Room Service Deluxe

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Light My Fire
Produzent(in):
Rick Jarrard
Saiteninstrumente arranger:
George Tipton (American composer, musical arranger and conductor, born 1932)
cover recording of:
Light My Fire (am 1968-01-06)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
José Feliciano33:36
2From Russia With Love
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
Sologesang:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
Texter und Komponist(in):
Lionel Bart
publisher:
EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:34
3Black Coffee
Techniker(in):
John Kraus (1950s US engineer)
Produzent(in):
Si Waronker
vocals:
Julie London (in 1960-08)
conductor:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen) (in 1960-08)
arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1960-08)
cover recording of:
Black Coffee (1948 song) (in 1960-08)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Julie London43:00
4Can't Get Used to Losing You
Produzent(in):
Robert Mersey
conductor:
Robert Mersey (am 1962-12-02)
arranger:
Robert Mersey
phonographisches Urheberrecht (℗) von:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1963) und Rarity Music (in 2013)
recording of:
Can’t Get Used to Losing You (am 1962-12-02)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation
Andy Williams12:23
5Alfie
recording of:
Alfie (in 1965)
Texter:
Hal David (in 1965)
Komponist(in):
Burt Bacharach (in 1965)
publisher:
BMG Music Publishing Ltd., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous-Chappell und Sony/ATV Harmony
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 39th Academy Award for Best Original Song (Nummer: 2)
Cilla Black2:37
6Soulful Strut
Produzent(in):
Carl Davis (record producer) und Eugene Record
Klavier:
Ken Chaney (jazz pianist and composer) (in 1968)
Saiteninstrumente:
Eldee Young (in 1968)
Schlagzeug:
Red Holt (in 1968)
arranger:
Sonny Sanders
recording of:
Soulful Strut (in 1968)
Komponist(in):
Eugene Record und Sonny Sanders
publisher:
Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Version von:
Am I the Same Girl
Young–Holt Unlimited4.53:00
7I've Been a Bad Bad Boy
recording of:
I’ve Been a Bad Bad Boy
Komponist(in):
Mike Leander
publisher:
Leeds Music Ltd. und Universal/MCA Music Publishing Pty Ltd
Paul Jones Featuring Mike Leander and His Orchestra2:22
8Son of a Preacher Man
recording of:
Son of a Preacher Man
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Dusty Springfield2:27
9A Hard Day's Night
Techniker(in):
Reice Hamel
Produzent(in):
Esmond Edwards
Bass:
Eldee Young (von 1965-10-14 bis 1965-10-17)
Klavier:
Ramsey Lewis (von 1965-10-14 bis 1965-10-17)
Schlagzeug:
Red Holt (von 1965-10-14 bis 1965-10-17)
aufgenommen bei:
The Lighthouse Cafe in Hermosa Beach, California (Kalifornien), Vereinigte Staaten (von 1965-10-14 bis 1965-10-17)
instrumental cover recording of:
A Hard Day’s Night
Verfasser(in):
John Lennon (The Beatles) (von 1964-04-13 bis 1964-04-14) und Paul McCartney (The Beatles) (von 1964-04-13 bis 1964-04-14)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Unart Music Corp.
The Ramsey Lewis Trio4:58
10By the Time I Get to Phoenix
Sologesang:
Glen Campbell (US country singer, guitarist & actor)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 450)
cover recording of:
By the Time I Get to Phoenix (am 1967-08-17)
Texter und Komponist(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
publisher:
Charles Koppelman Music, Jonathan Three Music Co. und Martin Bandier Music
Glen Campbell3.52:44
11He Ain't Heavy, He's My Brother
Produzent(in):
Ron Richards
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969) und The Hollies Ltd. (von 1969 bis 1970)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1969-06-25)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 46)
cover recording of:
He Ain’t Heavy, He’s My Brother (am 1969-06-25)
Verfasser(in):
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) und Bobby Scott (vocals, piano, US musician & producer)
publisher:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Warner/Chappell Music Ltd. (1996–2019) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies3.854:21
12I Say a Little Prayer
Aretha Franklin3:35
13Comin' Home Baby
Mel Tormé2:44
14Girl Don't Come
vocals:
Sandie Shaw (in 1964)
recording of:
Girl Don’t Come (in 1964)
Texter und Komponist(in):
Chris Andrews (UK singer-songwriter)
publisher:
Glissando Music Ltd.
Sandie Shaw2:13
15Cha Cha Cha D'Amour
cover recording of:
Cha cha cha d’amour
Texter:
Michel Marc Lanjean und Henri Salvador
Komponist(in):
Henri Salvador
recording of:
Melody of Love
Texter:
Léona Gabriel, Marc Lanjean (French composer) und Marcel Stellman
Komponist(in):
Léona Gabriel und Henri Salvador
Version von:
Cha cha cha d’amour
Dean Martin42:18
16Brown Eyed Girl
recording engineer:
Brooks Arthur (am 1967-03-28)
Produzent(in):
Bert Russell Berns
Bassgitarre:
Eric Gale (am 1967-03-28)
Gitarre:
Al Gorgoni (guitarist, composer, arranger, and producer) (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
Orgel:
Garry Sherman (mid-20th century composer, arranger & conductor) (am 1967-03-28)
Schlagzeug:
Gary Chester (studio drummer and educator) (am 1967-03-28)
Hintergrundgesang:
The Sweet Inspirations (am 1967-03-28)
Sologesang:
Van Morrison (am 1967-03-28)
Interpret(in):
Van Morrison (am 1967-03-28)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (not for Label Release) (in 1973)
aufgenommen bei:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio (original studio, 1958–1967) in New York, New York, Vereinigte Staaten (am 1967-04-07)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 109)
recording of:
Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
Texter und Komponist(in):
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
Van Morrison3.53:01
17Baby Elephant Walk
recording engineer:
Al Schmitt
Produzent(in):
Dick Peirce
Orchester:
Henry Mancini And His Orchestra
conductor:
Henry Mancini (US composer, conductor & arranger)
arranger:
Henry Mancini (US composer, conductor & arranger)
aufgenommen bei:
RCA’s Music Center of the World in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Baby Elephant Walk (Hatari!)
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
Arrangement von:
Variaciones sobre “El paso del elefantito”
Henry Mancini2:44
18What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) und BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3:14
19A Little Bitty Tear
cover recording of:
A Little Bitty Tear
Texter und Komponist(in):
Hank Cochran (Nashville singer and songwriter)
publisher:
Pamper Music, Inc.
Burl Ives2:04
20Dream a Little Dream of Me
Produzent(in):
Lou Adler
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1968)
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Mama Cass Elliot3.353:15
21Vincent
Techniker(in):
Tom Flye
Produzent(in):
Ed Freeman (producer, arranger, musician, and photographer)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1971-05 bis 1971-06)
recording of:
Vincent (Starry Starry Night)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal/MCA Music Ltd. (not for release label use!)
übersetzte Version von:
Wim
Don McLean4.44:00
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