Big Shiny ’80s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Train in Vain
tecnico:
Bill Price (UK producer/engineer)
produttore:
Guy Stevens
batteria :
Topper Headon
batteria e percussione :
Topper Headon (dal 1979-01 al 1979-03)
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer (dal 1979-01 al 1979-03)
chitarra basso :
Paul Simonon (dal 1979-01 al 1979-03)
famiglia delle chitarre :
Mick Jones (The Clash/Big Audio Dynamite) (dal 1979-01 al 1979-03)
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1979)
registrata presso:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Regno Unito (dal 1979-01 al 1979-03)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 213) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 292)
registrazione di:
Train in Vain (dal 1979-01 al 1979-03)
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
The Clash4.153:10
2I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:19
3White Wedding
assistente tecnico:
Steve Bates (engineer)
tecnico:
Brian Reeves
produttore:
Keith Forsey (drummer, producer and songwriter)
batteria :
Steve Missal
chitarra :
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
chitarra basso :
Phil Feit
voce principale:
Billy Idol (English rock singer‐songwriter)
arrangiatore:
Billy Idol (English rock singer‐songwriter) e Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1982), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1982), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1982) e Chrysalis Records, Inc. (not for release label use!) (nel 1982, nel 2002)
registrata presso e mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
video musicali:
White Wedding, Pt. 1 di Billy Idol (English rock singer‐songwriter)
registrazione di:
White Wedding
paroliere e compositore:
Billy Idol (English rock singer‐songwriter)
editore:
Boneidol Music, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Group Inc., Chrysalis Music Holdings GmbH (DE subsidiary of Chrysalis Group PLC), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Rare Blue Music Inc
Billy Idol4.154:13
4Back on the Chain Gang
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Billy Bremner e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
chitarra basso :
Tony Butler (English rock bassist with Big Country)
voce di accompagnamento:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
voce principale:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1982) e WEA Records Ltd. (holding company based in the UK) (nel 1982)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 486)
registrazione di:
Back on the Chain Gang
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicata a:
James Honeyman‐Scott
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
The Pretenders4.53:52
5Suspicious Minds
registrazione cover di:
Suspicious Minds
paroliere e compositore:
Mark James (Francis Zambon, composer of “Suspicious Minds”)
editore:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Songs LLC
Fine Young Cannibals3.153:57
6Rock ’n’ Roll High SchoolRamones2:20
7Love Shack
assistente tecnico:
Martin Kunitz
tecnico:
Dave Cook (US engineer and producer)
produttore:
Don Was
tecnico di missaggio:
Tom Durack
batteria ospite :
Charley Drayton
chitarra :
Keith Strickland
chitarra basso ospite :
Sara Lee (UK bassist, singer & songwriter)
corno ospite :
Uptown Horns (US horn section, formed in 1980)
tastiera :
Kate Pierson
voce:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) e Cindy Wilson
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1989)
registrata presso:
Dreamland Studios in Hurley, New York, Stati Uniti
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
prodotta in aggiunta presso:
Bearsville Studios in Bearsville, New York, Stati Uniti
video musicali:
Love Shack di The B‐52’s
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 243)
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s4.25:23
8High School Confidential
edit di:
High School Confidential di Rough Trade (Canadian band)
Rough Trade3:15
9Love My Way
registrazione di:
Love My Way
paroliere e compositore:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs) e Vince Ely
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc., EMI Songs Ltd. e EMI Songs Musikverlag GmbH
The Psychedelic Furs3:33
10I Got You
tecnico e produttore:
David Tickle
basso :
Nigel Griggs
batteria :
Malcolm Green (UK/Australian drummer)
chitarra :
Neil Finn
percussione :
Noel Crombie
tastiera :
Tim Finn e Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
voce:
Neil Finn e Tim Finn
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1980) e Mushroom Records (nel 2006)
registrazione di:
I Got You
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music (Mushroom label’s publishing company)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 11)
Split Enz3.53:28
11Life in a Northern Town
produttore:
David Gilmour (Pink Floyd), Nick Laird-Clowes e George Nicholson (engineer, producer)
produttore aggiunto:
David Gilmour (Pink Floyd)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 54)
registrazione di:
Life in a Northern Town
autore:
Gilbert Gabriel e Nick Laird-Clowes
dedicata a:
Nick Drake (English singer‐songwriter)
The Dream Academy4.34:18
12April Fool
Chalk Circle5:23
13Pale Shelter
programmazione:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
batteria :
Manny Elias
chitarra :
Roland Orzabal (UK musician, songwriter and producer)
chitarra basso :
Curt Smith
percussione :
Chris Hughes (producer, aka “Merrick”)
tastiera :
Roland Orzabal (UK musician, songwriter and producer), Curt Smith e Ian Stanley
voce:
Curt Smith
direttore d'orchestra:
Chris Hughes (producer, aka “Merrick”)
esecutore:
Ross Cullum e Phil Palmer (guitarist)
registrazione di:
Pale Shelter
paroliere:
Roland Orzabal (UK musician, songwriter and producer) e Curt Smith
compositore:
Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears44:36
14In Between Days
tecnico:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth)
produttore e tecnico di missaggio:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
batteria :
Boris Williams
chitarra :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Porl Thompson
chitarra basso :
Simon Gallup
chitarra basso [6-string bass] e voce principale:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
tastiera :
Robert Smith (UK guitarist, vocalist and songwriter for The Cure), Porl Thompson e Lol Tolhurst
diritti fonografici (℗) detenuti da:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead)
video musicali:
In Between Days di The Cure
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 320)
registrazione di:
In Between Days
paroliere e compositore:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
editore:
APB Music Co.
The Cure42:58
15Always Something There to Remind Me
produttore:
Tony Mansfield (producer & songwriter)
registrazione cover di:
(There’s) Always Something There to Remind Me (nel 1982-09)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (dal 2015-01-01 a oggi)
Naked Eyes4.33:40