fonografici (℗) detenuti da:
rooART Pty Ltd (nel 1989) e Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1990)
registrazione cover di:
I Don’t Want to Be With Nobody but My Baby
autore:
Eddie Floyd e Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L e Rondor Music (Australia) Pty Ltd
registrazione di:
I Don’t Want to Be With Nobody but My Baby
autore:
Eddie Floyd e Joe Shamwell (Soul singer, songwriter, producer and radio deejay)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music (Australia) P/L e Rondor Music (Australia) Pty Ltd
Absent Friends4:46
12Under the Milky Way
assistente tecnico:
Duane Seykora
tecnico:
Shep Lonsdale
produttore:
The Church, Greg Ladanyi e Waddy Wachtel
tecnico di missaggio:
Greg Ladanyi, Shep Lonsdale e Waddy Wachtel
basso e voce principale:
Steve Kilbey
batteria :
Richard Ploog
chitarra :
Peter Koppes e Marty Willson-Piper
synclavier :
Awesome Welles
tastiera :
Greg Kuehn
diritti fonografici (℗) detenuti da:
The Church (nel 2009)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987, nel 1988) e The Church Pty Limited (nel 1988, nel 2005)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 29) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 84)
registrazione di:
Under the Milky Way
autore:
Karin Jansson e Steve Kilbey
editore:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) e Universal/MCA Music Publishing Pty Ltd
The Church4.354:57
13Chains
tecnico di missaggio:
Chris Lord‐Alge
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1994), Sony Music Productions (for copyrights use only) (nel 1994) e Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1998)
registrazione di:
Chains
autore:
Tina Arena (nel 1993-10), Pam Reswick (American songwriter) (nel 1993-10) e Steve Werfel (nel 1993-10)
editore:
Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Orient Pacific Music Pty. Ltd., PolyGram Music Publishing Australia Pty. Ltd., Standard Music Ltd. (publishing company associated with David Platz and Howard S. Richmond), Standard Music Publishing Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Tina Arena4:01
14Electric Blue
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1998)
registrazione di:
Electric Blue
autore:
Iva Davies e John Oates
editore:
BMG Music, EMI Songs, EMI Songs Australia Pty. Ltd., Kobalt Music Publishing Australia P/L e Universal Music Publishing MGB Australia
Icehouse4:18
15Torn
produttore:
Phil Thornalley
tecnico di missaggio:
Nigel Godrich (English record producer)
voce principale:
Natalie Imbruglia
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (dal 1997 a oggi) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1997)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 32), Cachitos Nochevieja 2022 (numero: 60) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 333)
registrazione cover di:
Torn
paroliere:
Anne Preven
compositore:
Scott Cutler, Anne Preven e Phil Thornalley
editore:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.14:04
16Cool World
basso :
Paul Christie
batteria :
Gil Matthews
chitarra :
James Black (Australian guitarist and keyboard), Eric McCusker e Ross Wilson (Australian singer-songwriter, guitarist and producer)
tastiera :
James Black (Australian guitarist and keyboard)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Fable Records (nel 1980, nel 1981) e Avenue Records (Australian record label) (nel 1981)
registrazione di:
Cool World
paroliere e compositore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd. e Mushroom Music Publishing
Mondo Rock3:34
17Man Overboard
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Man Overboard (Do-Ré-Mi song)
autore:
Dorland Bray, Helen Carter (country singer), Deborah Conway e Stephen Philip (member of Do-Ré-Mi, Thought Criminals)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs, Mushroom Music Pty. Ltd. e Mushroom Music Publishing
Do-Ré-Mi34:10
18The Horses
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1990), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1990), Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1990) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1991)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 30)
registrazione cover di:
The Horses
autore:
Walter Becker e Rickie Lee Jones
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd e Universal/MCA Music Publishing Pty Ltd
Daryl Braithwaite4:13
19Brave
tecnico:
Mark Forrester
co-produttore:
Ashley Cadell
produttore e tecnico di missaggio:
Nick Launay
arrangiatore:
Ashley Cadell
diritti fonografici (℗) detenuti da:
Kate Ceberano (nel 1989)
diritti fonografici (℗) detenuti da:
Regular Records Pty. Ltd.
lavorazione tecnica effettuata presso:
Platinum Studios in Melbourne, Victoria, Australia
registrazione di:
Brave
paroliere e compositore:
Kate Ceberano
editore:
Warner Chappell e Warner/Chappell Music Ltd. (1996–2019)
Kate Ceberano5:33
20One Perfect Day
basso :
Peter Leslie (bassist)
batteria :
Alan "Clutch" Robertson
tastiera :
Martin Fisher (keyboards, in Dear Enemy)
voce:
Roger Hart (Australian guitarist, vocalist, songwriter)
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!) (nel 1982) e EMI Music Australia Pty. Limited (not for release label use!) (nel 1982)
registrazione di:
One Perfect Day (Little Heroes song)
autore:
Roger Wells (Roger Garfield Ferrier)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Orient Pacific Music Pty. Ltd.
The Little Heroes3:40
2▶CD

Accreditamenti

Pubblicazione

fabbricata a:Australia
stampata a:Australia
note di libretto:Liam Teer
compilatore:Liam Teer
copyright (©) detenuto da:EMI Music Australia Pty. Limited (not for release label use!) (nel 2006)
licenziata a:EMI Music Australia Pty. Limited (not for release label use!)
Liberation Music (Australian, big L logo or “Liberation” on one line)
commercializzata da:EMI Music Australia Pty. Limited (not for release label use!)
Discogs:https://www.discogs.com/release/12781009 [info]