Collected

~ Veröffentlichung von Etta James (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1The Wallflower (Dance With Me Henry)
2:43
2Good Rockin' Daddy
2:24
3W.O.M.A.N.
vocals:
Etta James
recording of:
W-O-M-A-N
Texter:
Dorothy Hawkins (singer), Etta James, Abbye Mallory und Jean Mitchell
Komponist(in):
Bo Diddley (American singer, guitarist, songwriter and music producer)
Version von:
I’m a Man
2:44
4A Sunday Kind of Love
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
vocals:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
Interpret(in):
Sugar Pie DeSanto
arranger:
Riley Hampton
cover recording of:
A Sunday Kind of Love
Verfasser(in):
Barbara Belle, Anita Leonard (US pianist, composer and lyricist), Louis Prima und Stan Rhodes
publisher:
Leeds Music Inc.
4.53:18
5All I Could Do Was Cry
Produzent(in):
Leonard Chess und Phil Chess
Sologesang:
Etta James (in 1960-01)
Orchester:
Riley Hampton Orchestra (in 1960-01)
conductor:
Riley Hampton (in 1960-01)
arranger:
Riley Hampton
recording of:
All I Could Do Was Cry (in 1960-01)
Verfasser(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Berry Gordy und Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
publisher:
Jobete Music (UK) Ltd
42:55
6At Last
Produzent(in):
Leonard Chess, Phil Chess und Leonard and Phil Chess (legendary US production duo)
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographisches Urheberrecht (℗) von:
Windswept Pacific Music Ltd.
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 115) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 356)
cover recording of:
At Last (in 1960-10)
Verfasser(in):
Mack Gordon und Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
4.53:01
7Stormy Weather
3:09
8Trust in Me
2:59
9I Just Want to Make Love to You
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
I Just Wanna Make Love to You (in 1960-05)
Texter und Komponist(in):
Willie Dixon
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Hoochie Coochie Music
33:07
10Fool That I Am
2:59
11Don't Cry Baby
Produzent(in):
Leonard Chess und Phil Chess
Sologesang:
Etta James
vocals:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
Don’t Cry Baby (in 1961-03)
Verfasser(in):
Saul Bernie, James P. Johnson und Stella Unger
publisher:
Advanced Music corp. und Warner Bros. Music (publisher; do NOT use as release label)
42:27
12One for My Baby (and One More for the Road)
3:27
13Something's Got a Hold on Me
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1961-12)
Bassgitarre [bass]:
Reggie Boyd (US blues guitarist/bassist) (in 1961-12)
Gitarre:
Matt Murphy (US blues guitarist) (in 1961-12)
Klavier:
John Young (jazz pianist) (in 1961-12)
Schlagzeug:
Al Duncan (in 1961-12)
Hintergrundgesang [backing vocals]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961-12)
vocals:
Etta James (in 1961-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1962 (Nummer: 40)
recording of:
Something’s Gotta Hold on Me (in 1961-12)
Verfasser(in):
Etta James, Leroy Kirkland und Pearl Woods (60s R&B)
42:48
14I Want to Be Loved (but Only by You)
3:26
15Next Door to the Blues
2:47
16Pushover
Sologesang:
Etta James
recording of:
Pushover (am 1962-11-14)
Verfasser(in):
Tony Clarke (soul artist) und Billy Davis (r&b producer/songwriter/performer Roquel Davis)
2:54
17Stop the Wedding
Sologesang:
Etta James
recording of:
Stop the Wedding (von 1962-07-27 bis 1962-07-29)
Verfasser(in):
Freddy Johnson (pianist), Leroy Kirkland und Pearl Woods (60s R&B)
2:53
18Would It Make Any Difference to You
2:39
19Lovin' You More Every Day
3:24
20I Prefer You
3:06
21Tell Mama
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
E-Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (am 1967-08-24)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-08-24) und Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1967-08-24)
Klavier:
Dewey Oldham (am 1967-08-24)
Orgel:
Carl Banks (am 1967-08-24) und Dewey Oldham (am 1967-08-24)
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-08-24), Floyd Newman (am 1967-08-24) und Aaron Varnell (am 1967-08-24)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-08-24)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (am 1967-08-24)
Sologesang:
Etta James (am 1967-08-24)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-08-24)
cover recording of:
Tell Mama (am 1967-08-24)
Verfasser(in):
Clarence Carter, Marcus Daniel und Wilbur Terrell
publisher:
Lowery Music Corp.
42:21
22I'd Rather Go Blind
2:34
23Security
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Bass:
David Hood (Muscle Shoals, AL guitarist and trombonist)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) und Albert Lowe Jr. (American guitarist, bassist, and songwriter)
Klavier:
George Davis (piano)
Orgel:
Barry Beckett
Saxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), James Mitchell (US saxophonist/arranger) und Aaron Varnell
Schlagzeug:
Roger Hawkins (drummer and producer)
Trompete:
Gene “Bowlegs” Miller (American trumpeter)
Sologesang:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (am 1967-12-06)
cover recording of:
Security
Texter und Komponist(in):
Otis Redding
2:29
24Almost Persuaded
recording engineer und Produzent(in):
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
Sologesang:
Etta James (in 1968-08)
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
aufgenommen bei:
FAME Studios in Muscle Shoals, Alabama, Vereinigte Staaten (in 1968-08)
cover recording of:
Almost Persuaded (Glenn Sutton/Billy Sherrill song) (in 1968-08)
Verfasser(in):
Billy Sherrill (US songwriter/producer/arranger) und Glenn Sutton (US songwriter and producer)
3:20
2▶CD
3▶CD