Housework Songs II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I’m Outta Love
Programmierung:
Louis Biancaniello (in 2000)
Produzent(in):
Louis Biancaniello und Sam Watters
Mix:
Louis Biancaniello und David Frazier (engineer)
Gitarre [guitars]:
Vernon Black (in 2000)
Keyboard [all keyboards]:
Louis Biancaniello (in 2000)
Schlagzeug [drums]:
Louis Biancaniello (in 2000) und Sam Watters (in 2000)
Hintergrundgesang:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (in 2000) und Sam Watters (in 2000)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000) und Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 2000)
produced for:
Breakthrough Entertainment
aufgenommen bei:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten (in 2000)
mixed at:
Homesite 13 in Novato, California (Kalifornien), Vereinigte Staaten
Musikvideos:
I’m Outta Love von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
a cappella versions:
I'm Outta Love (a cappella) von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
instrumental versions:
I'm Outta Love (instrumental) von Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
recording of:
I’m Outta Love (in 2000)
Texter:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello und Sam Watters
Komponist(in):
Louis Biancaniello und Sam Watters
publisher:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) und Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.84:05
2Dancing Queen
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bass:
Rutger Gunnarsson (von 1976-08-04 bis 1976-08-05)
Bratsche / Viola:
Åke Arvinder (Swedish violist) (am 1976-09-12), Lars Brolin (am 1976-09-12) und Håkan Roos (Swedish violist) (am 1976-09-12)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1976-09-12) und Åke Olofsson (Swedish cellist) (am 1976-09-12)
Clavinet und Keyboard:
Benny Andersson (ABBA) (von 1976-08-04 bis 1976-08-05)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1976-09-12), Anders Dahl (Swedish violinist) (am 1976-09-12), Lars Stegenberg (Swedish violinist) (am 1976-09-12), Gunnar Michols (Swedish violinist) (am 1976-09-12), Claes Nilsson (Swedish violinist) (am 1976-09-12), Bertil Orsin (Swedish violinist) (am 1976-09-12), Sixten Strömvall (Swedish violinist) (am 1976-09-12), Harry Teike (am 1976-09-12) und Krzysztof Zdrzalka (Swedish violinist) (am 1976-09-12)
Schlagzeug:
Roger Palm (von 1976-08-04 bis 1976-08-05, am 1976-12-03)
Sologesang:
Agnetha Fältskog (in 1976-09) und Frida (Swedish singer and member of ABBA) (in 1976-09)
Saiteninstrumente arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976) und Polar Music International AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Schweden (von 1976-08-04 bis 1976-08-05) und KMH Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 9), Q50 – December 2005 (Nummer: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 171) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 286)
recording of:
Dancing Queen (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA4.053:49
3Look at Me
Geri Halliwell4:08
4Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.43:45
5I Want Your LoveTransvision Vamp2.53:30
6Love Generation
recording engineer:
David Darlington (engineer at Bass Hit Studio, producer, songwriter and musician)
drum machine-Programmierung:
Jean‐Guy Schreiner
Techniker(in):
Cutee B.
Produzent(in):
Bob Sinclar (French record producer, house music DJ & remixer)
Gitarre:
Tom Naim
Keyboard:
Cutee B.
Trillerpfeife und Hintergrundgesang:
Bob Sinclar (French record producer, house music DJ & remixer)
Sologesang:
Gary Nesta Pine
aufgenommen bei:
Bass Hit Studios in New York, New York, Vereinigte Staaten
engineered at:
Defrey Studio in Paris, Île-de-France, Frankreich
Bearbeitung von:
Love Generation (club version) (album) von Bob Sinclar (French record producer, house music DJ & remixer) feat. Gary Pine
recording of:
Love Generation
Verfasser(in):
Duane Harden, Christophe Le Friant, Gary Nesta Pine, Jean‐Guy Schreiner, Bob Sinclar (French record producer, house music DJ & remixer) und Alain Wisniak (French film music composer and singer)
publisher:
Mighty Bop Sessions, Inc
Bob Sinclar & Gary Pine43:27
7I’m a Slave 4 U
recording engineer:
Andrew Coleman (recording/mix engineer, Neptunes-associated) und Brian Garten (Engineer)
assistierende(r) Techniker(in):
Tim Roberts (engineer) und Ryan Smith (NY, US-based engineer/mastering)
Produzent(in):
The Neptunes (US producer duo Chad Hugo & Pharrell Williams)
Mix:
Serban Ghenea
Instrumente:
Chad Hugo und Pharrell Williams
Sologesang:
Britney Spears
phonographisches Urheberrecht (℗) von:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 2001)
aufgenommen bei:
Master Sound Studios (Virginia) in Virginia Beach, Virginia, Vereinigte Staaten und Right Track Studios in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Windmark Recording in Virginia Beach, Virginia, Vereinigte Staaten
Musikvideos:
I’m a Slave 4 U von Britney Spears, I’m a Slave 4 U (Angle 1) von Britney Spears, I’m a Slave 4 U (Angle 2) von Britney Spears und I’m a Slave 4 U (Angle 3) von Britney Spears
recording of:
I’m a Slave 4 U
Verfasser(in):
Chad Hugo und Pharrell Williams
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., Songs MP und Waters of Nazareth
Britney Spears3.553:25
8Round Round
Sologesang:
Keisha Buchanan, Mutya Buena und Heidi Range
phonographisches Urheberrecht (℗) von:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2002)
Musikvideos:
Round Round von Sugababes
recording of:
Round Round
Verfasser(in):
Keisha Buchanan, Mutya Buena, Nick Coler, Miranda Cooper, Lisa Cowling, Brian Higgins (British producer and song writer), Tim Powell (Songwriter and producer, ex-Xenomania) und Heidi Range
zusätzliche(r) Komponist(in):
Florian Pflueger, Robin Hofmann, Rino Spadavecchia und Felix Stecher
basiert auf:
Tango Forte
Sugababes3.53:55
9If You Could Read My Mind
Koproduzent(in):
Lati Kronlund
Produzent(in):
The Berman Brothers
vocals:
Amber (Dutch vocalist Marie-Claire Cremers), Jocelyn Enriquez und Ultra Naté
instrumental versions:
If You Could Read My Mind (Instrumental) von Ultra Naté, Amber & Jocelyn Enriquez
Teil von:
Canada’s Drag Race Lip Sync Performances (season 1) (Nummer: 2)
cover recording of:
If You Could Read My Mind
Texter und Komponist(in):
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (beendet), Early Morning Music (beendet), Laetrec Music (beendet), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Stars on 5433:27
10I Knew You Were Waiting (For Me)
recording engineer:
David Frazer (engineer) (in 1986)
Perkussion-Programmierung:
Preston Glass (in 1986)
Synthesizer-Programmierung:
Walter Afanasieff (in 1986)
zusätzliche(r) assistierende(r) Techniker(in):
Stuart Hirotsu, Mike Iacopelli (engineer), Gordon Lyon, Lennete Viegas und Jim Watts (engineer)
zusätzliche(r) Techniker(in):
Dana Jon Chappelle und Maureen Droney
Produzent(in):
George Michael und Narada Michael Walden
Mix:
David Frazer (engineer) und Serban Ghenea
Bassgitarre:
Randy Jackson (former bassist with Journey and American Idol judge) (in 1986)
E-Gitarre:
Corrado Rustici (in 1986)
Perkussion und Tamburin:
Greg “Gigi” Gonaway (in 1986)
Schlagzeug:
Narada Michael Walden (in 1986)
Synthesizer:
Walter Afanasieff (in 1986)
Hintergrundgesang:
Kitty Beethoven (in 1986), Jim Gilstrap (in 1986), Jennifer Hall (English actress, singer-songwriter) (in 1986), Myrna Matthews (in 1986) und Claytoven Richardson (in 1986)
Sologesang:
Aretha Franklin (in 1986) und George Michael (in 1986)
vocals:
Aretha Franklin (in 1986)
zusätzlich vocals:
Aretha Franklin (in 1986)
Saiteninstrumente arranger:
Jerry Hey
arranger:
Narada Michael Walden
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986), Arista Records, LLC (holding company - file NO releases here!) (in 1986), CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
mixed at:
MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
recording of:
I Knew You Were Waiting (for Me) (in 1986)
Verfasser(in):
Simon Climie und Dennis Morgan (US songwriter)
publisher:
BMG Music Publishing Ltd., Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services Ltd. (UK), Little Shop of Morgansongs (BMI), Rare Blue Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael & Aretha Franklin3.83:58
11A Good Heart
Produzent(in):
David A. Stewart (UK guitarist/singer for Eurythmics)
Mix:
Shelly Yakus
arranger:
Feargal Sharkey und Dave Stewart (UK guitarist/singer for Eurythmics)
phonographisches Urheberrecht (℗) von:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (in 1985) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
A Good Heart
Texter und Komponist(in):
Maria McKee
publisher:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:39
12Wouldn’t It Be Nice
Techniker(in):
Larry Levine (am 1966-01-22) und Ralph Valentin (von 1966-03 bis 1966-04)
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
accordion:
Carl Fortina (am 1966-01-22) und Frank Marocco (am 1966-01-22)
baritone saxophone:
Jay Migliori (am 1966-01-22)
Bassgitarre:
Lyle Ritz (am 1966-01-22)
E-Bass:
Carol Kaye (am 1966-01-22) und Ray Pohlman (am 1966-01-22)
Gitarre:
Bill Pitman (am 1966-01-22)
Klavier:
Al De Lory (am 1966-01-22)
Klavier [track piano]:
Larry Knechtel (am 1966-01-22)
Mandoline:
Barney Kessel (am 1966-01-22)
Perkussion:
Frank Capp (am 1966-01-22)
Schlagzeug:
Hal Blaine (U.S. studio drummer and percussionist) (am 1966-01-22)
Tenorsaxophon:
Steve Douglas (American saxophonist, flautist and clarinetist) (am 1966-01-22) und Plas Johnson (am 1966-01-22)
Trompete:
Roy Caton (trumpet player) (am 1966-01-22)
zwölfsaitige Gitarre:
Jerry Cole (am 1966-01-22)
Hintergrundgesang:
Al Jardine (guitarist and singer) (am 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (am 1966-01-22), Carl Wilson (Beach Boys) (am 1966-01-22) und Dennis Wilson (Beach Boys) (am 1966-01-22)
Sologesang:
Mike Love (Beach Boys) (am 1966-01-22) und Brian Wilson (Beach Boys co‐founder) (am 1966-01-22)
arranger:
Brian Wilson (Beach Boys co‐founder)
aufgenommen bei:
Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22) und Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-01-22)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 297)
recording of:
Wouldn’t It Be Nice (am 1966-01-22)
Texter:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.352:32
13Perfect
Produzent(in):
Fairground Attraction und Kevin Moloney
assistierende(r) Mix:
Alistair Johnson (engineering)
Mix:
Kevin Moloney
Sologesang:
Eddi Reader
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (in 1988) und Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
aufgenommen bei:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Musikvideos:
Perfect von Fairground Attraction
recording of:
Perfect
Texter und Komponist(in):
Mark Nevin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:36
14How Do You Do!
Programmierung:
Anders Herrlin und Clarence Öfwerman
Techniker(in):
Mats Arne Persson (“M.P.”) (in 1992-04), Lennart Haglund (engineer) (von 1992-04 bis 1992-05), Anders Herrlin (von 1992-04 bis 1992-05) und Alar Suurna (von 1992-04 bis 1992-05)
Produzent(in):
Clarence Öfwerman
Mix:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (von 1992-04 bis 1992-05)
E-Gitarre und Gitarre:
Jonas Isacsson (von 1992-04 bis 1992-05)
Keyboard:
Clarence Öfwerman (von 1992-04 bis 1992-05)
Perkussion:
Staffan Öfwerman (von 1992-04 bis 1992-05)
Schlagzeug:
Pelle Alsing (von 1992-04 bis 1992-05)
Hintergrundgesang:
Vicki Benckert (von 1992-04 bis 1992-05) und Staffan Öfwerman (von 1992-04 bis 1992-05)
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) (in 1992)
produced for:
Carlos Government Music
aufgenommen bei:
Tits & Ass in Halmstad, Halland (Halland county), Schweden (in 1992-04) und EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (von 1992-04 bis 1992-05)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
How Do You Do! (von 1992-04 bis 1992-05)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette33:09
15Life Goes On
Programmierung:
Gregg Pagani und Peter Amato
Produzent(in):
Desmond Child, Gregg Pagani und Peter Amato
Mix:
Rob Chiarelli (US mixer) und Rob Chiarelli (US mixer) (Sologesang)
Bass:
Abe Laboriel Sr.
Gitarre:
Michael Landau
Keyboard:
Gregg Pagani und Peter Amato
Schlagzeug:
Abe Laboriel Jr.
Hintergrundgesang:
Nora Payne, LeAnn Rimes (US country & pop singer) und Sherree Ford
Sologesang:
LeAnn Rimes (US country & pop singer)
arranger:
Gregg Pagani und Peter Amato
Hintergrundgesang arranger:
Sherree Ford
phonographisches Urheberrecht (℗) von:
Curb Records, Inc. (holding company - do not use as release label) (in 2002)
mixed at:
Larrabee Studios North in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Larrabee West (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California (Kalifornien), Vereinigte Staaten
LeAnn Rimes43:34
16Dove (I’ll Be Loving You)Moony3.14:03
17Something About You
recording of:
Something About You
Verfasser(in):
Peter Biker, Carsten Schack und Jamelia
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und Full of Soul Music
Jamelia33:20
18My Sharona
recording engineer:
Pete Coleman
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Prescott Niles
Gitarre:
Berton Averre und Doug Fieger (in The Knack)
Schlagzeug:
Bruce Gary
Sologesang:
Doug Fieger (in The Knack)
vocals:
Berton Averre
remixer:
Dave Jerden
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 1994, in 2013)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 18), TV Cream: Real 100 Best Singles Ever (Nummer: 24), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 72) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 201)
recording of:
My Sharona
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack4.154:54
19Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello (in 1983)
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong Music Ltd., Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
Michael Sembello4.154:03
20You Spin Me Round (Like a Record)
Produzent(in):
Pete Waterman
Interpret(in):
Dead or Alive (UK new wave band) (in 1984)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
Musikvideos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) von Dead or Alive (UK new wave band)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 52)
recording of:
You Spin Me Round (Like a Record)
Verfasser(in):
Pete Burns, Steve Coy, Tim Lever und Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Westbury Music Ltd.
Teil von:
American Psycho
Dead or Alive4.153:14
21Don’t Leave Me This Way
Produzent(in):
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:31
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