Solid Gone Blues

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1I Got It Bad and That Ain’t Good
registrazione cover di:
I Got It Bad (and That Ain’t Good)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
parte di:
The Real Book (compilation of jazz standards, volume I)
Billie Holiday2:26
2The Letter
registrazione di:
The Letter
autore:
B.B. King e Jules Taub
editore:
BMG Music Publishing Ltd.
B.B. King3:29
3The Gallis Pole
registrazione di:
The Gallis Pole
autore:
[traditional] (special purpose artist)
arrangiatore:
Huddie William Ledbetter
versione di:
The Maid Freed From the Gallows (traditional song - not the Led Zep arrangement)
Lead Belly3:01
4When Your Lover Has GoneBillie Holiday2:00
5Early in the Morning
Roy Milton2:42
6Poor Howard Green Corn
Lead Belly3:12
7Sweet Sixteen
produttore:
Quincy Jones e Johnny Pate
basso :
Louis Satterfield (il 1966-11-05)
batteria :
Sonny Freeman (il 1966-11-05)
chitarra :
B.B. King (il 1966-11-05)
organo :
Duke Jethro (il 1966-11-05)
sassofono tenore :
Bobby Forte (saxophonist) (il 1966-11-05)
tromba :
Kenny Sands (il 1966-11-05)
voce:
B.B. King (il 1966-11-05)
registrata presso:
International Club in Chicago, Illinois, Stati Uniti (il 1966-11-05)
registrazione dal vivo cover di:
Sweet Sixteen (il 1966-11-05)
paroliere e compositore:
A. Nugetre (US songwriter/producer)
editore:
Progressive Music (publisher)
registrazione dal vivo di:
Sweet Sixteen
autore:
Joe Josea e B.B. King
editore:
Modern Music Publishing Co., Inc., Progressive Music (publisher) e Sidney A. Seidenberg Music Ltd.
registrazione di:
Sweet Sixteen
autore:
Joe Josea e B.B. King
editore:
Modern Music Publishing Co., Inc., Progressive Music (publisher) e Sidney A. Seidenberg Music Ltd.
B.B. King4:18
8Left Handed Woman
armonica (a bocca) :
Jimmy Reed (blues musician) (nel 1964)
basso elettrico [electric bass] :
Eddie Taylor (electric blues guitarist and singer) (nel 1964)
batteria [drums] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1964)
chitarra :
Jimmy Reed (blues musician) (nel 1964) e Hubert Sumlin (Chicago blues guitarist and singer) (nel 1964)
voce:
Jimmy Reed (blues musician) (nel 1964)
Jimmy Reed2:25
9Information Blues
Roy Milton2:26
10Walkin’ and Talkin’
registrazione di:
Walkin’ and Talkin’ (to Myself)
autore:
Ray Charles (soul musician, singer and songwriter), Christian Diodati (songwriter; aka. Christian Dio, 411; member of Cheach Masteach, Bros 2 Da Res Q, The Magic People, Digital Freaks), Easy Irving, Cliff Jackson (jazz pianist) e Henry Stone
Ray Charles3:08
11Payin’ the Cost to Be the Boss
registrazione di:
Paying the Cost to Be the Boss
paroliere e compositore:
B.B. King
editore:
Duchess Music Corporation (BMI-affiliated), Songs of Universal, Inc. (BMI) e Universal Music Careers
B.B. King2:37
12The Bourgeois Blues
registrazione di:
The Bourgeois Blues
paroliere e compositore:
Lead Belly
arrangiatore:
Alan Lomax (US ethnomusicologist) e John A. Lomax
Lead Belly3:03
13I Wonder Who’s Kissing Her Now
registrazione cover di:
I Wonder Who’s Kissing Her Now
paroliere:
Frank R. Adams (American author, screenwriter, composer & newspaper reporter) e Will M. Hough
compositore:
Joseph E. Howard e Harold Orlob
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Redwood Music Ltd. (Carlin)
Ray Charles2:23
14The Thrill Is GoneB.B. King4:57
15C.C. Rider
registrazione di:
C.C. Rider
paroliere e compositore:
Ma Rainey
autore:
Arent
editore:
Leeds Music Ltd.
Ray Charles2:46
16Fine and Mellow
registrazione di:
Fine and Mellow
paroliere e compositore:
Billie Holiday
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday8:08
17Red Light
Roy Milton2:10
18The Blue Tail
Lead Belly2:18
19How Long
registrata a:
New York, New York, Stati Uniti (nel 1943-08)
armonica (a bocca) e armonica (a bocca) ospite :
Sonny Terry (nel 1943-08)
chitarra :
Lead Belly (nel 1943-08)
voce:
Lead Belly (nel 1943-08)
esecutore:
Sonny Terry (nel 1943-08)
registrazione cover di:
How Long, How Long Blues (nel 1943-08)
paroliere e compositore:
Leroy Carr
editore:
Compact Music e MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Lead Belly2:10
20Where Can My Baby Be
Jimmy Reed2:36
21I Loves You PorgyBillie Holiday1:50
22Nice Work If You Can Get It
batteria :
Jo Jones (US jazz drummer) (il 1957-07-06)
contrabbasso [bass] :
Joe Benjamin (US jazz bassist) (il 1957-07-06)
pianoforte :
Mal Waldron (American jazz pianist) (il 1957-07-06)
voce:
Billie Holiday (il 1957-07-06)
registrata presso:
Billie Holiday at Newport Jazz Festival 1957 (1957-07-06)
registrata presso:
Freebody Park in Newport, Rhode Island, Stati Uniti (il 1957-07-06)
registrazione dal vivo di:
Nice Work If You Can Get It (il 1957-07-06)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
registrazione cover di:
Nice Work If You Can Get It
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA) e Gershwin Publishing Corp (nel 1937)
parte di:
A Damsel in Distress (1937 film score)
parte di:
Crazy for You (1992 musical)
parte di:
My One and Only (1983 Broadway musical)
Billie Holiday32:34
23Goin’ Down Slow
Arnold “Gatemouth” Moore3:44
24I Ain’t Mad at You Pretty Baby
Arnold “Gatemouth” Moore3:15