The Complete Anita O'Day Verve/Clef Sessions

~ Veröffentlichung von Anita O’Day (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1Medley: 'S Wonderful / They Can't Take That Away From Me
2:58
2Love Me or Leave Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Love Me or Leave Me
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) und Gilbert Keyes Music Company (in 1928, in 1955)
2:34
3Old Devil Moon
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-08-03)
Produzent(in):
Norman Granz
alto saxophone:
Joe Maini (am 1960-08-03)
Klavier:
Lou Levy (am 1960-08-03)
Kontrabass:
Joe Mondragon (am 1960-08-03)
Posaune:
Frank Rosolino (am 1960-08-03)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1960-08-03)
Tenorsaxophon:
Bill Perkins (jazz saxophonist) (am 1960-08-03)
Trompete:
Lee Katzman (am 1960-08-03) und Al Porcino (am 1960-08-03)
vocals:
Anita O’Day (am 1960-08-03)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (am 1960-08-03)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
2:54
4Tenderly
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
3:22
5We'll Be Together Again
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
We’ll Be Together Again
Texter:
Frankie Laine
Komponist(in):
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:39
6Stella by Starlight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Stella by Starlight
Texter:
Ned Washington (in 1946)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
42:06
7Them There Eyes
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
2:39
8Takin' a Chance on Love2:24
9I've Got the World on a String
recording of:
I’ve Got the World on a String
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
4:01
10You Turned the Tables on Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
You Turned the Tables on Me
Texter:
Sidney Mitchell
Komponist(in):
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:43
11Bewitched, Bothered and Bewildered
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1956-05)
Produzent(in):
Norman Granz
recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
3:57
12But Not for Me
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
But Not for Me (am 1958-04-27)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:10
13Medley: I Have a Reason for Living / My Love for You
4:55
14The Varsity Drag
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Varsity Drag (Good News) (am 1958-04-27)
Texter:
Lew Brown und Ray Henderson
Komponist(in):
Buddy DeSylva
Teil von:
Good News (1947 film)
1:48
15It Never Entered My Mind
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
It Never Entered My Mind (am 1958-04-27)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) und Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:08
16Tea for Two
recording of:
Tea for Two (No, No, Nanette)
Texter:
Irving Caesar
Komponist(in):
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
No, No, Nanette
3:49
17Everytime I'm With You
2:10
18Have You Met Miss Jones?
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (am 1958-04-27)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Williamson Music Company
Teil von:
I’d Rather Be Right
2:09
19The Wildest Girl in Town
2:40
20Star Eyes
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
Star Eyes (am 1958-04-27)
Komponist(in):
Gene de Paul und Don Raye
publisher:
EMI Feist Catalog Inc. und Red Cape Songs
Teil von:
I Dood It (1943)
3:03
21Loneliness Is a Well
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
3:10
22The Song Is You
Klavier:
Joe Masters (am 1958-04-27)
Kontrabass:
L.B. Wood (am 1958-04-27)
Schlagzeug:
John Poole (drums) (am 1958-04-27)
vocals:
Anita O’Day (am 1958-04-27)
aufgenommen bei:
Mister Kelly’s in Chicago, Illinois, Vereinigte Staaten (am 1958-04-27)
live recording of:
The Song Is You (am 1958-04-27)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co.
3:20
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Nennungen

Veröffentlichung

ASIN:US: B00106BU8Y [Info]

Veröffentlichungsgruppe

Wikidata:Q124253058 [Info]