Let’s Face the Music and Dance

~ Pubblicazione di Fred Astaire (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Let’s Face the Music and Dance
registrata a:
Los Angeles, California, Stati Uniti (il 1936-01-30)
voce:
Fred Astaire (il 1936-01-30)
orchestra:
Johnny Green and His Orchestra (il 1936-01-30)
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”) (il 1936-01-30)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
2:28
2Top Hat, White Tie and Tails
registrazione di:
Top Hat, White Tie and Tails (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
2:34
3Things Are Looking Up
registrata a:
Los Angeles, California, Stati Uniti (il 1937-10-17)
voce:
Fred Astaire (il 1937-10-17)
orchestra:
Ray Noble and His Orchestra (il 1937-10-17)
registrazione di:
Things Are Looking Up (A Damsel in Distress) (il 1937-10-17)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
33:07
4A Foggy Day (in London Town)
registrata a:
Los Angeles, California, Stati Uniti (il 1937-10-17)
voce:
Fred Astaire (il 1937-10-17)
orchestra:
Ray Noble and His Orchestra (il 1937-10-17)
registrazione di:
A Foggy Day (in London Town) (il 1937-10-17)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
2:50
5Nice Work If You Can Get It
registrata a:
Los Angeles, California, Stati Uniti (il 1937-10-19)
voce:
Fred Astaire (il 1937-10-19)
orchestra:
Ray Noble and His Orchestra (il 1937-10-19)
registrazione di:
Nice Work If You Can Get It (il 1937-10-19)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
2:43
6The Way You Look Tonight
registrata a:
Los Angeles, California, Stati Uniti (il 1936-07-26)
voce:
Fred Astaire (il 1936-07-26)
orchestra:
Johnny Green and His Orchestra (il 1936-07-26)
registrazione di:
The Way You Look Tonight (from “Swing Time”) (il 1936-07-26)
editore:
Jerome Kern (il 1936-07-24)
paroliere:
Dorothy Fields (American librettist and lyricist) (nel 1936)
compositore:
Jerome Kern (nel 1936)
editore:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (nel 1936)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 9th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1936 winner)
parte di:
Swing Time (film)
33:07
7They All Laughed
registrata a:
Los Angeles, California, Stati Uniti (il 1937-03-18)
voce:
Fred Astaire (il 1937-03-18)
orchestra:
Johnny Green and His Orchestra (il 1937-03-18)
registrazione di:
They All Laughed (from “Shall We Dance”) (il 1937-03-18)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK) e Gershwin Publishing Corp (nel 1937)
parte di:
Shall We Dance (1937 film soundtrack)
2:45
8They Can’t Take That Away From Me
registrata a:
Los Angeles, California, Stati Uniti (il 1937-03-14)
voce:
Fred Astaire (il 1937-03-14)
orchestra:
Johnny Green and His Orchestra (il 1937-03-14)
registrazione di:
They Can’t Take That Away From Me (from “Shall We Dance”) (il 1937-03-14)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1937 nominee)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
3:04
9Let’s Call the Whole Thing Off
registrazione di:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (il 1937-03-03)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
versione tradotta di:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
parte di:
Shall We Dance (1937 film soundtrack)
33:13
10Dearly Beloved
2:43
11I’m Putting All My Eggs in One Basket
registrata a:
Los Angeles, California, Stati Uniti (il 1936-01-30)
voce:
Fred Astaire (il 1936-01-30)
orchestra:
Johnny Green and His Orchestra (il 1936-01-30)
registrazione di:
I’m Putting All My Eggs in One Basket (from “Follow the Fleet”) (il 1936-01-30)
paroliere e compositore:
Irving Berlin (nel 1936)
2:47
12Cheek to Cheek
registrata a:
New York, New York, Stati Uniti (il 1935-06-26)
voce:
Fred Astaire (il 1935-06-26)
orchestra:
Leo Reisman and His Orchestra (il 1935-06-26)
registrazione di:
Cheek to Cheek (from “Top Hat”) (il 1935-06-26)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Academy Award for Best Original Song (numero: 1935 nominee)
parte di:
Top Hat (1935 film)
3:20
13You Were Never Lovelier
registrata a:
Los Angeles, California, Stati Uniti (il 1942-07-27)
voce:
Fred Astaire (il 1942-07-27)
orchestra:
John Scott Trotter and His Orchestra (il 1942-07-27)
registrazione di:
You Were Never Lovelier (from “You Were Never Lovelier”) (il 1942-07-27)
paroliere:
Johnny Mercer
compositore:
Jerome Kern
editore:
Chappell Music Ltd.
2:43
14Pick Yourself Up
registrata a:
Los Angeles, California, Stati Uniti (il 1936-07-26)
voce:
Fred Astaire (il 1936-07-26)
orchestra:
Johnny Green and His Orchestra (il 1936-07-26)
registrazione di:
Pick Yourself Up (from “Swing Time”) (il 1936-07-26)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jerome Kern
parte di:
Swing Time (film)
2:54
15A Fine Romance
2:50
16Never Gonna Dance
registrata a:
Los Angeles, California, Stati Uniti (il 1936-07-26)
voce:
Fred Astaire (il 1936-07-26)
orchestra:
Johnny Green and His Orchestra (il 1936-07-26)
registrazione di:
Never Gonna Dance (from “Swing Time”) (il 1936-07-26)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jerome Kern
parte di:
Swing Time (film)
3:09
17Slap That Bass
registrata a:
Los Angeles, California, Stati Uniti (il 1937-03-21)
voce:
Fred Astaire (il 1937-03-21)
orchestra:
Johnny Green and His Orchestra (il 1937-03-21)
registrazione di:
Slap That Bass (from “Shall We Dance”) (il 1937-03-21)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
2:55
18Shall We Dance
registrazione di:
Shall We Dance (il 1937-03-21)
paroliere:
Ira Gershwin
compositore:
George Gershwin (composer)
editore:
Gershwin Publishing Corp (nel 1937)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
2:30
19One for My Baby (And One More for the Road)
registrazione di:
One for My Baby (and One More for the Road)
paroliere:
Johnny Mercer (nel 1943)
compositore:
Harold Arlen (nel 1943)
editore:
Chappell/Morris Ltd. e Harwin Music
parte di:
The Sky’s the Limit (1943 film)
2:36
20Beginner’s Luck
registrata a:
Los Angeles, California, Stati Uniti (il 1937-03-18)
voce:
Fred Astaire (il 1937-03-18)
orchestra:
Johnny Green and His Orchestra (il 1937-03-18)
registrazione di:
(I’ve Got) Beginner’s Luck (from “Shall We Dance”) (il 1937-03-18)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Gershwin Publishing Corp (nel 1937)
compresa in:
An American in Paris (2015 Broadway musical)
parte di:
Shall We Dance (1937 film soundtrack)
2:51
21Change Partners
registrata a:
Los Angeles, California, Stati Uniti (il 1938-03-24)
voce:
Fred Astaire (il 1938-03-24)
orchestra:
Ray Noble and His Orchestra (il 1938-03-24)
registrazione di:
Change Partners (from “Carefree”) (il 1938-03-24)
paroliere e compositore:
Irving Berlin (nel 1938)
editore:
Irving Berlin Music Corp. e Williamson Music Company
parte di:
The 11th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1938 nominee)
3:08
22Isn’t This a Lovely Day
registrata a:
New York, New York, Stati Uniti (il 1935-06-27)
voce:
Fred Astaire (il 1935-06-27)
orchestra:
Johnny Green and His Orchestra (il 1935-06-27)
registrazione di:
Isn’t This a Lovely Day? (from “Top Hat”) (il 1935-06-27)
paroliere e compositore:
Irving Berlin (nel 1935)
parte di:
Top Hat (1935 film)
3:14
23Let Yourself Go
registrata a:
Los Angeles, California, Stati Uniti (il 1936-01-30)
voce:
Fred Astaire (il 1936-01-30)
orchestra:
Johnny Green and His Orchestra with Chorus (il 1936-01-30)
registrazione di:
Let Yourself Go (from “Follow the Fleet”) (il 1936-01-30)
paroliere e compositore:
Irving Berlin (nel 1936)
2:35
24Night and Day
ance :
Jess Smith (reeds in Leo Reisman & His Orchestra) (il 1932-11-22) e Burt Williams (il 1932-11-22)
tromba :
Lew Sherwood (il 1932-11-22)
trombone :
Ernie Gibbs (il 1932-11-22)
violino :
Lew Conrad (il 1932-11-22) e Sammy Schklar (il 1932-11-22)
voce:
Fred Astaire (il 1932-11-22)
orchestra:
Leo Reisman and His Orchestra (il 1932-11-22)
direttore d'orchestra:
Leo Reisman (violinist, bandleader, arranger) (il 1932-11-22)
registrata presso:
Victor Studio #1 (Cherokee A) in New York, New York, Stati Uniti (il 1932-11-22)
registrazione di:
Night and Day (Cole Porter; from “The Gay Divorce”) (il 1932-11-22)
paroliere e compositore:
Cole Porter (composer) (nel 1932)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1932-11-18)
parte di:
Gay Divorce
53:27
25Puttin’ On the Ritz
voce:
Fred Astaire (nel 1937)
registrazione di:
Puttin’ On the Ritz (nel 1937)
paroliere e compositore:
Irving Berlin (nel 1929)
editore:
Berlin Irving Music Corp e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
Idiot’s Delight (film)
2:10