The Complete Symphonies / Orchestral Works

~ Veröffentlichung von Vaughan Williams; Sir Adrian Boult (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Serenade to Music
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang:
Richard Angas (operatic bass) (am 1969-11-05), John Carol Case (English baritone) (am 1969-11-05), Christopher Keyte (operatic bass) (am 1969-11-05) und John Noble (baritone) (am 1969-11-05)
contralto vocals:
Meriel Dickinson (am 1969-11-05), Alfreda Hodgson (contralto) (am 1969-11-05), Gloria Jennings (am 1969-11-05) und Shirley Minty (contralto) (am 1969-11-05)
Soprangesang:
Sheila Armstrong (soprano) (am 1969-11-05), Norma Burrowes (soprano) (am 1969-11-05), Marie Hayward (soprano) (am 1969-11-05) und Susan Longfield (am 1969-11-05)
Tenor-Gesang:
Kenneth Bowen (tenor) (am 1969-11-05), Bernard Dickerson (tenor) (am 1969-11-05), Wynford Evans (tenor) (am 1969-11-05) und Ian Partridge (tenor) (am 1969-11-05)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (am 1969-11-05)
conductor:
Sir Adrian Boult (conductor) (am 1969-11-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1969-11-05)
recording of:
Serenade to Music (am 1969-11-05)
Texter:
William Shakespeare (English poet and playwright)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1938)
Ralph Vaughan Williams13:18
2English Folk Song Suite: I. March (Seventeen Come Sunday)
recording engineer:
Michael Gray (UK classical recording engineer)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (am 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (am 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1970-08-08)
recording of:
English Folk Song Suite: I. March “Seventeen Come Sunday” (orchestrated by Jacob) (am 1970-08-08)
Orchestrator(in):
Gordon Jacob (composer) (in 1924)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
Arrangement von:
English Folk Song Suite: I. March “Seventeen Come Sunday” (for military band)
Teil von:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:54
3English Folk Song Suite: II. Intermezzo (My Bonny Boy)
recording engineer:
Michael Gray (UK classical recording engineer)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (am 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (am 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1970-08-08)
recording of:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (orchestrated by Jacob) (am 1970-08-08)
Orchestrator(in):
Gordon Jacob (composer) (in 1924)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
Arrangement von:
English Folk Song Suite: II. Intermezzo “My Bonny Boy” (for military band)
Teil von:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams2:53
4English Folk Song Suite: III. March (Folk Songs from Somerset)
recording engineer:
Michael Gray (UK classical recording engineer)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (am 1970-08-08)
conductor:
Sir Adrian Boult (conductor) (am 1970-08-08)
arranger:
Gordon Jacob (composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (am 1970-08-08)
recording of:
English Folk Song Suite: III. March “Folk Songs From Somerset” (orchestrated by Jacob) (am 1970-08-08)
Orchestrator(in):
Gordon Jacob (composer) (in 1924)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1923)
publisher:
Boosey & Hawkes Music Publishers, Ltd
Teil von:
English Folk Song Suite (orch. Jacob)
Ralph Vaughan Williams3:03
5Norfolk Rhapsody No. 1
recording engineer:
Neville Boyling (engineer)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1968-01-23)
conductor:
Sir Adrian Boult (conductor) (am 1968-01-23)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1968-01-23)
recording of:
Norfolk Rhapsody no. 1 (am 1968-01-23)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1905 bis 1906)
Ralph Vaughan Williams10:19
6Fantasia on 'Greensleeves'
recording engineer und Tonmeister(in):
Michael Gray (UK classical recording engineer)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
London Symphony Orchestra (von 1970-08-12 bis 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (von 1970-08-12 bis 1970-08-13)
arranger:
Ralph Greaves (in 1934)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-12 bis 1970-08-13)
recording of:
Fantasia on “Greensleeves” (von 1970-08-12 bis 1970-08-13)
Komponist(in):
Ralph Vaughan Williams (English composer) (von 1924 bis 1928)
arranger:
Ralph Greaves (in 1934)
publisher:
Oxford University Press (in 1936)
basiert auf:
Greensleeves (generic entry for traditional and unknown arrangements)
basiert auf:
Lovely Joan (traditional English folk song)
basiert auf:
Sir John in Love
Ralph Vaughan Williams4:38
7In the Fen Country
recording engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (von 1968-02-14 bis 1968-02-16)
conductor:
Sir Adrian Boult (conductor) (von 1968-02-14 bis 1968-02-16)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1968-02-14 bis 1968-02-16)
recording of:
In the Fen Country (von 1968-02-14 bis 1968-02-16)
Komponist(in):
Ralph Vaughan Williams (English composer) (bis 1904-04)
überarbeitet von:
Ralph Vaughan Williams (English composer) (in 1905, in 1907)
Ralph Vaughan Williams13:55
8The Lark Ascending
recording engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
Geige / Violine:
Hugh Bean (violinist) (am 1967-03-01)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (am 1967-03-01)
conductor:
Sir Adrian Boult (conductor) (am 1967-03-01)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-03-01)
recording of:
The Lark Ascending (for violin and orchestra) (am 1967-03-01)
Komponist(in):
Ralph Vaughan Williams (English composer) (in 1914)
Premiere bei:
[concert] (1921-06-14)
Premiere bei:
Queen’s Hall in London (Greater London), England, Vereinigtes Königreich (am 1921-06-14)
Arrangement von:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams14:42
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