Madrigali: Libri terzo & quarto

~ Veröffentlichung von Gesualdo; Les Arts Florissants, Paul Agnew (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Voi volete ch’io mora: Prima parte
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [quinto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Voi volete ch'io mora (part 1)”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo1:12
2Voi volete ch’io mora: Seconda parte. Moro, o non moro?
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [quinto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Moro o non moro (part 2)”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:22
3Ahi, disperata vita
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Tenor-Gesang [quinto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Ahi, disperata vita”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo1:49
4Languisco, e moro, ahi, cruda!
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Languisco e moro”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo3:44
5Del bel de’ bei vostri occhi
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Del bel de'bei vostri occhi”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:31
6Ahi, dispietata e cruda
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Ahi, dispietata e cruda”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo3:03
7Dolce spirto d’amore
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Dolce spirto d'Amore”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:36
8Sospirava il mio core: Prima parte
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Sospirava il mio core (part 1)”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo1:42
9Sospirava il mio core: Seconda parte. O mal nati messaggi e mal intesi
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “O mal nati messaggi (part 2)”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:38
10Veggio sì dal mio sole
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Soprangesang [quinto]:
Hannah Morrison (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Veggio, sì, dal mio sole”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:28
11“Non t’amo”, o voce ingrata
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [quinto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Non t'amo, o voce ingrata”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:14
12Meraviglia d’amore: Prima parte
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Meraviglia d'Amore (part 1)”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo1:12
13Meraviglia d’amore: Seconda parte. Ed ardo e vivo, dolc’aura gradita
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Ed ardo e vivo (part 2)”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo1:55
14Crudelissima doglia
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
Soprangesang [canto]:
Hannah Morrison (soprano)
Soprangesang [quinto]:
Miriam Allan (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Crudelissima doglia”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:58
15Se piange ohimè la donna del mio core
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Soprangesang [quinto]:
Hannah Morrison (soprano)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Se piange, ohimè”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo3:13
16Ancidetemi pur, grievi martiri
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Hannah Morrison (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Ancidetemi pur, grievi martiri”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:54
17Se vi miro pietosa
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Soprangesang [quinto]:
Hannah Morrison (soprano)
Tenor-Gesang [tenore]:
Sean Clayton (Tenor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Se vi miro pietosa”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:18
18Deh, se già fu crudele al mio martire
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [alto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Soprangesang [quinto]:
Hannah Morrison (soprano)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Deh, se già fu crudele”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo1:51
19Dolcissimo sospiro
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [quinto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Dolcissimo sospiro”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:56
20Donna, se m’ancidete
assistierendes Sound-Engineering:
Allison Ascrizzi (engineer)
Sound-Engineering:
Laurent Fracchia (engineer)
Produzent(in) und Editing:
Arnaud Moral (French audio)
Bass-Gesang [basso]:
Edward Grint
contralto vocals [sesto]:
Lucile Richardot (contralto / mezzo)
Soprangesang [canto]:
Miriam Allan (soprano)
Soprangesang [quinto]:
Hannah Morrison (soprano)
Tenor-Gesang [alto]:
Sean Clayton (Tenor)
Tenor-Gesang [tenore]:
Paul Agnew (tenor and conductor)
vocals:
Les Arts Florissants (French baroque ensemble)
conductor:
Paul Agnew (tenor and conductor)
aufgenommen bei:
Philharmonie de Paris in Paris, Île-de-France, Frankreich
recording of:
Madrigals, Book 3: “Donna, se m'ancidete (a sei voci)”
Komponist(in):
Carlo Gesualdo (composer)
Teil von:
Madrigals, Book 3
Carlo Gesualdo2:37
2▶Digitales Medium

Nennungen

Veröffentlichung

Fotografie:Nathalie Bagarry
liner notes:Paul Agnew (tenor and conductor)
Denis Morrier (liner notes)
liner notes Übersetzer:Laurent Cantagrel
Michael Sklansky (liner notes translator)
Irène Weber-Froboese (liner notes translator)
Stephanie Wollny
aufgenommen bei:Philharmonie de Paris in Paris, Île-de-France, Frankreich (in 2019-10, in 2020-02)
kostenlos streamen:https://open.spotify.com/album/79JkLquiHy3lbyBgSrEvLG [Info]
Streaming-Seite:https://music.apple.com/us/album/1615616443 [Info]

Veröffentlichungsgruppe

Allmusic:https://www.allmusic.com/album/mw0003457603 [Info]