Sounds of the 70s: 1977

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1Rockin All Over the World
registrazione di:
Rockin’ All Over the World
paroliere e compositore:
John Fogerty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greasy King Music, Hornall Brothers Music (limited company), Intersong (publisher), Intersong Music Ltd., Rondor Musikverlag GmbH, Universal Music Publishing AB (Sweden), Universal/MCA Music Publishing Pty Ltd, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Wenaha Music, Wenaha Music Company e Intersong Ltd. (publisher) (nel 1977)
Status Quo3:35
2More Than a Feeling
produttore:
John Boylan e Tom Scholz
basso , chitarra acustica e chitarra elettrica :
Tom Scholz (dal 1975-10 al 1976-04)
batteria :
Sib Hashian (dal 1975-10 al 1976-04)
voce:
Brad Delp (dal 1975-10 al 1976-04)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 2002)
registrazione di:
More Than a Feeling (dal 1975-10 al 1976-04)
paroliere e compositore:
Tom Scholz
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) e Pure Songs (nel 1976)
Boston4.83:23
3Telephone Line
tecnico:
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) e Duane Scott
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Kelly Groucutt (nel 1976-07)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1976-07)
chitarra :
Jeff Lynne (nel 1976-07) e Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
clavinet , moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1976-07)
violino :
Mik Kaminski (nel 1976-07)
violoncello :
Melvyn Gale (nel 1976-07) e Hugh McDowell (nel 1976-07)
voce principale:
Jeff Lynne (nel 1976-07)
direttore d'orchestra:
Louis Clark (nel 1976-07)
diritti fonografici (℗) detenuti da:
United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1974), Jet Records (nel 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1976, nel 2005) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1976-07), De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1976-07) e Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania (nel 1976-07)
mixata presso:
Musicland Studios (Munich) in München (Munich), Bayern (Baviera), Germania
editing effettuato presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Telephone Line (nel 1976-07)
paroliere e compositore:
Jeff Lynne
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Jet Music Ltd. (British branch) e Polygon Publishing Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Electric Light Orchestra4.454:39
42‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:19
5Don't Let Me Be Misunderstood
registrazione cover di:
Don’t Let Me Be Misunderstood
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
Santa Esmeralda & Leroy Gomez3:26
6Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1977) e Warner Bros. (holding: file NO releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.23:14
7Things We Do for Love
assistente tecnico e assistente tecnico di missaggio:
Tony Spath
tecnico, tecnico di missaggio e editor:
Eric Stewart
produttore:
10cc, Graham Gouldman, Mastermix Music Limited e Eric Stewart
batteria, gong, battimani e tamburello :
Paul Burgess (UK rock drummer) (nel 1976)
chitarra acustica, chitarra basso, chitarra elettrica, battimani e tamburello :
Graham Gouldman (nel 1976)
chitarra, organo e pianoforte e voce di accompagnamento e voce principale:
Eric Stewart (nel 1976)
voce di accompagnamento:
Graham (nel 1976)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1976, nel 1977, nel 1997), Mercury Records Ltd. (London) (for copyrights use only) (nel 1976), Phonogram Ltd. (not for release label use!) (nel 1976, nel 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1977) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1977)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito (nel 1976)
video musicali:
The Things We Do for Love di 10cc e The Things We Do for Love di 10cc
registrazione di:
The Things We Do for Love (nel 1976)
autore:
Graham Gouldman e Eric Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. e Man-Ken Music Ltd. (nel 1977)
10cc4.553:31
8Lost in France
produttore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
arrangiatore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (nel 1976) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995)
registrazione di:
Lost in France
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
editore:
BMG Music Publishing Ltd. e Lojo Music
Bonnie Tyler2.353:55
9Don’t Give Up on Us
voce:
David Soul
diritti fonografici (℗) detenuti da:
David Soul (nel 1976)
diritti fonografici (℗) detenuti da:
David Soul (nel 1976), Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1976) e Private Stock (nel 1977)
registrazione di:
Don’t Give Up on Us (nel 1976)
paroliere e compositore:
Tony Macaulay
editore:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. e Universal Music Publishing International Ltd.
David Soul33:38
10We’re All Alone
registrazione cover di:
We’re All Alone
paroliere e compositore:
Boz Scaggs
editore:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) e Boz Scaggs Music (publisher) (dal 1975 a oggi)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge3:41
11Southern Nights
diritti fonografici (℗) detenuti da:
Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (nel 1977)
registrazione cover di:
Southern Nights
paroliere e compositore:
Allen Toussaint
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Glen Campbell3.73:01
12Lonely Boy
assistente tecnico:
Dennis Kirk e Greg Ladanyi
tecnico:
Val Garay
produttore:
Peter Asher
basso :
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (dal 1976-03 al 1976-10)
batteria e campana [Sleigh] :
Michael Botts (dal 1976-03 al 1976-10)
battimani :
Peter Asher (dal 1976-03 al 1976-10) e Andrew Gold (dal 1976-03 al 1976-10)
campanaccio , pianoforte e tamburello :
Andrew Gold (dal 1976-03 al 1976-10)
chitarra :
Dan Dugmore (dal 1976-03 al 1976-10)
chitarra [Lead Guitar] :
Waddy (dal 1976-03 al 1976-10)
pianoforte elettrico e sintetizzatore [Arp String Ensemble] :
Brock Walsh (singer, producer, songwriter) (dal 1976-03 al 1976-10)
voce:
Andrew Gold (dal 1976-03 al 1976-10)
voce di accompagnamento:
Linda Ronstadt (dal 1976-03 al 1976-10)
registrata presso:
Sound Factory (1969–1980) in Los Angeles, California, Stati Uniti (dal 1976-03 al 1976-10)
registrazione di:
Lonely Boy (dal 1976-03 al 1976-10)
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold44:21
13Float On
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1977)
edit di:
Float On (long version) di Floaters
registrazione di:
Float On
autore:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) e Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:12
14How ’Bout Us
assistente tecnico:
Michael Ferraro (engineer) e Tom Miller (engineer)
tecnico:
Stu Walder
produttore:
Leo Graham (producer / composer / lyricist)
produttore associato:
James Mack (Composer, arranger, conductor)
batteria :
Morris Jennings, Jr.
batteria elettronica [syndrums] :
Tommy Radtke
chitarra [guitars] :
Michael Day e Howard Reeder
chitarra basso [bass] :
Michael Reed (US bassist for Champaign) e Paul Richmond (producer - songwriter - bassist)
percussione :
Rocky Maffit
sassofono contralto solista :
Ken Soderbloom
sintetizzatore [synthesizers] :
Dana Walden
tastiera [keyboards] :
Michael Day e Dana Walden
voce:
Michael Day, Rena Jones (vocalist for Champaign), Rocky Maffit e Howard Reeder
voce principale:
Pauli Carman
arrangiatore archi e arrangiatore ottoni [horns] :
James Mack (Composer, arranger, conductor)
arrangiatore:
Champaign, Leo Graham (producer / composer / lyricist) e James Mack (Composer, arranger, conductor)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
è stato produttore per:
B‐Line Productions
registrata presso:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti
registrazione cover di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign34:34
15Living Next Door to Alice
produttore:
Mike Chapman (Australian producer and songwriter) e G. Kasper (German sound engineer & producer, “Mr. Cool”)
produttore associato:
Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1976) e RAK Records Ltd. (nel 1976)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione cover di:
Living Next Door to Alice
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Musik-Edition Discoton GmbH e Universal Music Publishers MGB Australia Pty Ltd
Smokie4.153:29

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parte di:Sounds of the 70s (Time-Life) (numero: 5) (ordine: 5)