100 Hits: Love

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley3.552:44
2Moon River
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-01-04)
Interpret(in):
Andy Williams (US pop/jazz vocalist) (am 1962-01-04)
arranger:
Robert Mersey
cover recording of:
Moon River (am 1962-01-04)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 1961 winner)
Andy Williams12:46
3Blue Velvet
Produzent(in):
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
cover recording of:
Blue Velvet
Verfasser(in):
Lee Morris (US songwriter) und Bernie Wayne
publisher:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
4Magic Moments
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (am 1957-12-03) und The Ray Charles Singers (am 1957-12-03)
Orchester:
Mitchell Ayres and His Orchestra (am 1957-12-03)
arranger:
Joe Reisman
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1958)
recording of:
Magic Moments (am 1957-12-03)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Music Publishing Ltd. und MCA Music Ltd.
Perry Como3.152:40
5I Left My Heart in San Francisco
Produzent(in):
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist) (am 1962-01-23)
conductor:
Marty Manning
arranger:
Marty Manning
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1962)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 485)
cover recording of:
I Left My Heart in San Francisco (am 1962-01-23)
Texter:
Douglass Cross (US songwriter)
Komponist(in):
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. und EMI April Music Inc.
Tony Bennett32:53
6My Girl
recording engineer:
Tom Dowd
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Floyd Newman (in 1965-07)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1965-07)
Gitarre:
Steve Cropper (in 1965-07)
Keyboard:
Isaac Hayes (in 1965-07) und Booker T. Jones (in 1965-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1965-07)
Tenorsaxophon:
Andrew Love (in 1965-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1965-07) und Gene “Bowlegs” Miller (American trumpeter) (in 1965-07)
Hintergrundgesang:
Earl Sims (in 1965-07)
aufgenommen bei:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Vereinigte Staaten (von 1965-07-09 bis 1965-07-10)
cover recording of:
My Girl (in 1965-07)
Texter:
Smokey Robinson
Komponist(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Music for Africa (South Africa), Poochum, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Otis Redding3.82:56
7When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:53
8You’ll Never Get to Heaven If You Break My HeartDionne Warwick3:20
9Love… Thy Will Be Done
recording engineer:
Michael Cruz (pop producer/writer), Michael Koppelman (Minneapolis producer and engineer) und Michael McDonald (engineer)
Programmierung:
Jeffery (C.J.) Vanston
Produzent(in):
Paisley Park (Prince, “The Artist Formerly Known as…”)
zusätzliche(r) Produzent(in):
Martika (American singer‐songwriter and actress)
Mix:
Bob Rosa
Hintergrundgesang:
Martika (American singer‐songwriter and actress) und Rahsaan Patterson
Sologesang:
Martika (American singer‐songwriter and actress)
zusätzlich Synthesizer arranger:
Jeffery (C.J.) Vanston
arranger:
Paisley Park (Prince, “The Artist Formerly Known as…”)
aufgenommen bei:
Paisley Park Studios in Chanhassen, Minnesota, Vereinigte Staaten (in 1991) und Trax Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1991)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Love… Thy Will Be Done (in 1991)
Verfasser(in):
Martika (American singer‐songwriter and actress) und Prince (“The Artist Formerly Known as…”)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (, in 1991), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1991), Girlsongs (publisher) (in 1991) und Tika Tunes (publisher) (in 1991)
Martika5:05
10Close the Door
Produzent(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
recording of:
Close the Door
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teddy Pendergrass5:27
11Love Hurts
recording of:
Love Hurts (am 1960-07-13)
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Everly Brothers2:21
12Through the Barricades
assistierende(r) Techniker(in):
Stephen Wissnet
Techniker(in):
Gary Langan
Produzent(in):
Gary Langan und Spandau Ballet
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet)
Gitarre:
Gary Kemp
Keyboard:
Toby Chapman
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet)
Schlagzeug:
John Keeble
Hintergrundgesang:
Ruby James (L.A-based singer/songwriter), Shirley Lewis und Helena Springs
Sologesang:
Tony Hadley
Interpret(in):
Spandau Ballet
phonographisches Urheberrecht (℗) von:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1986) und Sony BMG Music Entertainment (UK) Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
aufgenommen bei und mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland und Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Frankreich
recording of:
Through the Barricades
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet35:49
13Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
14I’m Stone in Love With You
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Jon Mat Records, Inc. (in 1974)
cover recording of:
I’m Stone in Love With You
Komponist(in):
Thom Bell (keyboards, songwriter, producer), Tony Bell (American 1970s musician, songwriter & engineer) und Linda Creed
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America
Johnny Mathis3:33
15To the Moon and Back
Produzent(in):
Charles Fisher (Australian producer)
Mix:
Chris Lord‐Alge
mixed at:
Gotham Studios in Melbourne, Victoria, Australien
recording of:
To the Moon and Back
Verfasser(in):
Darren Hayes und Daniel Jones (Australian singer/producer of Savage Garden)
publisher:
EMI (EMI Records, or EMI Music only if there is no other imprint)
Savage Garden4.655:43
16The Very Thought of You
Produzent(in):
Andre Fischer (US drummer and funk/soul/pop producer)
Mix:
Al Schmitt
Bass:
Andy Simpkins
Klavier:
Clare Fischer
Schlagzeug:
Harold Jones (jazz drummer)
vocals:
Natalie Cole
zusätzlich arranger:
Clare Fischer
Orchestrator(in):
Michel Legrand
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 1991)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
Natalie Cole4:18
17Chanson d’amour
recording of:
Chanson d’amour (1958 song)
Texter und Komponist(in):
Wayne Shanklin
publisher:
Carlin Music und Intersong (publisher) (in 1982)
The Manhattan Transfer2:58
18How Wonderful You Are
recording of:
How Wonderful You Are
Texter und Komponist(in):
Gordon Haskell
publisher:
Corner Shop Music Ltd, Peermusic III, Ltd. (BMI) und Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Gordon Haskell3:58
19What Becomes of the Broken Hearted
assistierende(r) Techniker(in):
Dean Murphy (engineer) und Barrie Steele
Techniker(in):
Peter Day
Produzent(in):
Matt Aitken und Mike Stock (of Stock Aitken Waterman)
Mix:
Dave Ford (remixer, producer & technician known for work with SAW)
vocals:
Jerome Flynn und Robson Green
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland (for © & ℗ copyright use only; file no releases here!) (in 1996)
cover recording of:
What Becomes of the Brokenhearted
Verfasser(in):
James Dean (US soul songwriter), Paul Riser und William Weatherspoon
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (UK)
Robson & Jerome3:23
20I Will Always Love You
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1973-06-13) und Buck Trent (am 1973-06-13)
Bass:
Bobby Dyson (am 1973-06-13)
Fiddle:
Johnny Gimble (am 1973-06-13) und Mack Magaha (Bluegrass Fiddler) (am 1973-06-13)
Gitarre:
Jimmy Colvard (American session guitarist) (am 1973-06-13), Dave Kirby (US country singer/songwriter) (am 1973-06-13) und Dolly Parton (am 1973-06-13)
Klavier:
Hargus "Pig" Robbins (am 1973-06-13)
Schlagzeug:
Ralph Gallant (am 1973-06-13)
Steel-Gitarre:
Stu Basore (am 1973-06-13)
Hintergrundgesang:
Joe Babcock (am 1973-06-13), Dolores Edgin (am 1973-06-13), June Page (am 1973-06-13) und Hurshel Wiginton (am 1973-06-13)
vocals:
Dolly Parton (am 1973-06-13)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1974)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1973-06-13)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 34)
recording of:
I Will Always Love You (am 1973-06-13)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, EMI Music Publishing Australia Pty Ltd (not for release label use!), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton3.552:55
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Veröffentlichungsgruppe

Teil von:100 Hits (UK Demon Music Group) (Nummer: 5) (Reihenfolge: 37)
100 Hits (UK Demon Music Group) (Nummer: 155) (Reihenfolge: 122)