NOW Yearbook ’92

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 4 disponibili)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Too Funky (single edit)
produttore:
George Michael
arrangiatore:
George Michael
registrazione di:
Too Funky
paroliere e compositore:
George Michael
George Michael33:46
2Stay
programmazione:
Marcella Detroit
assistente tecnico:
Nick Addison
tecnico:
Alan Moulder (producer and engineer)
tecnico aggiunto:
Lee Manning (US engineer)
produttore:
Alan Moulder (producer and engineer), Shakespears Sister e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e chitarra elettrica [guitar] :
Marcella Detroit
basso elettrico [bass] :
Ian Maidman
batteria :
Steve Ferrera (UK drummer)
tastiera [keyboards] :
Ed Shearmur (English score composer)
tastiera [keyboards] aggiunto:
Steve Ferrera (UK drummer), Ian Maidman e Jonathan Perkins (aka Wild Mondo)
voce principale [vocals]:
Marcella Detroit e Siobhan Fahey
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1991) e London (UK, 1947–1999, re-launched 2011–present) (nel 1992)
registrata presso:
Friar Park (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, Regno Unito
mixata presso:
Chapel Studios (Encino, Los Angeles) in Encino, California, Stati Uniti
video musicali:
Stay di Shakespear's Sister
registrazione di:
Stay
autore:
Marcella Detroit, Siobhan Fahey e Jean Guiot (composer credits pseudonym of Dave Stewart)
editore:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Island Music Ltd.
Shakespears Sister3.253:48
3America: What Time Is Love?
produttore:
The KLF (British electronic band with several aliases)
voce ospite:
Bello B e Glenn Hughes (UK rock bassist and vocalist)
registrazione di:
America: What Time Is Love?
paroliere e compositore:
Isaac Bello, Jimmy Cauty, Bill Drummond e Lawanda McFarland
si basa su:
What Time Is Love? (Single/LP Mix - Live at Trancentral)
The KLF3:29
4Even Better Than the Real Thing (Perfecto mix)
registrazione di:
Even Better Than the Real Thing
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) e Larry Mullen, Jr.
editore:
Blue Mountain Music Ltd., Mother Music e Universal Music Publishing BV (Benelux subsidiary of Universal Music Publishing Group)
U26:38
5Ain’t No DoubtJimmy Nail34:06
6Could It Be Magic (Rapino radio mix)
tecnico:
Tim Eames (UK engineer) e Robin Sellars (British recording engineer)
co-produttore:
Billy Griffin, Ian Levine (Hi-NRG music songwriter and producer) e The Rapino Brothers
tecnico di missaggio:
Ian Levine (Hi-NRG music songwriter and producer)
registrazione cover di:
Could It Be Magic
paroliere:
Adrienne Anderson
compositore:
Barry Manilow
compositore aggiunto:
Fryderyk Chopin (Frédéric Chopin, composer)
editore:
Angeldust Music (conclusa), Kamikazee Music (conclusa), EMI Longitude Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Prélude no. 20 in C minor, op. 28: Largo
versione di:
Could It Be Magic (original Featherbed single version)
registrazione di:
Could It Be Magic
paroliere:
Adrienne Anderson
compositore:
Barry Manilow
compositore aggiunto:
Fryderyk Chopin (Frédéric Chopin, composer)
editore:
Angeldust Music (conclusa), Kamikazee Music (conclusa), EMI Longitude Music e Universal Music Careers
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
Prélude no. 20 in C minor, op. 28: Largo
versione di:
Could It Be Magic (original Featherbed single version)
registrazione di:
Could It Be Magic (version as recorded by Take That)
paroliere:
Adrienne Anderson
autore aggiunto:
Bibi Anderson
compositore:
Barry Manilow
compositore aggiunto:
Fryderyk Chopin (Frédéric Chopin, composer)
editore:
BMG Music Publishing Limited
si basa su:
Prélude no. 20 in C minor, op. 28: Largo
versione di:
Could It Be Magic
Take That23:30
7Give Me Just a Little More Time
assistente tecnico:
Jason Barron, Dillon Gallagher, Matt Le Flem, Chris McDonnell (engineer), Dean Murphy (engineer), Les Sharma e Paul Waterman
tecnico:
Peter Day
tecnico aggiunto:
Gordon Dennis (engineer at PWL Studios)
produttore:
Mike Stock (of Stock Aitken Waterman) e Pete Waterman
tecnico di missaggio:
Dave Ford (remixer, producer & technician known for work with SAW) e Phil Harding (engineer, producer and remixer)
tastiera :
Julian Gingell e Mike Stock (of Stock Aitken Waterman)
voce di accompagnamento:
Lance Ellington (Strictly Come Dancing), Carol Kenyon, Mae McKenna (vocalist), Kylie Minogue, Leroy Osbourne (vocalist guitarist, songwriter.), Mike Stock (of Stock Aitken Waterman) e Miriam Stockley
voce principale:
Kylie Minogue
arrangiatore:
Mike Stock (of Stock Aitken Waterman) e Pete Waterman
diritti fonografici (℗) detenuti da:
PWL Records Ltd. (not release use) (nel 1991)
registrata presso e mixata presso:
The Hit Factory (London) in London (Greater London), England, Regno Unito
registrazione cover di:
Give Me Just a Little More Time (Dunbar/Wayne)
autore:
Lamont Dozier, Ronald Dunbar (Songwriter, A&R director and record producer), Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
editore:
Holland Group Productions Inc. e Universal/MCA Music Ltd. (not for release label use!)
Kylie Minogue33:08
8Would I Lie to You? (edit)
produttore:
Josh Deutsch
edit di:
Would I Lie to You? di Charles & Eddie
registrazione di:
Would I Lie to You?
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
EMI Virgin Music Publishing Australia P/L e BMG VM Music Ltd. (dal 2013-05-16 a oggi)
Charles & Eddie3.353:26
9I Love Your Smile (Dizzie Bone Remix)
remixer:
Driza Bone
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1991)
remix di:
I Love Your Smile (radio version) di Shanice
registrazione di:
I Love Your Smile
autore:
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox e Narada Michael Walden
editore:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music e WB Music Corp. (1929–2019)
Shanice43:51
10My Lovin’ (You’re Never Gonna Get It) (radio edit)
registrazione di:
My Lovin’ (You’re Never Gonna Get It)
autore:
Denzil Foster (songwriter, musician, producer) e Thomas McElroy (songwriter, musician, producer)
editore:
EMI Blackwood Music Inc., Two Tuff Enuff Publishing e Irving Music (BMI) (dal 1992 a oggi)
En Vogue3:58
11Sleeping Satellite
tecnico:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
produttore:
Julian Mendelsohn (Australian record producer and engineer) e Paul Wickens
tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
video musicali:
Sleeping Satellite di Tasmin Archer (British singer-songwriter)
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer4.254:41
12Crucify (remix)
produttore:
Davitt Sigerson
produttore aggiunto:
Ian Stanley
remixer:
Ross Cullum
registrazione di:
Crucify
scritta a:
Los Angeles, California, Stati Uniti
paroliere e compositore:
Tori Amos
editore:
Sword and Stone (nel 1991)
Tori Amos3.654:16
13Why
programmazione:
Marius de Vries, Stephen Lipson e Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
tecnico:
Heff Moraes
produttore:
Stephen Lipson
assistente tecnico di missaggio:
Will O'Donovan
chitarra :
Stephen Lipson
flauto dolce :
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
tastiera :
Marius de Vries, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists), Stephen Lipson e Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
voce:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Ariola Muenchen GmbH (nel 1992) e Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1992)
registrata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito e The Church Studios in London (Greater London), England, Regno Unito
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito
registrazione di:
Why
paroliere e compositore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
editore:
BMG Records (not for release label use! primarily named as distributor in the UK), La Lennoxa Music Co. Ltd. e Universal Music Publishing MGB Ltd.
Annie Lennox3.54:54
14No Ordinary LoveSade3:57
15The Days of Pearly Spencer
registrazione cover di:
The Days of Pearly Spencer
paroliere e compositore:
David McWilliams
Marc Almond4:24
16The Crying Game
programmazione:
Pete Gleadall
tecnico:
Pete Schwier (producer, mixing and recording engineer)
produttore:
Pet Shop Boys
voce e esecutore:
Boy George
diritti fonografici (℗) detenuti da:
Spaghetti Recordings Ltd. (nel 1992)
registrazione cover di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
registrazione di:
The Crying Game
paroliere e compositore:
Geoff Stephens
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Boy George23:21
17Disappointed
tecnico di missaggio:
Mike “Spike” Drake e Stephen Hague
voce:
Neil Tennant
voce principale ospite:
Neil Tennant
registrazione di:
Disappointed (Electronic)
autore:
Johnny Marr, Bernard Sumner e Neil Tennant
Electronic3.54:20
18Temptation (Brothers in Rhythm remix edit)
produttore:
B.E.F. e Greg Walsh (producer and engineer)
produttore aggiunto:
Brothers in Rhythm
voce ospite:
Carol Kenyon
remixer:
Brothers in Rhythm
registrazione di:
Temptation
autore:
Glenn Gregory, Ian Craig Marsh e Martyn Ware
editore:
Cradle of Filth Music Ltd. (publishing company for British metal band Cradle of Filth), Sound Diagrams (publisher), Virgin Music (Publishers) Ltd. e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Heaven 1723:59
19Laid So Low (Tears Roll Down)
produttore:
Tim Palmer (British producer/mixer)
registrazione di:
Laid So Low (Tears Roll Down)
autore:
David Bascombe e Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears4:39
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Accreditamenti

Gruppo di pubblicazioni

parte di:Now Yearbook (UK Now subseries) (numero: 1992) (ordine: 40)
Discogs:https://www.discogs.com/master/3164025 [info]