Melodies: The Best of AOR

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶CD
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#TitoloArtistaValutazioneDurata
1Hard to Say I’m Sorry
produttore:
David Foster (Canadian music producer, arranger and composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2010)
registrazione di:
Hard to Say I’m Sorry
autore:
Peter Cetera (nel 1982) e David Foster (Canadian music producer, arranger and composer) (nel 1982)
editore:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (nel 1982) e Foster Frees Music Inc. (nel 1982)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:40
2Heart of Mine
Bobby Caldwell4:49
3I Just Wanna Stop
tecnico di registrazione e tecnico di missaggio:
Norm Kinney
assistente tecnico:
Chris Desmond
produttore:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) e Ross Vannelli
assistente tecnico di missaggio:
Paul Aronoff e Betsy Banghart (engineer)
batteria :
Mark Craney
chitarra :
Carlos Rios (producer/guitarist)
percussione :
Manuel Badrena
pianoforte elettrico e sintetizzatore :
Joe Vannelli (Canadian musician, composer and record producer)
sassofono tenore :
Ernie Watts (Ernest James Watts, jazz and blues saxophonist)
sintetizzatore basso [synthesized electric bass] :
Leon Gaer
voce di accompagnamento:
Julia Tillman Waters, Maxine Willard Waters, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist) e Ross Vannelli
voce principale:
Gino Vannelli
arrangiatore:
Gino Vannelli, Joe Vannelli (Canadian musician, composer and record producer) e Ross Vannelli
diritti fonografici (℗) detenuti da:
A&M Records e A&M Records, Inc. (nel 1978)
registrata presso:
Davlen Sound Studios in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Group IV Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
I Just Wanna Stop
paroliere e compositore:
Ross Vannelli
editore:
Ross Vannelli Publishing e 日音 Synch事業部 (NICHION, INC. Synch Division)
Gino Vannelli3.13:36
4Rosanna
tecnico di registrazione:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) e Tom Knox
tecnico:
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro e Tom Knox
tecnico aggiunto:
Bruce Heigh (incarico: additional recording), David Paich (incarico: additional recording), Dick Gall (engineer/guitar technician) (incarico: additional recording) e Steve Porcaro (incarico: additional recording)
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
tecnico di missaggio:
Elliot Scheiner (incarico: for 5.1 surround sound) e Greg Ladanyi
basso :
David Hungate e Michael Porcaro
batteria [drums] :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
David Hungate
congas :
Lenny Castro
organo Hammond e sintetizzatore :
David Paich e Steve Porcaro
percussione :
Lenny Castro e Jeff Porcaro
pianoforte :
David Paich
sassofono :
Jim Horn (saxophonist, hornist, flutist and oboist) e Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
strumenti:
Lenny Castro
tastiera :
David Paich e Steve Porcaro
tromba :
Gary Grant (brass) e Jerry Hey
trombone :
James Pankow
voce:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) e David Paich
voce principale:
Jean-Michel Byron, Bobby Kimball e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
arrangiatore ottoni [horns] :
Jerry Hey e David Paich
arrangiatore:
David Paich e Jerry Hey
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (nel 1982) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 15)
registrazione di:
Rosanna
paroliere e compositore:
D. Paich
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Spirit Two Music
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:31
5Mornin’
tecnico di registrazione:
Eric Prestis
tecnico:
Ian Eales e Jay Graydon
produttore:
Jay Graydon
batteria :
Jeff Porcaro
chitarra :
Jay Graydon
chitarra basso :
Abe LaBoriel
piano Rhodes e sintetizzatore :
David Foster (Canadian music producer, arranger and composer)
voce di accompagnamento e voce principale:
Al Jarreau (jazz, pop and r&b singer-songwriter)
arrangiatore archi :
Jeremy Lubbock
arrangiatore percussione [rhythm] :
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983)
registrata in aggiunta presso:
Ocean Way Recording in Hollywood, Los Angeles, California, Stati Uniti
registrata presso e mixata presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
Mornin’
autore:
David Foster (Canadian music producer, arranger and composer), Jay Graydon e Al Jarreau (jazz, pop and r&b singer-songwriter)
editore:
AlJarreau Music, Garden Rake Music, Inc. e Peermusic III, Ltd. (BMI)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
Al Jarreau54:16
6Arthur’s Theme (Best That You Can Do)
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
produttore:
Michael Omartian
tecnico di missaggio:
Chet Himes
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1981, nel 1983)
registrata presso e mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 19)
registrazione di:
Arthur’s Theme (Best That You Can Do)
autore:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager e Christopher Cross (US singer‐songwriter)
editore:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner–Barham Music LLC, Warner/Chappell North America e Woolnough Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 54th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1981 winner)
Christopher Cross53:53
7Seeing You (for the First Time)
registrazione di:
Seeing You (for the First Time)
paroliere e compositore:
Jim Messina
editore:
Jasperilla Music Co.
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Jim Messina5:54
8Her Town Too
assistente tecnico di registrazione:
Niko Bolas
tecnico di registrazione:
Val Garay
produttore:
Peter Asher
batteria :
Rick Marotta (US drummer/percussionist)
chitarra acustica :
Waddy Wachtel
chitarra basso :
Leland Sklar (bassist, session musician)
chitarra elettrica :
Dan Dugmore
organo e pianoforte elettrico :
Don Grolnick
voce:
J.D. Souther e James Taylor (singer-songwriter and guitarist)
direttore d'orchestra:
Gene Page (conductor, composer, arranger and record producer)
arrangiatore archi :
Gene Page (conductor, composer, arranger and record producer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Record One in Sherman Oaks, Los Angeles, California, Stati Uniti (dal 1980-09-05 al 1981-01-18)
registrazione di:
Her Town Too
autore:
J.D. Souther, James Taylor (singer-songwriter and guitarist) e Waddy Wachtel
editore:
Country Road Music, Inc. (ASCAP-affiliated), Ice Age Music, Leadsheet Land Music, 日音 Synch事業部 (NICHION, INC. Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
James Taylor3.54:31
9Antonio’s Song (The Rainbow)
tecnico di registrazione e tecnico di missaggio:
Al Schmitt
assistente tecnico:
Don Henderson (engineer)
produttore:
Tommy LiPuma
batteria :
John Guerin
chitarra :
Larry Carlton
chitarra basso :
Wilton Felder
percussione :
Ray Armando
pianoforte e pianoforte solista :
Joe Sample
sassofono contralto solista :
David Sanborn
direttore d'orchestra:
Claus Ogerman
arrangiatore:
Claus Ogerman
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Antonio’s Song (The Rainbow)
paroliere e compositore:
Michael Franks
editore:
Mississippi Mud Music Co.
sub-editore:
Universal Music Publishing France (not for release label use!) e 大洋音楽 (Taiyō Music)
Michael Franks5:05
10Just for the Moment
registrazione di:
Just for the Moment
autore:
Jack Conrad (producer and songwriter) e Ray Kennedy (singer, songwriter, and record producer based in L.A.)
editore:
Seven Summits Music, Sony/ATV Melody e X‐Ray Music
Ray Kennedy3:24
11I Keep Forgettin’ (Every Time You’re Near)
produttore:
Ted Templeman e Lenny Waronker
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Louis Johnson (bass, member of Brothers Johnson)
clavinet :
Greg Phillinganes
piano Rhodes , sintetizzatore e voce principale:
Michael McDonald (R&B & soul singer)
voce di accompagnamento:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1982)
registrazione di:
I Keep Forgettin’ (Every Time You’re Near)
autore:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford e Mike Stoller
editore:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) e Yellow Dog Music Inc
versione di:
I Keep Forgettin’
Michael McDonald43:40
12Heart to Heart
tecnico di registrazione:
Bruce Botnick
produttore:
Bruce Botnick e Kenny Loggins
altri strumenti [“artistic debris”] :
David Sanborn
batteria :
Tris Imboden
chitarra :
Mike Hamilton (US guitarist based in Laguna Beach, CA)
chitarra basso :
Derek Jackson (bassist)
congas :
Paulinho da Costa (Brazilian percussionist)
percussione :
Lenny Castro
piano Rhodes :
Michael McDonald (R&B & soul singer)
pianoforte a coda :
David Foster (Canadian music producer, arranger and composer)
voce di accompagnamento:
Steve George (US keyboardist for Mr. Mister & Pages), Michael McDonald (R&B & soul singer) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
voce principale:
Kenny Loggins
arrangiatore archi :
Marty Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982)
registrazione di:
Heart to Heart
autore:
David Foster (Canadian music producer, arranger and composer), Kenny Loggins e Michael McDonald (R&B & soul singer)
editore:
Foster Frees Music Inc., Genevieve Music, Kobalt Music Publishing Ltd. (UK), Milk Money Music, Peermusic III, Ltd. (BMI) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kenny Loggins5:19
13Steal Away
tecnico:
Gary Brandt
armonica (a bocca) :
Robbie Dupree
chitarra :
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) e Brian Ray
congas :
Miguel Rivera (percussionist)
marimba :
Alan Estes
percussione :
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas e Miguel Rivera (percussionist)
sassofono :
Jerry Peterson
sintetizzatore :
Michael Boddicker e Bill Elliott (conductor, producer)
tastiera :
Rick Chudacoff e Bill Elliott (keyboardist/composer)
voce di accompagnamento:
Kal David, Bill LaBounty, Arno Lucas e Michael McDonald (R&B & soul singer)
arrangiatore:
Bill Elliott (keyboardist/composer)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1980) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 64)
registrazione di:
Steal Away
paroliere:
Rick Chudacoff
compositore:
Robbie Dupree
editore:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Robbie Dupree3:29
14Him
tecnico e tecnico di missaggio:
Jim Boyer (producer/engineer)
produttore:
Jim Boyer (producer/engineer) e Rupert Holmes
basso [electric bass] :
Frank Gravis
batteria :
Leo Adamian
diritti fonografici (℗) detenuti da:
Infinity Records Inc., Geffen Records (nel 1979) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979, nel 1980)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti
mixata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti
registrazione di:
Him
paroliere, compositore e arrangiatore:
Rupert Holmes
editore:
The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Rupert Holmes4:08
15Baby Come Back
tecnico:
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) e Joe Sidore
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
batteria , congas e maracas :
John Friesen (drummer)
chitarra :
Peter Beckett (lead singer of Player)
chitarra basso :
Ronn Moss
clavinet , pianoforte elettrico e sintetizzatore :
Wayne Cook
voce:
Peter Beckett (lead singer of Player) e Ronn Moss
voce di accompagnamento e voce principale:
J.C. Crowley
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 7) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 24)
registrazione di:
Baby Come Back (Player song)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player4.354:16
16It Will Be Alright
produttore:
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
tecnico di missaggio:
Jay Graydon
chitarra :
Jay Graydon
chitarra basso :
David Hungate
tastiera :
David Foster (Canadian music producer, arranger and composer)
voce di accompagnamento:
David Foster (Canadian music producer, arranger and composer), Tommy Funderburk e Jay Graydon
voce principale:
Tommy Funderburk e Jay Graydon
arrangiatore:
David Foster (Canadian music producer, arranger and composer) e Jay Graydon
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1980)
mixata presso:
Garden Rake Studios in Studio City, Los Angeles, California, Stati Uniti
registrazione di:
It Will Be Alright
autore:
David Foster (Canadian music producer, arranger and composer), Jay Graydon e Allee Willis
editore:
Foster Frees Music Inc., Garden Rake Music, Inc., Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 大洋音楽 (Taiyō Music)
Airplay4:00
17Just the Two of Us
produttore:
Ralph MacDonald e Grover Washington, Jr.
basso elettrico :
Marcus Miller (jazz musician) (dal 1980-06 al 1980-07)
batteria :
Steve Gadd (drummer) (dal 1980-06 al 1980-07)
chitarra elettrica :
Eric Gale (dal 1980-06 al 1980-07)
percussione :
Ralph MacDonald (dal 1980-06 al 1980-07)
piano Rhodes :
Richard Tee (dal 1980-06 al 1980-07)
sassofono :
Grover Washington, Jr. (dal 1980-06 al 1980-07)
voce principale:
Bill Withers (dal 1980-06 al 1980-07)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 1980), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1980) e Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1980)
edit di:
Just the Two of Us (original studio mix) di Bill Withers & Grover Washington, Jr.
registrazione di:
Just the Two of Us (Bill Withers song) (dal 1980-06 al 1980-07)
autore:
Ralph MacDonald, William Salter (songwriter, bassist, producer) e Bill Withers
editore:
Antisia Music Inc. e Bleunig Music
Grover Washington, Jr.2.653:58
18We’re All Alone
tecnico:
Tom Perry (engineer)
produttore:
Joe Wissert
batteria :
Jeff Porcaro (nel 1975-09)
chitarra :
Fred Tackett (nel 1975-09)
chitarra acustica :
Louie Shelton (nel 1975-09)
chitarra basso :
David Hungate (nel 1975-09)
corno :
Vincent DeRosa (nel 1975-09)
ottoni :
Dick Hyde (nel 1975-09)
strumenti a fiato :
Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1975-09), Plas Johnson (nel 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1975-09) e Bud Shank (nel 1975-09)
tastiera :
David Paich (nel 1975-09)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1975-09) e Paul Hubinon (nel 1975-09)
voce principale:
Boz Scaggs (nel 1975-09)
direttore d'orchestra:
Sid Sharp (nel 1975-09)
arrangiatore:
David Paich
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976)
registrazione di:
We’re All Alone (nel 1975-09)
paroliere e compositore:
Boz Scaggs
editore:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) e Boz Scaggs Music (publisher) (dal 1975 a oggi)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs24:11

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