Don Carlos (white back tray card)

~ Veröffentlichung von Verdi; Plácido Domingo, Montserrat Caballé, Ruggero Raimondi, Shirley Verrett, Sherrill Milnes, Giovanni Foiani, Simon Estes, Ambrosian Opera Chorus, Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Don Carlo: Atto I. ”Su, cacciator! pronti o bleva …”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I. N°1. Introduzione. "Su, cacciator!" (cacciatori) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Version von:
Don Carlos : Acte I. Introduction « Le cerf s’enfuit sous la ramure" (Chasseurs)
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:24
2Don Carlo: Atto I. ”Fontainebleau! Foresta immensa e solitaria”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
Kompilation von:
Don Carlo: Atto I, No. 2. Scena e romanza: "Fontainebleau! Foresta immensa e solitaria!" (Carlo) von Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto I, No. 2. Scena e romanza: "Io la vidi e al suo sorriso" (Carlo) von Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I. N°2. Narrazione e Romanza. “Fontainebleau! Foresta immensa e solitaria!” … “Io la vidi e al suo sorriso” (Carlo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:23
3Don Carlo: Atto I. ”Il suon del como alfin nel bosco face”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano) (von 1970-08-18 bis 1970-08-31)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I. N°2. Scena e Duetto. “Il suon dei corni alfin nel bosco tace” (Carlo, Tebaldo, Elisabetta) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi2:37
4Don Carlo: Atto I. ”Al mio pie' perché?”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “Al mio piè, perché?” (Elisabetta, Carlo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi4:37
5Don Carlo: Atto I. ”Di qual amor, di quanto ardor”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “Di qual amor, di quant'ardor” (Elisabetta, Carlo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi5:30
6Don Carlo: Atto I. ”Al fedel ch'ora viene, o signora”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Mezzosoprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano) (von 1970-08-18 bis 1970-08-31)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “Al fedel ch'ora viene, o signora” (Tebaldo, Elisabetta, Carlo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:15
7Don Carlo: Atto I. ”L'ora fatale è suonata!”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I. N°3 “L'ora fatale è suonata” (Elisabetta, Carlo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi0:54
8Don Carlo: Atto I. ”Inni di festa lieta echeggiate”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1970-08-18 bis 1970-08-31)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Lerma]:
Ryland Davies (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I. N°4 “Inni di festa lieti echeggiate” (Dame di Elisabetta, paggi, valletti, popolo, Elisabetta, Carlo, Lerma) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi1:28
9Don Carlo: Atto I. ”Il glorioso Re di Francia”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Tenor-Gesang [Lerma]:
Ryland Davies (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Il glorioso Re di Francia" (Lerma, Coro, Elisabetta) von John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Ryland Davies (tenor), Plácido Domingo (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto I, No. 4. Coro, scena e finale primo: "Vi benedica, Iddio dal ciel!" (Coro, Elisabetta, Carlo) von John McCarthy (British choral conductor, scholar, composer and arranger), Montserrat Caballé (soprano), Plácido Domingo (tenor), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Il glorioso Re di Francia, il grande Enrico“ (Lerma, Elisabetta, Carlo, dame di Elisabetta, paggi, valletti, popolo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
recording of:
Don Carlo: Atto I. N°4. Coro, scena e finale primo “Vi benedica, Iddio dal ciel!” (Coro, Elisabetta, Carlo)
Teil von:
Don Carlo: Atto I (Fontainebleau, 5 act version in italian)
Giuseppe Verdi5:21
10Don Carlo: Atto II, scena 1. ”Carlo il sommo Imperatore”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [un frate]:
Simon Estes (bass-baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
Kompilation von:
Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: Preludio von Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto II, Scena I, No. 1. Preludio, introduzione, scena del frate e duetto: "Carlo il sommo Imperatore" (Coro, Un frate) von John McCarthy (British choral conductor, scholar, composer and arranger), Simon Estes (bass-baritone), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi6:37
11Don Carlo: Atto II, scena 1. ”Al chiostro di San Giusto”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Bass-Gesang [un frate]:
Simon Estes (bass-baritone) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:58
12Don Carlo: Atto II, scena 1. ”E lui Desso l Infante”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Bass-Gesang [un frate]:
Simon Estes (bass-baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:34
13Don Carlo: Atto II, scena 1. ”Ascolta! Le porte dell'asil s'apron già”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 1. N°3 “Ascolta! Le porte dell’asil s’apron già” (Rodrigo, Carlo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:55
14Don Carlo: Atto II, scena 1. ”Dio, Che Nell' Alma Infondere Amor...”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone) (von 1970-08-18 bis 1970-08-31)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:58
15Don Carlo: Atto II, scena 2. ”Sotto ai folti, immensi abeti”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Mezzosoprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:54
16Don Carlo: Atto II, scena 2. ”Tra queste mura pie la Regina...”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:57
17Don Carlo: Atto II, scena 2. ”Nei giardin del bello”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (von 1970-08-18 bis 1970-08-31)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano) (von 1970-08-18 bis 1970-08-31)
Mezzosoprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:56
18Don Carlo: Atto II, scena 2. ”La Regina!... Un'arcana mestizia...”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Chorgesang:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Mezzosoprangesang [Tebaldo]:
Delia Wallis (mezzo-soprano)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:11
19Don Carlo: Atto II, scena 2. ”Che mai si fa nel suol francese”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:16
20Don Carlo: Atto II, scena 2. ”Carlo ch'è sol il nostro amore”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Baritongesang [Rodrigo]:
Sherrill Milnes (baritone)
Mezzosoprangesang [Eboli]:
Shirley Verrett (mezzo-soprano)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano)
Orchester:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Carlo Maria Giulini (conductor)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recording of:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:51
21Don Carlo: Atto II, scena 2. ”Io vengo a demandar”
assistierende(r) Produzent(in):
Gwyn Morris (record producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Soprangesang [Elisabetta]:
Montserrat Caballé (soprano) (von 1970-08-18 bis 1970-08-31)
Tenor-Gesang [Don Carlo]:
Plácido Domingo (tenor) (von 1970-08-18 bis 1970-08-31)
Orchester:
Orchestra of the Royal Opera House, Covent Garden (von 1970-08-18 bis 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (von 1970-08-18 bis 1970-08-31)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
Walthamstow Assembly Hall in London (Greater London), England, Vereinigtes Königreich (von 1970-08-18 bis 1970-08-31)
Kompilation von:
Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Io vengo a domandar" (Carlo, Elisabetta) von Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor) und Don Carlo: Atto II, Scena II, No. 4. Gran scena e duetto: "Perduto ben, mio sol tesor" (Carlo, Elisabetta) von Montserrat Caballé (soprano), Plácido Domingo (tenor), Orchestra of the Royal Opera House, Covent Garden, Carlo Maria Giulini (conductor)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (von 1970-08-18 bis 1970-08-31)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Übersetzer:
Achille de Lauzières
Teil von:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi8:28
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