The Best Songs from Movies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Copyright: ℗ 2025 Warner Music Group - X5 Music Group

Anmerkung zuletzt geändert am 2026-05-07 02:37 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Dance the Night
zusätzlich recording engineer:
Alex Venguer
Programmierung:
Brandon Bost und Picard Brothers
assistierende(r) Techniker(in):
Jake Ferguson
Techniker(in):
Brandon Bost und Cameron Gower‐Poole (Sologesang)
Produzent(in):
Cameron Gower‐Poole (Sologesang), Picard Brothers, Mark Ronson (British DJ and producer) und Andrew Wyatt (US vocalist, songwriter)
assistierende(r) Mix:
Bryce Bordone
Mix:
Serban Ghenea
Bass und Synthesizer:
Andrew Wyatt (US vocalist, songwriter)
Bratsche / Viola:
Danielle Farina (violist), Will Frampton (violinist), Robert Meyer (violist), Torron Pfeffer, Michael Roth (violinist) und Alexis Sykes
Cello:
Susannah Chapman (cellist), Clarice Jensen (cellist), Sarah Kwon, Joel Noyes, Alan Stepansky (cellist) und Caitlin Sullivan (American cellist)
Geige / Violine:
Peter Bahng, Tallie Brunfelt, Julia Choi (violinist), Kristi Helberg (violinist), Ann Kim (violin), Jennifer Kim, Angela Lee (cellist), Jeongmin Lee, Lisa Kim (violinist), Matt Lehmann, Joanna Maurer (violinist), Annaliesa Place, Sein Ryu (violinist), Jeremia Velazquez, Henry Wang (violinist) und Jungsun Yoo
Gitarre und Rhodes Piano:
Mark Ronson (British DJ and producer)
Keyboard [keyboards]:
Picard Brothers
Hintergrundgesang:
Caroline Ailin
Sologesang:
Dua Lipa
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2023) und Warner Bros. Entertainment, Inc. (fka Warner Brothers Pictures, Inc.) (in 2023)
Teil von:
BILLIONS CLUB und Billboard Year-End Hot 100 singles of 2024 (Nummer: 100)
recording of:
Dance the Night
Verfasser(in):
Caroline Ailin, Dua Lipa, Mark Ronson (British DJ and producer) und Andrew Wyatt (US vocalist, songwriter)
publisher:
Andrew Wyatt Blakemore (BMI-affiliated), Songs of Zelig (BMI-affiliated), Sony/ATV Songs LLC, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram Int. Publishing, Inc. (existed only since ca. 1998) und Warner–Barham Music LLC
Teil von:
Grammy Award: Best Song Written for Visual Media nominees (Nummer: 2024) und Grammy Award: Song of the Year nominees (Nummer: 2024)
Dua Lipa2.652:57
2See You Again
Produzent(in):
Andrew Cedar, Frank E (Justin Franks) und Charlie Puth
assistierende(r) Mix:
Chris Galland und Ike Schultz
Mix:
Manny Marroquin
conductor:
Brian Tyler (American score composer) (Saiteninstrumente)
Saiteninstrumente arranger:
Brian Tyler (American score composer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2015) und Universal Studios (plain “Universal” globe logo, currently underlined by “A Comcast Company”) (in 2015)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2015 (Nummer: 3), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2016), Billboard Decade End Chart: Streaming Songs (2010s) (Nummer: 40), Billboard Year-End Hot 100 singles of 2016 (Nummer: 99) und BILLIONS CLUB
recording of:
See You Again
Verfasser(in):
Cameron Thomaz (US rapper), Andrew Cedar, Charles Puth und Justin Franks (Justin Franks)
publisher:
Andrew Cedar Publishing, Artist 101 Publishing Group, Artist Publishing Group, Artist Publishing Group West, BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation), BMG Platinum Songs, Canadiana Music, Charlie Puth Music Publishing, J Franks Publishing, Kobalt Music (publisher), New World Music (new age music), Universal Pictures, Universal Pictures Music, UPG Music Publishing, Warner Music Group (holding company – file NO releases), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019), WC Music Corp. und Wiz Khalifa Publishing
Wiz Khalifa Feat. Charlie Puth4.13:50
3Iris
assistierende(r) Techniker(in):
Greg Burns (engineer) (Aufgabe: second engineer) und Rafa Sardina (Aufgabe: second engineer)
Techniker(in):
Allen Sides
Produzent(in):
Rob Cavallo und Goo Goo Dolls
Mix:
Jack Joseph‐Puig
Bass:
Robby Takac
Gitarre:
John Rzeznik
Klavier:
Jamie Muhoberac
Mandoline:
Tim Pierce (US session guitarist)
Schlagzeug und Perkussion:
Mike Malinin
vocals:
John Rzeznik
Saiteninstrumente [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
Musikvideos:
Iris von Goo Goo Dolls
recording of:
Iris
Texter und Komponist(in):
John Rzeznik
publisher:
EMI Virgin Songs, Inc. und Scrap Metal Music
The Goo Goo Dolls4.14:50
4Heathens
Programmierung und Produzent(in):
Mike Elizondo und Tyler Joseph
Techniker(in) und Mix:
Adam Hawkins (US mix engineer)
Bassgitarre, Klavier und Synthesizer:
Tyler Joseph
Perkussion und Schlagzeug:
Josh Dun
vocals:
Tyler Joseph
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2016) und Warner Bros. Entertainment Inc. (fka Warner Brothers Pictures, Inc.) (in 2016)
aufgenommen bei:
Can Am in Tarzana, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard Year-End Hot 100 singles of 2016 (Nummer: 21), Grammy Award: Best Rock Performance nominees (Nummer: 2017), Billboard Year-End Hot 100 singles of 2017 (Nummer: 58) und BILLIONS CLUB
recording of:
Heathens
Texter und Komponist(in):
Tyler Joseph
publisher:
Fueled by Ramen, Stryker Joseph Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
twenty one pilots4.53:16
5Lose My Mind
recording engineer:
Joe Henderson (engineer)
Programmierung:
Karl Berkon (UK EDM producer) und Tom Norris (American engineer and multi-instrumentalist)
Techniker(in):
Edgard Herrera, Dylan Neustadter und Patrizio "Teezio" Pigliapoco (Aufgabe: vocal)
Koproduzent(in):
Tom Norris (American engineer and multi-instrumentalist)
Produzent(in):
Louis Bell (American producer, engineer, and songwriter) (Aufgabe: vocal), Grant (fka Grant Bowtie), Ryan Tedder (American singer, songwriter, and producer) und Hans Zimmer (German score composer)
assistierende(r) Mix:
Victor Verpillat
Mix:
Tom Norris (American engineer and multi-instrumentalist)
vocals:
Doja Cat und Don Toliver
phonographisches Urheberrecht (℗) von:
Apple Video Programming LLC (in 2025), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2025) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2025)
Musikvideos:
Lose My Mind von Don Toliver feat. Doja Cat
recording of:
Lose My Mind
Verfasser(in):
Amala Ratna Zandile Dlamini, Caleb Zackery “Don” Toliver, Grant Joseph Boutin (fka Grant Bowtie), Ryan Benjamin Tedder (American singer, songwriter, and producer) und Hans Zimmer (German score composer)
Don Toliver Feat. Doja Cat3:29
6This Is Me
Techniker(in):
Derik Lee (engineer)
Produzent(in):
Adam Gubman (US songwriter, arranger & composer) und Greg Wells
vocals:
Keala Settle
arranger:
Rob Mathes
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
recording of:
This Is Me
Verfasser(in):
Benj Pasek und Justin Paul
Teil von:
The 90th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Greatest Showman (2017 musical film)
Keala Settle & The Greatest Showman Ensemble2.53:55
7Wind Beneath My Wings
Produzent(in):
Arif Mardin
Sologesang:
Bette Midler
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 1) und Alan Cross: Hurricane Songs (Nummer: 10)
cover recording of:
Wind Beneath My Wings
Verfasser(in):
Larry Henley (singer songwriter) und Jeff Silbar
publisher:
Silbar’Songs und Warner Chappell Music Ltd. (no slash; used 1988–1996)
B. Midler54:54
8Glory of Love
Techniker(in) und Mix:
Terry Christian (US recording and mixing engineer) und John Guess
Produzent(in):
Michael Omartian
Gast Hintergrundgesang:
Kenny Cetera
Sologesang:
Peter Cetera
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) und Warner Music International (trademark of Warner Music International the company) (in 1986)
aufgenommen bei und mixed at:
Lion Share Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Glory of Love
Verfasser(in):
Peter Cetera, David Foster (Canadian music producer, arranger and composer) und Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Teil von:
The 59th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1986 nominee)
Peter Cetera4.24:18
9B-A-B-Y
recording of:
B-A-B-Y (in 1966)
Verfasser(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Warner/Chappell North America
Carla Thomas4.252:53
10Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia (engineer)
Produzent(in):
Thom Bell (keyboards, songwriter, producer)
Bass:
Ron Baker (record producer, bassist, arranger and songwriter) (in 1973)
Klavier:
Thom Bell (keyboards, songwriter, producer) (in 1973)
Perkussion [vibraphone, marimba]:
Vince Montana (in 1973)
Schlagzeug:
Earl Young (in 1973)
Baritongesang:
Henry Fambrough (A member of the R&B quintet The Spinners) (in 1973)
Bass-Gesang:
Pervis Jackson (The bass singer for The Spinners) (in 1973)
Hintergrundgesang:
Yvette Benson (in 1973), Carla Benton (in 1973) und Barbara Ingram (in 1973)
Tenor-Gesang:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B lead singer for The Spinners) (in 1973) und Philippé Wynne (A lead vocalist of The Spinners) (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, Vereinigte Staaten
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 221)
recording of:
Could It Be I’m Falling in Love (in 1973)
Verfasser(in):
Melvin Steals und Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners4.54:10
11Baby, I Love You
assistierende(r) Techniker(in):
Bruce Gold (Engineer)
Techniker(in):
Larry Levine und Boris Menart
Produzent(in):
Phil Spector
cover recording of:
Baby, I Love You
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company und Universal–Songs of PolyGram International, Inc.
Ramones43:45
12Simply Irresistible
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:14
13(Sittin' on) The Dock of the Bay
Produzent(in):
Jerry Bruckheimer, Steve Cropper und Don Simpson (American film producer, screenwriter, and actor)
Bassgitarre:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (von 1967-11-22 bis 1967-12-07)
Gitarre:
Steve Cropper (von 1967-11-22 bis 1967-12-07)
Keyboard:
Isaac Hayes (von 1967-11-22 bis 1967-12-07) und Booker T. Jones (von 1967-11-22 bis 1967-12-07)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (von 1967-11-22 bis 1967-12-07)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (von 1967-11-22 bis 1967-12-07)
vocals:
Otis Redding (von 1967-11-22 bis 1967-12-07)
whistling:
Otis Redding (von 1967-11-22 bis 1967-12-07)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 44) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 45)
recording of:
(Sittin’ on) the Dock of the Bay (von 1967-11-22 bis 1967-12-07)
Verfasser(in):
Steve Cropper und Otis Redding
publisher:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
recording of:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
Komponist(in):
Steve Cropper und Otis Redding
arranger:
Oliver Lake
Arrangement von:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
14Beyond the Sea
Produzent(in):
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin (am 1958-08-24)
conductor:
Richard Wess (am 1958-08-24)
arranger:
Richard Wess
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 397)
cover recording of:
Beyond the Sea (am 1958-08-24)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Charles Trenet
publisher:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) und 日音 Synch事業部 (NICHION, INC. Synch Division)
übersetzte Version von:
La Mer
Bobby Darin52:52
15Crazy for You
Produzent(in):
Jellybean (US producer John Benitez)
Mix:
Michael Hutchinson (engineer) und Shep Pettibone
Sologesang:
Madonna (“Queen of Pop”)
arranger:
Rob Mounsey
produced for:
Jellybean Productions, Inc.
mixed at:
Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
Remix von:
Crazy for You (soundtrack version) von Madonna (“Queen of Pop”)
recording of:
Crazy for You (Vision Quest)
Texter:
John Bettis
Komponist(in):
Jon Lind
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), Warner Olive Music LLC, Warner-Tamerlane Pub. Corp. (publisher; do NOT use as release label), Warner–Barham Music LLC, WB Music Corp. (1929–2019), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Madonna3.23:44
16Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:27
17You're the Inspiration
Techniker(in) und Mix:
Humberto Gatica
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
assistierende(r) Mix:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera und David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984) und The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
You’re the Inspiration (in 1984)
Verfasser(in):
Peter Cetera (in 1984) und David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) und Foster Frees Music Inc. (in 1984)
Chicago53:49
18December, 1963 (Oh What a Night!)
recording of:
December, 1963 (Oh, What a Night)
Texter:
Bob Gaudio und Judy Parker
Komponist(in):
Bob Gaudio
publisher:
EMI Songs, EMI Songs Australia, Jobete Music Co., Inc. und Seasons Music Co.
Frankie Valli & The Four Seasons3:21
19The Rubberband Man
The Spinners3:33
20Never Ending Story
Produzent(in):
Giorgio Moroder
Hintergrundgesang:
Beth Andersen (US pop vocalist)
Sologesang:
Limahl
vocals:
Beth Anderson (US pop vocalist) und Limahl
Interpret(in):
Limahl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und Neue Constantin Film Productions GmbH
Teil von:
Cachitos Nochevieja 2022 (Nummer: 51)
recording of:
Never Ending Story (theme from the 1984 film “The NeverEnding Story”)
Texter:
Keith Forsey (drummer, producer and songwriter)
Komponist(in):
Giorgio Moroder
publisher:
Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Limahl3.353:30
21Juke Box Hero
assistierende(r) Techniker(in):
Edwin Hobgood (engineer) und Michael Sauvage
Techniker(in):
Tony Platt (UK engineer and producer), Brad Samuelsohn und Dave Wittman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Robert John “Mutt” Lange (Robert John Lange)
Bassgitarre:
Rick Wills
E-Gitarre [lead guitar] und Keyboard:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
Synthesizer:
Thomas Dolby und Larry Fast (American synthesizer player and composer)
Hintergrundgesang:
Dennis Elliott, Mick Jones (Foreigner/Spooky Tooth, worked in France), Robert John “Mutt” Lange (Robert John Lange), Ian Lloyd (of Stories), Mark Rivera und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981, in 2002) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
recording of:
Juke Box Hero
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Somerset Songs Publishing Inc., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute)
Foreigner3.64:20
22Hooked on a Feeling
Produzent(in):
Bengt Palmers
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (in 1973) und EMI Records Group (in 1973)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 284)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Zambon, composer of “Suspicious Minds”)
Blue Swede4.052:53
23La Bamba
Produzent(in):
Mitchell Froom
Interpret(in):
Los Lobos (Chicano rock band)
arranger:
Ritchie Valens
phonographisches Urheberrecht (℗) von:
FFRR Records Ltd. (company name, NOT a label!) (in 1987) und Slash Records (company, do not use as release label!) (in 1987)
cover recording of:
La bamba (additional lyrics by Ritchie Valens)
Texter und Komponist(in):
[traditional] (special purpose artist)
zusätzlicher Texter:
Ritchie Valens
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music und M.P.A. (M.P.A.)
Version von:
La bamba
Los Lobos4.152:54
24Working My Way Back to You
cover recording of:
Working My Way Back to You
Verfasser(in):
Sandy Linzer und Denny Randell
publisher:
Ardmore and Beechwood Ltd., EMI Music Publishing (do not use as a release label!), Saturday Music, Inc. und Seasons 4 Music
The Spinners54:03
25The House That Jack Built
recording engineer:
Tom Dowd (am 1968-04-17)
Produzent(in):
Jerry Wexler
Bassgitarre:
Jerry Jemmott (am 1968-04-17)
Gitarre:
Tommy Cogbill (am 1968-04-17)
Klavier und Sologesang:
Aretha Franklin (am 1968-04-17)
Orgel:
Spooner Oldham (am 1968-04-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1968-04-17)
Hintergrundgesang:
The Sweet Inspirations (am 1968-04-17)
arranger:
Tom Dowd und Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
cover recording of:
The House That Jack Built (am 1968-04-17)
Verfasser(in):
Bob Lance und Fran Robins
publisher:
Cotillion und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Aretha Franklin52:20
26Ironic
recording engineer:
Glen Ballard und Ted Blaisdell
Produzent(in):
Glen Ballard
Mix:
Chris Fogel (engineer)
Bass:
Lance Morrison
Gitarre:
Glen Ballard und Basil Fung
Orgel:
Michael Thompson (American arranger, keyboardist, trombonist, accordionist and drummer)
Schlagzeug und Perkussion:
Rob Ladd
vocals:
Alanis Morissette
Musikvideos:
Ironic von Alanis Morissette
recording of:
Ironic
Texter:
Alanis Morissette
Komponist(in):
Glen Ballard und Alanis Morissette
publisher:
Aerostation Corporation, Arlovol Music und Vanhurst Place Music
Teil von:
Jagged Little Pill (the musical)
Alanis Morissette43:50
27Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
28Psycho Killer
Techniker(in):
Ed Stasium (US record producer & audio engineer)
zusätzliche(r) Techniker(in):
Matt Cohen (US producer and engineer)
leitende(r) Produzent(in):
Karen Ahmed und Robin Hurley
Produzent(in):
Tony Bongiovi, Lance Quinn und Talking Heads
Bassgitarre:
Tina Weymouth (von 1976 bis 1977)
Gitarre:
David Byrne (Talking Heads) (von 1976 bis 1977) und Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Schlagzeug:
Chris Frantz (von 1976 bis 1977)
Sologesang:
David Byrne (Talking Heads) (von 1976 bis 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
phonographisches Urheberrecht (℗) von:
Sire Records Inc. (in 1977)
aufgenommen bei:
Sundragon Studios in Flatiron District, New York, New York, Vereinigte Staaten (von 1976 bis 1977)
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten (in 2005)
Samples von:
Lexicon Valley #190, "Beyond the Five Ws" von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 108)
recording of:
Psycho Killer (von 1976 bis 1977)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Verfasser(in):
David Byrne (Talking Heads), Christopher Frantz und Martina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads3.854:21
29Right Back Where We Started From
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1994)
recording of:
Right Back Where We Started From (in 1975)
Verfasser(in):
J. Vincent Edwards und Pierre Tubbs
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, Hebbes Music Group Pty. Ltd., Penshurst Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. und Sony/ATV Songs LLC
Maxine Nightingale4.153:12
30Hungry Like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (vom 1982 bis heute) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2009)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 196)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran4.153:41
31A Horse With No Name
Techniker(in):
Robin Black (engineer) und Ken Scott (UK record producer & engineer)
Produzent(in):
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) und Ian Samwell
zusätzliche(r) Produzent(in):
America (US folk/soft rock band) und Jeff Dexter
Mix:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Akustikgitarre und Sologesang:
Dewey Bunnell (in 1971)
Bassgitarre:
Dan Peek (in 1971)
Perkussion:
Ray Cooper (percussionist) (in 1971)
Schlagzeug:
Kim Haworth (in 1971)
zwölfsaitige Gitarre:
Gerry Beckley (in 1971)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) und Rhino Entertainment Company (not for release label use!) (in 2011)
aufgenommen bei:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1971)
recording of:
A Horse With No Name (in 1971)
Texter und Komponist(in):
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
America4.254:12
32Smile
recording of:
Smile (song version w/ lyrics)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Jimmy Durante2:58
33Hot Blooded
recording of:
Hot Blooded
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner4:29
34Nothing's Gonna Stop Us Now
Interpret(in):
Starship (continuation of Jefferson Starship) (in 1987)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1985, in 1987), BMG Entertainment (in 1987) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987)
recording of:
Nothing’s Gonna Stop Us Now (in 1987)
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
cover recording of:
Nothing’s Gonna Stop Us Now
Verfasser(in):
Albert Hammond und Diane Warren (US songwriter)
arranger:
Narada Michael Walden
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Empire Music Ltd., Realsongs, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), WB Music Corp. (1929–2019) und Windswept Pacific Music Ltd. (publishing company)
Teil von:
The 60th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1987 nominee)
Starship3.754:30
35People Are Strange
recording of:
People Are Strange
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music und Rondor Music (London) Ltd.
The Doors2:10
36Edge of Seventeen
Techniker(in):
Shelly Yakus
Produzent(in):
Jimmy Iovine
Bassgitarre [bass]:
Bob Glaub
Gitarre:
Waddy Wachtel
Klavier:
Roy Bittan
Orgel:
Benmont Tench
Perkussion:
Bobbye Hall
Schlagzeug:
Russ Kunkel (session drummer)
Sologesang:
Stevie Nicks
phonographisches Urheberrecht (℗) von:
Modern Records, Inc. (in 1981) und Rhino Entertainment Company (not for release label use!) (in 2016)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 217)
recording of:
Edge of Seventeen
Texter und Komponist(in):
Stevie Nicks
gewidmet:
John Lennon (The Beatles)
Stevie Nicks4.055:29
37Sh-Boom
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-15)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (am 1954-03-15)
arranger:
Howard Biggs
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 215)
recording of:
Sh‐Boom (am 1954-03-15)
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:27
38It's Been So Long
The Living Tombstone2:54
39There You'll Be
recording engineer:
Bassy Bob Brockmann (engineer, producer, remixer)
assistierende(r) Techniker(in):
Jamie Duncan
Produzent(in):
Byron Gallimore und Trevor Horn
Mix:
Steve MacMillan und Mike Shipley (audio engineer, mixer, producer)
Bass:
Tony Shanahan
Gitarre:
Tim Pierce (US session guitarist) und Ira Siegel
membranophone:
Rich Pagano
vocals:
Faith Hill (country pop singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
James S. Levine (film and television composer) und Fiachra Trench
Orchestrator(in):
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
There You’ll Be
Texter und Komponist(in):
Diane Warren (US songwriter)
publisher:
Realsongs und Touchstone Pictures Music and Songs Inc.
Teil von:
The 74th Academy Award for Best Original Song (Nummer: 2)
Faith Hill43:41
40Californication
recording of:
Californication
Verfasser(in):
Flea (US bassist), John Frusciante, Anthony Kiedis und Chad Smith (drummer from Red Hot Chili Peppers)
publisher:
Moebetoblame Music
Red Hot Chili Peppers5:30