Roots of Rhythm: Sophisticated Ladies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1The Lady Is a Tramp
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
alto saxophone:
Bud Shank (am 1956-08-21) und Maurice Stein (American jazz saxophonist) (am 1956-08-21)
baritone saxophone:
Chuck Gentry (am 1956-08-21)
Bass:
Joe Mondragon (am 1956-08-21)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-21)
Gitarre:
Barney Kessel (am 1956-08-21)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-21)
Posaune:
Milt Bernhart (am 1956-08-21), Joe Howard (american trombone player) (am 1956-08-21) und Lloyd Ulyate (am 1956-08-21)
Schlagzeug:
Alvin Stoller (am 1956-08-21)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-08-21) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-21)
Trompete:
Pete Candoli (am 1956-08-21), Maynard Ferguson (am 1956-08-21), Conrad Gozzo (am 1956-08-21) und Ray Linn (am 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-21)
conductor:
Buddy Bregman (am 1956-08-21)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios, Studio A in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-21)
cover recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1956-08-21)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Ella Fitzgerald4.653:23
2I Get a Kick Out of You
Produzent(in):
Bob Shad
baritone saxophone:
Cecil Payne (am 1955-03-15)
Bass:
Keter Betts (am 1955-03-15)
Gitarre:
Barry Galbraith (am 1955-03-15)
Klavier:
Wynton Kelly (am 1955-03-15)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1955-03-15)
Schlagzeug:
Jimmy Cobb (US jazz drummer) (am 1955-03-15)
Tenorsaxophon:
Paul Quinichette (am 1955-03-15)
Trompete:
Clark Terry (American swing trumpeter) (am 1955-03-15)
Sologesang:
Dinah Washington (am 1955-03-15)
arranger:
Quincy Jones (am 1955-03-15)
aufgenommen bei:
Capitol Studios (New York City) in New York, New York, Vereinigte Staaten (am 1955-03-15)
cover recording of:
I Get a Kick Out of You (am 1955-03-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Dinah Washington26:19
3Candy
Big Maybelle2:41
4Trust in Me
Produzent(in):
Leonard Chess, Leonard & Phil Chess (legendary US production duo) und Phil Chess
Sologesang:
Etta James
vocals:
Etta James
Orchester:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
cover recording of:
Trust in Me (in 1960-10)
Texter:
Ned Wever
Komponist(in):
Milton Ager und Jean Schwartz
Etta James43:00
5Respect
recording engineer:
Tom Dowd (am 1967-02-14)
Produzent(in):
Jerry Wexler
baritone saxophone:
Willie Bridges (am 1967-02-14)
Bassgitarre:
Tommy Cogbill (am 1967-02-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (am 1967-02-14)
Klavier:
Aretha Franklin (am 1967-02-14)
Kornett:
Melvin Lastie (am 1967-02-14)
Orgel:
Spooner Oldham (am 1967-02-14)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1967-02-14)
Tenorsaxophon:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (am 1967-02-14) und King Curtis (saxophonist) (am 1967-02-14)
Hintergrundgesang:
Carolyn Franklin (am 1967-02-14) und Erma Franklin (am 1967-02-14)
vocals:
Aretha Franklin (am 1967-02-14)
conductor:
Tom Dowd (am 1967-02-14)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1967-02-14)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 21), New York Post: 100 Greatest Covers (2007) (Nummer: 52) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
cover recording of:
Respect (am 1967-02-14)
Texter und Komponist(in):
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell und Warner/Chappell North America
Aretha Franklin3.92:25
6Two Lovers
Produzent(in):
Smokey Robinson
recording of:
Two Lovers (am 1962-08-06)
Texter und Komponist(in):
Smokey Robinson
publisher:
Jobete Music Co., Inc. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Mary Wells2:47
7Respect Yourself
Produzent(in):
Al Bell
Mix:
Terry Manning (US recording engineer)
arranger:
Al Bell
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 462)
recording of:
Respect Yourself
Texter und Komponist(in):
Luther Ingram und Sir Mack Rice
publisher:
Irving Music (BMI) (in 1988) und Klondike Enterprises (publisher) (in 1988)
The Staple Singers4:54
8If I Were Your Woman
Produzent(in):
Clay McMurray (producer, songwriter, engineer)
arranger:
Paul Riser
recording of:
If I Were Your Woman
Verfasser(in):
Clarence McMurray (producer, songwriter, engineer), Gloria Jones (US singer/songwriter, known for “Tainted Love”) und Pam Sawyer (British‐born American lyricist and songwriter)
Gladys Knight & the Pips3.53:13
9I Have a Friend Above All Others
Mahalia Jackson4:35
10The Man I Love
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-13)
alto saxophone:
Earle Warren (am 1939-12-13) und Jack Washington (am 1939-12-13)
baritone saxophone:
Jack Washington (am 1939-12-13)
Gitarre:
Freddie Green (am 1939-12-13)
Klavier:
Joe Sullivan (piano, USA) (am 1939-12-13)
Kontrabass:
Walter Page (am 1939-12-13)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1939-12-13)
Tenorsaxophon:
Lester Young (saxophonist) (am 1939-12-13)
Trompete:
Buck Clayton (am 1939-12-13) und Harry Edison (am 1939-12-13)
vocals:
Billie Holiday (am 1939-12-13)
Orchester:
Billie Holiday and Her Orchestra (am 1939-12-13)
recording of:
The Man I Love (am 1939-12-13)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
Billie Holiday43:07
11I Ain't Got Nothin' but the Blues
cover recording of:
I Ain’t Got Nothin’ but the Blues
Texter:
Don George (US songwriter/composer, 1909–1987) (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1937)
publisher:
Ricki Music und Tempo Music Co.
Lena Horne2:56
12Brokenhearted Melody
vocals:
Sarah Vaughan (am 1958-01-08)
recording of:
Broken-Hearted Melody (am 1958-01-08)
Texter:
Hal David
Komponist(in):
Sherman Edwards
Sarah Vaughan42:25
13Rescue Me
Produzent(in):
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
Sologesang:
Fontella Bass
arranger:
Phil Wright (American jazz pianist and assistant to Barbara Morrison)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1965) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 31)
recording of:
Rescue Me
Verfasser(in):
Raynard Miner und Carl Smith (US songwriter and producer active in Chicago)
publisher:
United Artists Music Co., Inc. (beendet), Chevis Music Publ. Corp. und Reservoir 416
Fontella Bass4.352:55
14Someday We'll Be Together
Produzent(in):
Johnny Bristol
Gitarre:
Robert White (US funk/soul guitarist)
Gast vocals:
Johnny Bristol
Hintergrundgesang:
Merry Clayton, Julia Waters und Maxine Waters
Sologesang:
Diana Ross
arranger:
Wade Marcus
cover recording of:
Someday We’ll Be Together
Texter:
Harvey Fuqua
Komponist(in):
Jackey Beavers (rhythm and blues and gospel singer and songwriter) und Johnny Bristol
publisher:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music und Stone Agate Music
The Supremes53:30

Nennungen

Veröffentlichungsgruppe

Teil von:Roots of Rhythm: From the Birth of the Blues to the Sound of Soul (Multi CD Set, each CD is published along with a short book) (Reihenfolge: 10)