Pure… 80s Dance Party

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1I Wanna Dance With Somebody
tecnico di registrazione e tecnico di missaggio:
David Frazer (engineer)
programmazione degli strumenti:
Preston Glass
assistente tecnico:
Dana Jon Chappelle
assistente tecnico aggiunto:
Noah Baron, Rob Beaton, Paul Hamingson, Stuart Hirotsu, Gordon Lyon, Billy Miranda (engineer) e Ross Williams (engineer)
tecnico aggiunto:
Lincoln Clapp (engineer), Maureen Droney, Ken Kessie, Gordon Lyon e Jay Rifkin
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
batteria :
Narada Michael Walden
batteria elettronica [Simmons] :
Greg “Gigi” Gonaway
chitarra synth [Charvel GTM6 midi guitar synth] :
Corrado Rustici
sassofono contralto :
Marc Russo
sintetizzatore [synth horns] :
Sterling Smith
sintetizzatore [synths] :
Walter Afanasieff
sintetizzatore basso [bass synth] :
Randy Jackson (former bassist with Journey and American Idol judge)
voce di accompagnamento:
Kitty Beethoven, Kevin Dorsey, Jim Gilstrap, Jennifer Hall (backing vocalist) e Myrna Matthews
voce di accompagnamento e voce principale:
Whitney Houston
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1987)
è stato produttore per:
Perfection Light Productions
registrata presso:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, Stati Uniti, Right Track Recording in Manhattan, New York, New York, Stati Uniti, Tarpan Studios in San Rafael, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 1) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 231)
registrazione di:
I Wanna Dance With Somebody (Who Loves Me)
autore:
George Merrill e Shannon Rubicam
editore:
Boy Meets Girl Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc. e Rondor Music (London) Ltd.
Whitney Houston4.254:54
2Wake Me Up Before You Go‐Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:44
3Girls Just Wanna Have Fun
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:47
4You Spin Me Right Round (Like a Record)
produttore:
Pete Waterman
esecutore:
Dead or Alive (UK new wave band) (nel 1984)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1985)
video musicali:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) di Dead or Alive (UK new wave band)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 52)
registrazione di:
You Spin Me Round (Like a Record)
autore:
Pete Burns, Steve Coy, Tim Lever e Mike Percy
editore:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Westbury Music Ltd.
parte di:
American Psycho
Dead or Alive4.153:14
5Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work4.053:41
6Can You Feel It
produttore:
The Jacksons (formerly “The Jackson 5”)
basso :
Nathan Watts
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibrafono [vibes] :
Gary L. Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Bob Mack, Arnold McCuller, Paulette McWilliams, Louis Price, Lisa Roberts, Stephanie Spruill (American soul/disco singer, songwriter, and percussionist), Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1980)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
MJ: The Musical
The Jacksons4.353:50
7Footloose
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.13:48
8Never Too Much
tecnico di registrazione e tecnico di missaggio:
Michael H. Brauer (engineer)
assistente tecnico:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) e Don Wershba (engineer)
tecnico:
Carl Beatty (engineer)
produttore:
Luther Vandross
produttore esecutivo:
Larkin Arnold
archi e corno [horns] :
Paul Riser
basso :
Marcus Miller (jazz musician)
batteria :
Buddy Williams (drummer)
chitarra :
Georg Wadenius (guitarist, bassist, keyboardist, singer, composer, producer)
congas :
Bashiri Johnson
percussione :
Crusher Bennett
tastiera [keyboards] :
Nat Adderley, Jr.
voce di accompagnamento [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis e Sybil Thomas
voce di accompagnamento [male backup vocals] e voce principale:
Luther Vandross
arrangiatore:
Nat Adderley, Jr. e Paul Riser
arrangiatore voci:
Luther Vandross
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
video musicali:
Never Too Much di Luther Vandross
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 468) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 466)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross3.853:48
9Freeway of Love
assistente tecnico:
Dana Jon Chappelle, Maureen Droney e Ray Pyle
tecnico:
Dr. Dave Frazer
produttore:
Narada Michael Walden
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
tecnico di missaggio:
Michael Brauer (engineer)
sassofono solista :
Clarence Clemons
arrangiatore:
Narada Michael Walden
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1985) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1985)
registrazione di:
Freeway of Love
autore:
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) e Narada Michael Walden
editore:
Carlin Music Corporation, Gratitude Sky Music, Inc., Polo Grounds Music e When Words Collide Music
Aretha Franklin4:12
10Let’s Hear It for the Boy
produttore:
George Duke
tecnico di missaggio:
Tom Perry (engineer), Tommy Vicari e Erik Zobler
batteria elettronica [Linn Drums] , minimoog [Mini-Moog] , moog [Memory Moog] e sintetizzatore analogico [Prophet V] :
George Duke
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
voce di accompagnamento:
George Merrill, Shannon Rubicam e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Let’s Hear It for the Boy
paroliere:
Dean Pitchford
compositore:
Thomas Snow (US keyboardist/songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Deniece Williams3.64:23
11Call Me
registrazione di:
Call Me
autore:
Ivana Spagna, Larry Pignagnoli e Giorgio Spagna
Spagna4:01
12Tell It to My Heart
produttore:
Ric Wake
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987) e Arista Records, LLC (holding company - file NO releases here!) (nel 1987)
registrazione di:
Tell It to My Heart
autore:
Ernie Gold e Seth Swirsky
editore:
Chappell Music, Inc. (publisher), Goldpoint e Intersong Music
Taylor Dayne3.753:40
13Love & Pride
produttore:
Richard James Burgess
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1984)
registrazione di:
Love & Pride
autore:
Paul King (British-Irish singer/musician/VJ) e Mick Roberts
editore:
EMI Songs Ltd. e King Songs
King43:22
14Dr Beat
voce principale:
Gloria Estefan
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Dr. Beat
paroliere e compositore:
Enrique Garcia (Miami Sound Machine)
editore:
EMI Songs Ltd. e Foreign Imported Productions & Publishing, Inc.
Miami Sound Machine3.854:18
15Give It Up
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982, nel 1983)
registrazione di:
Give It Up
autore:
Deborah Carter (writer, backing vocalist) e Harry Wayne Casey
editore:
EMI Songs Australia Pty. Ltd., EMI Songs Ltd. e Harrick Music, Inc. (BMI)
K.C. & the Sunshine Band4.254:12
16Living in America
assistente tecnico:
Jeff Lord‐Alge
tecnico:
Chris Lord‐Alge
produttore:
Dan Hartman
chitarra :
Dan Hartman e Stevie Ray Vaughan
chitarra basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
corno :
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral e The Uptown Horns (US horn section, formed in 1980)
membranofono :
Ray Marchica
tastiera :
Dan Hartman
voce di accompagnamento:
Dan Hartman e T.M. Stevens (US bass player Thomas Michael Stevens)
voce principale:
James Brown (The Godfather of Soul)
registrazione di:
Living in America
autore:
Dan Hartman e Charlie Midnight
editore:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. e United Lion Music Inc.
James Brown3.354:44
17Don’t Stop Believin’
assistente tecnico:
Wally Buck
tecnico:
Kevin Elson
produttore:
Kevin Elson e Mike Stone (producer and engineer, 1960s–80s)
batteria e percussione :
Steve Smith (US drummer most associated with Journey) (dal 1981-04 al 1981-06)
chitarra :
Neal Schon (dal 1981-04 al 1981-06)
chitarra basso :
Ross Valory (dal 1981-04 al 1981-06)
tastiera e pianoforte :
Jonathan Cain (dal 1981-04 al 1981-06)
voce di accompagnamento:
Jonathan Cain (dal 1981-04 al 1981-06), Neal Schon (dal 1981-04 al 1981-06) e Ross Valory (dal 1981-04 al 1981-06)
voce principale:
Steve Perry (former lead singer of Journey) (dal 1981-04 al 1981-06)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1981), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1981), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti (dal 1981-04 al 1981-06)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
parte di:
SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 10), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 11), Offizielle deutsche Charts – Single-Jahrescharts 2025 (numero: 34), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 51) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 133)
registrazione di:
Don’t Stop Believin’ (Journey song) (dal 1981-04 al 1981-06)
autore:
Jonathan Cain, Steve Perry (former lead singer of Journey) e Neal Schon
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Universal/MCA Music Ltd. (not for release label use!) e Weedhigh‐Nightmare Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), 日音 Synch事業部 (NICHION, INC. Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Journey4.34:10
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Accreditamenti

Pubblicazione

scaricare a pagamento:https://itunes.apple.com/it/album/id438928847 [info]
ASIN:IT: B009B4M74S [info]

Gruppo di pubblicazioni

parte di:Pure… (ordine: 13)
Discogs:https://www.discogs.com/master/536142 [info]