Titelliste

1▼12"-Vinyl
Nr.TitelKünstlerBewertungLänge
AMessiah: Nos. 1–9
Bass-Gesang:
Gwynne Howell (operatic bass) (von 1976-01 bis 1976-07)
Chorgesang:
Chorus of St. Martin‐in‐the‐Fields (von 1976-01 bis 1976-07)
contralto vocals:
Anna Reynolds (alto) (von 1976-01 bis 1976-07)
Soprangesang:
Elly Ameling (soprano) (von 1976-01 bis 1976-07)
Tenor-Gesang:
Philip Langridge (tenor) (von 1976-01 bis 1976-07)
Orchester:
The Academy of St. Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (von 1976-01 bis 1976-07)
conductor:
Sir Neville Marriner (conductor) (von 1976-01 bis 1976-07)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1976-01 bis 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel?:??
BMessiah: Nos. 10–18
Bass-Gesang:
Gwynne Howell (operatic bass) (von 1976-01 bis 1976-07)
Chorgesang:
Chorus of St. Martin‐in‐the‐Fields (von 1976-01 bis 1976-07)
contralto vocals:
Anna Reynolds (alto) (von 1976-01 bis 1976-07)
Soprangesang:
Elly Ameling (soprano) (von 1976-01 bis 1976-07)
Tenor-Gesang:
Philip Langridge (tenor) (von 1976-01 bis 1976-07)
Orchester:
The Academy of St. Martin‐in‐the‐Fields (Academy of St Martin in the Fields) (von 1976-01 bis 1976-07)
conductor:
Sir Neville Marriner (conductor) (von 1976-01 bis 1976-07)
aufgenommen bei:
St John’s, Smith Square in London (Greater London), England, Vereinigtes Königreich (von 1976-01 bis 1976-07)
recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 16. Recitative “And suddenly there was with the angel” (Soprano) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (von 1976-01 bis 1976-07)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Version von:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel?:??
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3▶12"-Vinyl

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Discogs:https://www.discogs.com/master/658825 [Info]