The Complete Lionel Hampton Victor Sessions 1937-1941

~ Veröffentlichung von Lionel Hampton (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Nr.TitelBewertungLänge
1The Munson Street Breakdown
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-30)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-10-30)
Klavier:
Lionel Hampton (am 1939-10-30) und Clyde Hart (am 1939-10-30)
Kontrabass:
Artie Bernstein (am 1939-10-30)
Rohrblattinstrumente:
Toots Mondello (am 1939-10-30)
Schlagzeug:
Slick Jones (am 1939-10-30)
Tenorsaxophon:
Jerry Jerome (am 1939-10-30) und Ben Webster (am 1939-10-30)
Trompete:
Ziggy Elman (am 1939-10-30)
Vibraphon:
Lionel Hampton (am 1939-10-30)
Orchester:
Lionel Hampton and His Orchestra (am 1939-10-30)
3:17
2I've Found a New Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-30)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-10-30)
Klavier:
Lionel Hampton (am 1939-10-30) und Clyde Hart (am 1939-10-30)
Kontrabass:
Artie Bernstein (am 1939-10-30)
Rohrblattinstrumente:
Toots Mondello (am 1939-10-30)
Schlagzeug:
Slick Jones (am 1939-10-30)
Tenorsaxophon:
Jerry Jerome (am 1939-10-30) und Ben Webster (am 1939-10-30)
Trompete:
Ziggy Elman (am 1939-10-30)
Orchester:
Lionel Hampton and His Orchestra (am 1939-10-30)
recording of:
I’ve Found a New Baby
Verfasser(in):
Jack Palmer (Jazz pianist and composer) und Spencer Williams (US jazz composer, pianist & singer)
2:55
3I Can't Get Started
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-30)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-10-30)
Klavier:
Clyde Hart (am 1939-10-30)
Kontrabass:
Artie Bernstein (am 1939-10-30)
Rohrblattinstrumente:
Toots Mondello (am 1939-10-30)
Schlagzeug:
Slick Jones (am 1939-10-30)
Tenorsaxophon:
Jerry Jerome (am 1939-10-30) und Ben Webster (am 1939-10-30)
Trompete:
Ziggy Elman (am 1939-10-30)
Vibraphon:
Lionel Hampton (am 1939-10-30)
Orchester:
Lionel Hampton and His Orchestra (am 1939-10-30)
recording of:
I Can’t Get Started
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:55
4Four or Five Times
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-30)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-10-30)
Klavier:
Clyde Hart (am 1939-10-30)
Kontrabass:
Artie Bernstein (am 1939-10-30)
Rohrblattinstrumente:
Toots Mondello (am 1939-10-30)
Schlagzeug:
Slick Jones (am 1939-10-30)
Tenorsaxophon:
Jerry Jerome (am 1939-10-30) und Ben Webster (am 1939-10-30)
Trompete:
Ziggy Elman (am 1939-10-30)
Vibraphon:
Lionel Hampton (am 1939-10-30)
Orchester:
Lionel Hampton and His Orchestra (am 1939-10-30)
recording of:
Four or Five Times
Komponist(in):
Byron Gay (in 1928) und Marco H. Hellman (in 1928)
publisher:
EMI Miller Catalog, Inc.
2:49
5Gin for Christmas
recorded in:
New York, New York, Vereinigte Staaten (am 1939-10-30)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1939-10-30)
Klavier:
Clyde Hart (am 1939-10-30)
Kontrabass:
Artie Bernstein (am 1939-10-30)
Rohrblattinstrumente:
Toots Mondello (am 1939-10-30)
Schlagzeug:
Lionel Hampton (am 1939-10-30)
Tenorsaxophon:
Jerry Jerome (am 1939-10-30) und Ben Webster (am 1939-10-30)
Trompete:
Ziggy Elman (am 1939-10-30)
Orchester:
Lionel Hampton and His Orchestra (am 1939-10-30)
2:31
6Dinah
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-21)
Gitarre:
Freddie Green (am 1939-12-21)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (am 1939-12-21)
Klavier:
Joe Sullivan (piano, USA) (am 1939-12-21)
Kontrabass:
Artie Bernstein (am 1939-12-21)
Schlagzeug:
Zutty Singleton (am 1939-12-21)
Tenorsaxophon:
Coleman Hawkins (am 1939-12-21)
Trompete:
Benny Carter (am 1939-12-21)
Vibraphon:
Lionel Hampton (am 1939-12-21)
Orchester:
Lionel Hampton and His Orchestra (am 1939-12-21)
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
2:46
7My Buddy
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-21)
Gitarre:
Freddie Green (am 1939-12-21)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (am 1939-12-21)
Klavier:
Joe Sullivan (piano, USA) (am 1939-12-21)
Kontrabass:
Artie Bernstein (am 1939-12-21)
Schlagzeug:
Zutty Singleton (am 1939-12-21)
Tenorsaxophon:
Coleman Hawkins (am 1939-12-21)
Trompete:
Benny Carter (am 1939-12-21)
Vibraphon:
Lionel Hampton (am 1939-12-21)
Orchester:
Lionel Hampton and His Orchestra (am 1939-12-21)
recording of:
My Buddy
Texter:
Gus Kahn (in 1922)
Komponist(in):
Walter Donaldson (in 1922)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
2:47
8Singin' the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-21)
Gitarre:
Freddie Green (am 1939-12-21)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (am 1939-12-21)
Klavier:
Joe Sullivan (piano, USA) (am 1939-12-21)
Kontrabass:
Artie Bernstein (am 1939-12-21)
Schlagzeug:
Zutty Singleton (am 1939-12-21)
Tenorsaxophon:
Coleman Hawkins (am 1939-12-21)
Trompete:
Benny Carter (am 1939-12-21)
Vibraphon:
Lionel Hampton (am 1939-12-21)
Orchester:
Lionel Hampton and His Orchestra (am 1939-12-21)
recording of:
Singin’ the Blues
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Con Conrad (songwriter and producer) und J. Russel Robinson
2:54
9Shades of Jade
recorded in:
New York, New York, Vereinigte Staaten (am 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (am 1940-02-26) und Toots Mondello (am 1940-02-26)
Gitarre:
Ernest Ashley (am 1940-02-26)
Klavier:
Spencer Odom (am 1940-02-26)
Kontrabass:
Artie Bernstein (am 1940-02-26)
Schlagzeug:
Nick Fatool (am 1940-02-26)
Tenorsaxophon:
Jerry Jerome (am 1940-02-26) und Budd Johnson (am 1940-02-26)
Trompete:
Ziggy Elman (am 1940-02-26)
Vibraphon:
Lionel Hampton (am 1940-02-26)
Orchester:
Lionel Hampton and His Orchestra (am 1940-02-26)
3:27
10Till Tom Special
recorded in:
New York, New York, Vereinigte Staaten (am 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (am 1940-02-26) und Toots Mondello (am 1940-02-26)
Gitarre:
Ernest Ashley (am 1940-02-26)
Klavier:
Spencer Odom (am 1940-02-26)
Kontrabass:
Artie Bernstein (am 1940-02-26)
Schlagzeug:
Nick Fatool (am 1940-02-26)
Tenorsaxophon:
Jerry Jerome (am 1940-02-26) und Budd Johnson (am 1940-02-26)
Trompete:
Ziggy Elman (am 1940-02-26)
Vibraphon:
Lionel Hampton (am 1940-02-26)
Orchester:
Lionel Hampton and His Orchestra (am 1940-02-26)
recording of:
Till Tom Special (am 1940-02-26)
Verfasser(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
3:23
11Flyin' Home
recorded in:
New York, New York, Vereinigte Staaten (am 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (am 1940-02-26) und Toots Mondello (am 1940-02-26)
Gitarre:
Ernest Ashley (am 1940-02-26)
Klavier:
Spencer Odom (am 1940-02-26)
Kontrabass:
Artie Bernstein (am 1940-02-26)
Schlagzeug:
Nick Fatool (am 1940-02-26)
Tenorsaxophon:
Jerry Jerome (am 1940-02-26) und Budd Johnson (am 1940-02-26)
Trompete:
Ziggy Elman (am 1940-02-26)
Vibraphon:
Lionel Hampton (am 1940-02-26)
Orchester:
Lionel Hampton and His Orchestra (am 1940-02-26)
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (am 1940-02-26)
Texter:
Sid Robin (US lyricist & composer)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd und Regent Music (BMI)
Version von:
Flying Home (instrumental version)
2:59
12Save It, Pretty Mama
recorded in:
New York, New York, Vereinigte Staaten (am 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (am 1940-02-26) und Toots Mondello (am 1940-02-26)
Gitarre:
Ernest Ashley (am 1940-02-26)
Klavier:
Spencer Odom (am 1940-02-26)
Kontrabass:
Artie Bernstein (am 1940-02-26)
Schlagzeug:
Nick Fatool (am 1940-02-26)
Tenorsaxophon:
Jerry Jerome (am 1940-02-26) und Budd Johnson (am 1940-02-26)
Trompete:
Ziggy Elman (am 1940-02-26)
Vibraphon:
Lionel Hampton (am 1940-02-26)
Orchester:
Lionel Hampton and His Orchestra (am 1940-02-26)
recording of:
Save It, Pretty Mama (am 1940-02-26)
Verfasser(in):
Paul Denniker, Joseph M. Davis (Joe Davis, US lyricist, producer, publisher & promoter) und Don Redman
3:22
13Tempo and Swing
recorded in:
New York, New York, Vereinigte Staaten (am 1940-02-26)
alto saxophone:
Buff Estes (Sterling Buford Estes) (am 1940-02-26) und Toots Mondello (am 1940-02-26)
Gitarre:
Ernest Ashley (am 1940-02-26)
Klavier:
Spencer Odom (am 1940-02-26)
Kontrabass:
Artie Bernstein (am 1940-02-26)
Schlagzeug:
Nick Fatool (am 1940-02-26)
Tenorsaxophon:
Jerry Jerome (am 1940-02-26) und Budd Johnson (am 1940-02-26)
Trompete:
Ziggy Elman (am 1940-02-26)
Vibraphon:
Lionel Hampton (am 1940-02-26)
Orchester:
Lionel Hampton and His Orchestra (am 1940-02-26)
recording of:
Tempo and Swing (am 1940-02-26)
3:22
14House of Morgan
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-10)
E-Gitarre:
Oscar Moore (am 1940-05-10)
Klavier:
Nat King Cole (am 1940-05-10)
Kontrabass:
Wesley Prince (am 1940-05-10)
Schlagzeug:
Al Spieldock (am 1940-05-10)
Vibraphon:
Lionel Hampton (am 1940-05-10)
Orchester:
Lionel Hampton and His Orchestra (am 1940-05-10)
3:11
15I'd Be Lost Without You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-10)
E-Gitarre:
Oscar Moore (am 1940-05-10)
Klavier:
Nat King Cole (am 1940-05-10)
Schlagzeug:
Al Spieldock (am 1940-05-10)
Vibraphon:
Lionel Hampton (am 1940-05-10)
Orchester:
Lionel Hampton and His Orchestra (am 1940-05-10)
3:00
16Central Avenue Breakdown
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-10)
E-Gitarre:
Oscar Moore (am 1940-05-10)
Klavier:
Nat King Cole (am 1940-05-10) und Lionel Hampton (am 1940-05-10)
Kontrabass:
Wesley Prince (am 1940-05-10)
Schlagzeug:
Al Spieldock (am 1940-05-10)
Orchester:
Lionel Hampton and His Orchestra (am 1940-05-10)
recording of:
Central Avenue Breakdown (am 1940-05-10)
Komponist(in):
Lionel Hampton
publisher:
Regent Music (BMI)
3:04
17Jack the Bellboy
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-05-10)
E-Gitarre:
Oscar Moore (am 1940-05-10)
Klavier:
Nat King Cole (am 1940-05-10)
Kontrabass:
Wesley Prince (am 1940-05-10)
Schlagzeug:
Lionel Hampton (am 1940-05-10)
Orchester:
Lionel Hampton and His Orchestra (am 1940-05-10)
recording of:
Jack the Bellboy (am 1940-05-10)
Komponist(in):
Lionel Hampton
2:52
18Dough-Ra-Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-17)
E-Gitarre:
Oscar Moore (am 1940-07-17)
Klavier:
Nat King Cole (am 1940-07-17)
Kontrabass:
Wesley Prince (am 1940-07-17)
Schlagzeug:
Al Spieldock (am 1940-07-17)
Vibraphon:
Lionel Hampton (am 1940-07-17)
Orchester:
Lionel Hampton and His Orchestra (am 1940-07-17)
3:07
19Jivin' With Jarvis
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-17)
E-Gitarre:
Oscar Moore (am 1940-07-17)
Gitarre:
Oscar Moore (am 1940-05-17)
Klavier:
Nat King Cole (am 1940-05-17, am 1940-07-17)
Kontrabass:
Wesley Prince (am 1940-05-17, am 1940-07-17)
Schlagzeug:
Al Spieldock (am 1940-07-17)
Vibraphon:
Lionel Hampton (am 1940-07-17)
vocals:
Nat King Cole (am 1940-05-17) und Oscar Moore (am 1940-05-17)
Orchester:
Lionel Hampton and His Orchestra (am 1940-07-17)
recording of:
Jivin' with Jarvis (am 1940-05-17)
recording of:
Jivin' with Jarvis (am 1940-07-17)
2:40
20Blue
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-17)
E-Gitarre und Gitarre:
Oscar Moore (am 1940-07-17)
Klavier:
Nat King Cole (am 1940-07-17)
Kontrabass:
Wesley Prince (am 1940-07-17)
Schlagzeug:
Al Spieldock (am 1940-07-17)
Vibraphon:
Lionel Hampton (am 1940-07-17)
Orchester:
Lionel Hampton and His Orchestra (am 1940-07-17)
2:58
21I Don't Stand a Ghost of a Chance With You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-17)
E-Gitarre:
Oscar Moore (am 1940-07-17)
Klavier:
Nat King Cole (am 1940-07-17)
Kontrabass:
Wesley Prince (am 1940-07-17)
Schlagzeug:
Al Spieldock (am 1940-07-17)
Vibraphon:
Lionel Hampton (am 1940-07-17)
Orchester:
Lionel Hampton and His Orchestra (am 1940-07-17)
instrumental recording of:
(I Don’t Stand) A Ghost of a Chance (am 1940-07-17)
Texter:
Bing Crosby und Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited und Mills Music, Inc.
2:55
22Dinah (alternate take)
recorded in:
New York, New York, Vereinigte Staaten (am 1939-12-21)
Gitarre:
Freddie Green (am 1939-12-21)
Klarinette:
Edmond Hall (American jazz clarinetist, bandleader) (am 1939-12-21)
Klavier:
Joe Sullivan (piano, USA) (am 1939-12-21)
Kontrabass:
Artie Bernstein (am 1939-12-21)
Schlagzeug:
Zutty Singleton (am 1939-12-21)
Tenorsaxophon:
Coleman Hawkins (am 1939-12-21)
Trompete:
Benny Carter (am 1939-12-21)
Vibraphon:
Lionel Hampton (am 1939-12-21)
Orchester:
Lionel Hampton and His Orchestra (am 1939-12-21)
recording of:
Dinah
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
2:39
23Dough-Ra-Me (alternate take)
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1940-07-17)
E-Gitarre:
Oscar Moore (am 1940-07-17)
Klavier:
Nat King Cole (am 1940-07-17)
Kontrabass:
Wesley Prince (am 1940-07-17)
Schlagzeug:
Al Spieldock (am 1940-07-17)
Vibraphon:
Lionel Hampton (am 1940-07-17)
Orchester:
Lionel Hampton and His Orchestra (am 1940-07-17)
3:09
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