Die ultimative Chart Show: Die erfolgreichsten Rockballaden aller Zeiten

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Please Forgive Me
recording engineer:
Steve Jackson (recording engineer) (am 1993-09-30)
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Robert John 'Mutt' Lange (Robert John Lange)
Mix:
Bob Clearmountain
Akustikgitarre:
Joe Walker, Jr. (am 1993-09-30)
E-Bass [bass]:
James "Hutch" Hutchinson (am 1993-09-30)
Gitarre:
BA (Canadian singer/songwriter) (am 1993-09-30) und Keith Scott (Canadian guitarist) (am 1993-09-30)
Hammond-Orgel:
David Paich (am 1993-09-30)
Schlagzeug:
Mickey Curry (am 1993-09-30)
Sologesang:
BA (Canadian singer/songwriter) (am 1993-09-30)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1993, in 1999), Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1993, in 1999) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993)
aufgenommen bei:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich (am 1993-09-30)
mixed at:
Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
Teil von:
The Downloader’s Music Source Book (Nummer: 174)
recording of:
Please Forgive Me (am 1993-09-30)
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (von 1993-09-30 bis 1993-10) und Robert John “Mutt” Lange (Robert John Lange) (von 1993-09-30 bis 1993-10)
publisher:
Badams Music Limited, Out-of-Pocket Productions Ltd., WorkSongs Ltd. und Zomba Enterprises, Inc.
Bryan Adams3.755:55
2(I Just Died) In Your Arms Tonight
Techniker(in):
Terry Brown (producer)
Produzent(in):
Terry Brown (producer), Cutting Crew und John Jansen (US recording engineer and producer)
Mix:
Tim Palmer (British producer/mixer)
Akustikgitarre, E-Gitarre und Synthesizer [E-mu Emulator]:
Kevin MacMichael
Bass:
Colin Farley
Klavier:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
Perkussion, Schlagzeug und Tamburin:
Martin Beedle
Hintergrundgesang:
Peter Birch
Sologesang:
Nick Van Eede
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) und Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
aufgenommen bei:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Utopia Studios (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 26)
recording of:
(I Just) Died in Your Arms
Texter und Komponist(in):
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. und Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:25
3Kayleigh
recording engineer:
Thomas Stiehler (von 1985-03 bis 1985-05)
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985)
Remix von:
Kayleigh (alternative mix) von Marillion (British progressive rock band)
Bearbeitung von:
Kayleigh von Marillion (British progressive rock band)
recording of:
Kayleigh (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Chappell, Charisma Music Publishing Co Ltd., Charisma Music Publishing Ltd. und Marillion Music
Marillion4.353:37
4Still Loving You
Produzent(in):
Dieter Dierks
Akustikgitarre:
Rudolf Schenker
Bassgitarre:
Francis Buchholz
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs und Rudolf Schenker
Schlagzeug:
Herman Rarebell (drummer, Germany)
Slide-Gitarre:
Matthias Jabs
Hintergrundgesang:
Francis Buchholz, Klaus Meine und Rudolf Schenker
Sologesang:
Klaus Meine
arranger:
Dieter Dierks
phonographisches Urheberrecht (℗) von:
Breeze Music (in 1984) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984)
recording of:
Still Loving You
Texter:
Klaus Meine
Komponist(in):
Rudolf Schenker
publisher:
Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN)
Scorpions2.54:56
5I Wonder Why
Produzent(in):
Glen Ballard
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1991)
Musikvideos:
I Wonder Why von Curtis Stigers
recording of:
I Wonder Why
Verfasser(in):
Glen Ballard und Curtis Stigers
publisher:
Aerostation Corporation, Arlovol Music, C. Montrose’s Music, Inc., MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony Music Publishing (worldwide except Japan, ended 1995) und Sony Tunes, Inc.
Curtis Stigers4:28
6I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:06
7If You Leave Me Now
recording engineer:
Armin Steiner (von 1976-03 bis 1976-04: Saiteninstrumente)
assistierende(r) Techniker(in):
Tom Likes
Techniker(in):
Wayne Tarnowski
Produzent(in):
James William Guercio
Akustikgitarre und Bass:
James William Guercio (von 1976-03 bis 1976-04)
Sologesang:
Peter Cetera (von 1976-03 bis 1976-04)
Saiteninstrumente arranger und Waldhorn arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
aufgenommen bei:
Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Sound Labs, Inc. in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (Saiteninstrumente) und Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, Vereinigte Staaten (von 1976-03 bis 1976-04)
recording of:
If You Leave Me Now (von 1976-03 bis 1976-04)
Texter:
Peter Cetera
Komponist(in):
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music und Spirit Music Publishing Ltd.
Chicago4.23:56
8A Whiter Shade of Pale
Produzent(in):
Denny Cordell
Bassgitarre:
David Knights
Gast-Schlagzeug:
Bill Eyden
Gitarre:
Ray Royer
Hammond-Orgel:
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
vocals:
Gary Brooker
phonographisches Urheberrecht (℗) von:
Onward Music Ltd. (in 1967)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 57) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 271)
recording of:
A Whiter Shade of Pale
Texter:
Keith Reid
Komponist(in):
Gary Brooker und Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
publisher:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
basiert auf:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
basiert auf:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:04
9Nothing Compares 2 U
Techniker(in):
Chris Birkett
Produzent(in):
Nellee Hooper und Sinéad O’Connor (Irish singer‐songwriter)
Mix:
Chris Birkett, Fachtna Ó Ceallaigh und Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) und Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
Musikvideos:
Nothing Compares 2 U (music video) von Sinéad O’Connor (Irish singer‐songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 184) und Indie 88: Top 500 Indie Rock Songs (Nummer: 413)
cover recording of:
Nothing Compares 2 U
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing und Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:10
10Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:48
11Eyes Without a Face
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Sal Cuevas (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Keyboard:
Judi Dozier (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Hintergrundgesang:
Perri Lister (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
Bearbeitung von:
Eyes Without a Face von Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol34:10
12Purple Rain
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984) und NPG Records, Inc. (in 2017)
aufgenommen bei:
First Avenue in Minneapolis, Minnesota, Vereinigte Staaten (am 1983-08-03) und Sunset Sound, Studio 3 in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1983-08 bis 1983-09)
Bearbeitung von:
Purple Rain (live, 1983‐08‐03: First Avenue, Minneapolis, MN, USA, with overdubs; album version) von Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
live recording of:
Purple Rain (am 1983-08-03)
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music und Island Music Ltd.
recording of:
Purple Rain
Texter und Komponist(in):
Prince (“The Artist Formerly Known as…”)
publisher:
Because Éditions, Controversy Music und Island Music Ltd.
Prince & The Revolution34:06
13The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner45:30
14It’s a Heartache
Produzent(in):
Dave Mackay (producer), David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
Akustikgitarre und Hintergrundgesang:
Steve Wolfe (producer, songwriter and guitar player)
Bass:
Kevin Dunne
Perkussion und Schlagzeug:
Micky Gibbins (drummer for Badfinger)
vocals:
Bonnie Tyler
phonographisches Urheberrecht (℗) von:
Castle Copyrights Ltd. (in 1977), RCA Ltd. (UK arm of RCA) (in 1977), Sanctuary Copyrights Ltd. (in 1977), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977), Soundbarrier Ltd. (production company) (in 1977, in 1978), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Soundbarrier Ltd. (production company)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 24)
recording of:
It’s a Heartache
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Lojo Music, Scott/Wolfe Songs Ltd., Universal Music Publishing International Ltd., Universal Music Publishing MGB Ltd., Mighty Music (publisher) (in 1977) und RAK Publishing (in 1977)
Bonnie Tyler3.83:32
15Free Me
Techniker(in):
Peter Gallen
Produzent(in):
Gerry Bron und Ken Hensley
assistierende(r) Mix:
Julian Cooper (engineer) und John Gallen (UK music producer, recording & mix engineer.)
Mix:
Peter Gallen und Robert M. Corich (remastering engineer and record producer,) (von 1990 bis 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
aufgenommen bei:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-09)
recording of:
Free Me (von 1977-07 bis 1977-09)
Texter und Komponist(in):
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) und Umble Tunes Ltd.
Uriah Heep23:34
16Dream On
Produzent(in) und Mix:
John Punter
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
Fool Circle Ltd. (for copyrights use only) (in 1982)
recording of:
Dream On
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
publisher:
Fool Circle Music Ltd. (for music publishing use only)
Nazareth4.53:25
17Your Song
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Gus Dudgeon
Akustikgitarre:
Frank Clark (Guitar/bassist)
Bassgitarre:
Dave Richmond
Gitarre:
Colin Green
Klavier und Sologesang:
Elton John (English singer, songwriter, pianist, and composer)
Schlagzeug:
Barry Morgan (English drummer)
zwölfsaitige Gitarre:
Clive Hicks
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
This Record Co. Ltd. (copyright holder)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 136) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 202)
recording of:
Your Song
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (beendet), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.754:02
18Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US, Island holding) (in 1982) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:52
2▶CD

Nennungen

Veröffentlichungsgruppe

Teil von:Die ultimative Chart Show (Nummer: 2007-09-28) (Reihenfolge: 27)