50 Best Mozart

~ Veröffentlichung von Wolfgang Amadeus Mozart (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Copyright: © 2019 Parlophone Records Limited, a Warner Music Group Company
℗ 2019 This compilation Parlophone Records Limited, a Warner Music Group Company

Anmerkung zuletzt geändert am 2024-09-07 13:32 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Symphony no. 40 in G minor, K. 550: I. Molto allegro
Orchester:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version)
Orchestrator(in):
Neal Desby und Edward Trybek
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
7:51
2Clarinet Concerto in A major, K. 622: II. Adagio
Techniker(in):
Neville Boyling (engineer) (von 1958-05-22 bis 1959-05-08) und Paul Vavasseur (engineer) (von 1959-05-14 bis 1959-05-15)
Produzent(in):
Peter Andry (producer) und Victor Olof
Klarinette:
Jack Brymer (clarinettist) (von 1958-05-14 bis 1959-05-08)
Orchester:
Royal Philharmonic Orchestra (von 1958-05-14 bis 1959-05-08)
conductor:
Sir Thomas Beecham (conductor) (von 1958-05-14 bis 1959-05-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1958-05-14 bis 1958-05-15) und Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1958-05-22 bis 1959-05-08)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Konzert für Klarinette und Orchester A-Dur, KV 622: II. Adagio) (von 1958-05-14 bis 1959-05-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1791-09-28 bis 1791-10-07)
Teil von:
Concerto for Clarinet in A major, K. 622 (Konzert für Klarinette und Orchester A-Dur, KV 622)
8:53
3Symphony no. 25 in G minor, K. 183: I. Allegro con brio (Excerpt)4:44
4Piano Concerto no. 21 in C major, K. 467: II. Andante
Produzent(in):
Gerd Berg (producer) und Theodor Holzinger (German producer)
Klavier:
Christian Zacharias (pianist and conductor) (von 1989-04-18 bis 1989-04-21)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (von 1989-04-18 bis 1989-04-21)
conductor:
David Zinman (conductor) (von 1989-04-18 bis 1989-04-21)
Tonmeister(in):
Gerhard v. Knobelsdorff (von 1989-04-18 bis 1989-04-21)
phonographisches Urheberrecht (℗) von:
EMI Music Germany GmbH & Co. KG (do not use this as a release label!) (in 2003)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (von 1989-04-18 bis 1989-04-21)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (von 1989-04-18 bis 1989-04-21)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
5:18
5Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto
Orchester:
English Chamber Orchestra (in 1984)
conductor:
Jeffrey Tate (conductor) (in 1984)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1984)
recording of:
Symphony no. 35 in D major, K. 385 “Haffner”: IV. Presto (Sinfonie Nr. 35 D-Dur, KV 385 "Haffner": IV. Finale. Presto) (in 1984)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1782)
Teil von:
Symphony no. 35 in D major, K. 385 “Haffner”
4:17
6Violin Concerto no. 3 in G major, K. 216: II. Adagio (Cadenza by Beyer)
recording engineer:
Christfried Bickenbach (von 1984-03-19 bis 1984-03-21)
Produzent(in):
Gerd Berg (producer)
Geige / Violine:
Frank Peter Zimmermann (violinist) (von 1984-03-19 bis 1984-03-21)
Orchester:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (von 1984-03-19 bis 1984-03-21)
conductor:
Jörg Faerber (conductor) (von 1984-03-19 bis 1984-03-21)
Tonmeister(in):
Wolfgang Gülich (engineer) (von 1984-03-19 bis 1984-03-21)
aufgenommen bei:
Kreuzkirche in Heilbronn, Baden-Württemberg, Deutschland (von 1984-03-19 bis 1984-03-21)
recording of:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”: II. Adagio (von 1984-03-19 bis 1984-03-21)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1775-04 bis 1775-12)
Teil von:
Concerto for Violin and Orchestra no. 3 in G major, K. 216 “Straßburg”
8:55
7Divertimento no. 17 in D major, K. 334/320b: III. Menuetto - Trio
Orchester:
Stockholm Chamber Orchestra
conductor:
Franz Welser‐Möst (conductor)
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: III. Minuetto (Divertimento Nr. 17 D-Dur, KV 320b (KV 334): III. Menuetto - Trio)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Divertimento no. 17 in D major, K. 320b/334
recording of:
Divertimento no. 17 for 2 Horns & Strings in D major, K. 320b/334: Minuet (unspecified movement)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1779 bis 1780)
4:26
8Symphony no. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
Orchester:
English Chamber Orchestra
conductor:
Jeffrey Tate (conductor)
recording of:
Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro (Sinfonie Nr. 41 C-Dur, K. 551 "Jupiter": IV. Molto allegro)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-08-10)
Teil von:
Symphony no. 41 in C major, K. 551 “Jupiter”
9:13
9Piano Concerto no. 23 in A major, K. 488: II. Andante
Produzent(in):
Suvi Raj Grubb
Klavier:
Daniel Barenboim (pianist and conductor) (in 1967-01)
Orchester:
English Chamber Orchestra (in 1967-01)
conductor:
Daniel Barenboim (pianist and conductor) (in 1967-01)
Tonmeister(in):
Robert Gooch (British classical sound engineer, active from late 1950's) (in 1967-01)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1967-01-01 bis 1967-01-03)
recording of:
Concerto for Piano and Orchestra no. 23 in A major, K. 488: II. Andante (Adagio) (in 1967-01)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1786 bis 1786-03-02)
Teil von:
Concerto for Piano and Orchestra no. 23 in A major, K. 488
7:35
10Horn Concerto no. 4 in E-Flat major, K. 495: III. Rondo. Allegro vivace
Techniker(in) und Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
leitende(r) Produzent(in):
Christopher Bishop (conductor/producer)
Produzent(in):
Christopher Bishop (conductor/producer)
Horn:
Barry Tuckwell (hornist / conductor) (von 1971-05-17 bis 1971-05-21)
Orchester:
Academy of St Martin in the Fields (von 1971-05-17 bis 1971-05-21)
conductor:
Neville Marriner (conductor) (von 1971-05-17 bis 1971-05-21)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1971-05-17 bis 1971-05-21)
recording of:
Concerto for Horn no. 4 in E-flat major, K. 495: III. Rondo. Allegro vivace (von 1971-05-17 bis 1971-05-21)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Concerto for Horn no. 4 in E-flat major, K. 495
3:36
11Concerto for Flute and Harp in C major, K. 299: II. Andantino9:45
12Sinfonia concertante for Violin and Viola in E-Flat major, K. 364: III. Presto
Produzent(in):
David Groves (classical music producer at EMI) (in 1991)
Editing:
David Bell (engineer) (in 1991)
Bratsche / Viola:
Bruno Giuranna (violist) (in 1991-06)
Geige / Violine:
Anne‐Sophie Mutter (violinist) (in 1991-06)
Orchester:
Academy of St Martin in the Fields (in 1991-06)
conductor:
Sir Neville Marriner (conductor) (in 1991-06)
Tonmeister(in):
Michael Sheady (engineer) (in 1991-06)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1991)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1991-06)
recording of:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d: III. Presto (in 1991-06)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1779)
Teil von:
Sinfonia concertante for Violin, Viola and Orchestra in E-flat major, K. 364/320d
6:09
13Le nozze di Figaro, K. 492: Sinfonia
Orchester:
Wiener Philharmoniker (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1986-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Teil von:
Die Hochzeit des Figaro (German translation)
Teil von:
Le nozze di Figaro, K. 492 (Die Hochzeit des Figaro, K 492)
3:58
14Le nozze di Figaro, K. 492, Act 1: "Non più andrai, farfallone amoroso" (Figaro)
Baritongesang [Figaro]:
Sir Thomas Allen (baritone) (in 1986-09)
Orchester:
Wiener Philharmoniker (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1986-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:40
15Le nozze di Figaro, K. 492, Act 2: Cavatina. "Porgi, amor" (La Contessa)
Soprangesang [La Contessa]:
Margaret Price (soprano) (in 1986-09)
Orchester:
Wiener Philharmoniker (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1986-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
3:47
16Le nozze di Figaro, K. 492, Act 2: Arietta. "Voi, che sapete che cosa è amor" (Cherubino)
Mezzosoprangesang [Cherubino]:
Ann Murray (Irish mezzo-soprano) (in 1986-09)
Orchester:
Wiener Philharmoniker (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1986-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1786)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:56
17Le nozze di Figaro, K. 492, Act 3: "Hai già vinta la causa! ... Vedrò, mentr'io sospiro" (Count)
Baritongesang:
Jorma Hynninen (baritone)
Orchester:
Wiener Philharmoniker
conductor:
Riccardo Muti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Aria “Vedrò, mentre io sospiro” (Il Conte)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:39
18Le nozze di Figaro, K. 492, Act 3: Aria. "Dove sono" (La Contessa)
Soprangesang [Contessa]:
Margaret Price (soprano) (in 1986-09)
Orchester:
Wiener Philharmoniker (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1986-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:20
19Le nozze di Figaro, K. 492, Act 3: Duettino. "Sull'aria" (La Contessa, Susanna)
Soprangesang:
Kathleen Battle (soprano) und Margaret Price (soprano)
Orchester:
Wiener Philharmoniker
conductor:
Riccardo Muti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. (no. 21) Duettino “Sull’aria… che soave zeffiretto” (La Contessa, Susanna) (Canzonetta sull’aria)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
2:28
20Le nozze di Figaro, K. 492, Act 4: Aria. "Deh vieni, non tardar" (Susanna)
Soprangesang und Soprangesang [Susanna]:
Kathleen Battle (soprano) (in 1986-09)
Orchester:
Wiener Philharmoniker (in 1986-09)
conductor:
Riccardo Muti (conductor) (in 1986-09)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1986-09)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 1986-09)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Arrangement von:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
Teil von:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
3:26
21Così fan tutte, K. 588, Act 1: Coro. "Bella vita militar" (Coro) [Live]1:43
22Così fan tutte, K. 588, Act 1: Terzetto. "Soave sia il vento" (Fiordiligi, Dorabella, Don Alfonso) [Live]
bass-baritone vocals [Don Alfonso]:
José van Dam (Belgian operatic bass-baritone)
Mezzosoprangesang [Dorabella]:
Agnes Baltsa (mezzo-soprano)
Soprangesang [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 10 Terzettino “Soave sia il vento” (Fiordligi, Dorabella, Don Alfonso)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
3:21
23Così fan tutte, K. 588, Act 1: Aria. "Smanie implacabili che m'agitate" (Dorabella) [Live]
Mezzosoprangesang [Dorabella]:
Agnes Baltsa (mezzo-soprano)
Orchester:
Wiener Philharmoniker
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 11 Aria “Smanie implacabili che m’agitate” (Dorabella)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
2:05
24Cosi fan tutte, K. 588, Act 1: Recitativo. "L'intatta fede che" - Aria. "Come scoglio immoto resta" (Fiordiligi) [Live]
Soprangesang und Soprangesang [Fiordiligi]:
Margaret Marshall (Scots soprano active in late 20th century)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 14 Aria “Come scoglio immoto resta” (Fiordiligi)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
5:17
25Così fan tutte, K. 588, Act 1: Aria. "Un'aura amorosa del nostro tesoro" (Ferrando) [Live]
Tenor-Gesang [Ferrando]:
Francisco Araiza (tenor)
Orchester:
Vienna Philharmonic Orchestra (Wiener Philharmoniker)
conductor:
Riccardo Muti (conductor)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Così fan tutte: Atto I
5:17
26Don Giovanni, K. 527, Act 1: Aria. "Madamina, il catalogo è questo" (Leporello)
bass-baritone vocals [Leporello]:
Samuel Ramey (bass-baritone) (von 1990-09-03 bis 1990-09-11)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello) (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
5:48
27Don Giovanni, K. 527, Act 1: Duettino. "Là ci darem la mano" (Don Giovanni, Zerlina)
Baritongesang [Don Giovanni]:
William Shimell (baritone)
Soprangesang [Zerlina]:
Susanne Mentzer (mezzo soprano)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
3:20
28Don Giovanni, K. 527, Act 1: Aria. "Or sai chi l'onore" (Donna Anna)
Soprangesang und Soprangesang [Donna Anna]:
Cheryl Studer (soprano)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto I
2:58
29Don Giovanni, K. 527, Act 1: Aria. "Dalla sua pace" (Don Ottavio)
Tenor-Gesang und Tenor-Gesang [Don Ottavio]:
Frank Lopardo (tenor)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto I. Anhang. No. 10a Aria “Dalla sua pace” (Don Ottavio) [K. 540a] (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 540a)
Teil von:
Don Giovanni: Atto I
5:00
30Don Giovanni, K. 527, Act 1: Aria. "Finch'han dal vino" (Don Giovanni)
Baritongesang [Don Giovanni]:
William Shimell (baritone)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto I. No. 11 Aria “Fin ch’han dal vino” (Don Giovanni) (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto I
1:16
31Don Giovanni, K. 527, Act 2: Canzonetta. "Deh, vieni alla finestra" (Don Giovanni)
Baritongesang:
William Shimell (baritone)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
2:03
32Don Giovanni, K. 527, Act 2: Aria. "Vedrai, carino" (Zerlina)
Soprangesang:
Susanne Mentzer (mezzo soprano)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte (in 1787)
Teil von:
Don Giovanni: Atto II
3:48
33Don Giovanni, K. 527, Act 2: "In quali eccessi, o Numi ... Mi tradì, quell'alma ingrata" (Donna Elvira)6:02
34Don Giovanni, K. 527, Act 2: Epilogo. "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello)
Soprangesang:
Donna Anna, Susanne Mentzer (mezzo soprano), Cheryl Studer (soprano) und Carol Vaness (soprano)
Orchester:
Wiener Philharmoniker (von 1990-09-03 bis 1990-09-11)
conductor:
Riccardo Muti (conductor) (von 1990-09-03 bis 1990-09-11)
phonographisches Urheberrecht (℗) von:
EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1991)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (von 1990-09-03 bis 1990-09-11)
recording of:
Don Giovanni: Atto II. “Questo è il fin di chi fa mal” (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto) (von 1990-09-03 bis 1990-09-11)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
1:46
35Piano Sonata no. 11 in A major, Op. 6 no. 2, K. 331 "Alla Turca": III. Allegretto. Turkish March
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (Klaviersonate Nr. 11 A-Dur "Alla Turca", KV 300i (KV 331): III. Alla turca. Allegretto)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Classic 100: Piano (2025) (Nummer: 32)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
3:29
36Serenade for Winds no. 10 in B-Flat major, K. 361 "Gran partita": III. Adagio
Produzent(in):
Gerd Berg (producer) und Hartwig Paulsen
Bassetthorn:
Joachim Klemm (hornist and clarinetist) (in 1991-07) und Reiner Wehle (clarinetist) (in 1991-07)
Bassetthorn [basset horn I]:
Reiner Wehle (clarinetist) (von 1991-07-12 bis 1991-07-15)
Bassetthorn [basset horn II]:
Joachim Klemm (hornist and clarinetist) (von 1991-07-12 bis 1991-07-15)
Blasinstrumente:
Bläserensemble Sabine Meyer (Sabine Meyer Wind Ensemble) (in 1991-07, von 1991-07-12 bis 1991-07-15)
Fagott:
Sergio Azzolini (bassoonist) (in 1991-07) und Georg Klütsch (bassoonist) (in 1991-07)
Fagott [bassoon I]:
Sergio Azzolini (bassoonist) (von 1991-07-12 bis 1991-07-15)
Fagott [bassoon II]:
Georg Klütsch (bassoonist) (von 1991-07-12 bis 1991-07-15)
Horn [horn I]:
Bruno Schneider (horn player) (von 1991-07-12 bis 1991-07-15)
Horn [horn II]:
Nikolaus Frisch (horn player) (von 1991-07-12 bis 1991-07-15)
Horn [horn III]:
Dietmar Ullrich (hornist) (von 1991-07-12 bis 1991-07-15)
Horn [horn IV]:
Richard Schneider (hornist) (von 1991-07-12 bis 1991-07-15)
Instrumente:
Bläserensemble Sabine Meyer (Sabine Meyer Wind Ensemble)
Klarinette:
Karl-Theo Adler (in 1991-07) und Sabine Meyer (clarinetist) (in 1991-07)
Klarinette [clarinet I]:
Sabine Meyer (clarinetist) (von 1991-07-12 bis 1991-07-15)
Klarinette [clarinet II]:
Karl-Theo Adler (von 1991-07-12 bis 1991-07-15)
Kontrafagott:
Klaus Lohrer (bassoonist) (in 1991-07)
Kontrafagott [Contrabassoon]:
Klaus Lohrer (bassoonist) (von 1991-07-12 bis 1991-07-15)
Oboe:
Diethelm Jonas (oboist) (in 1991-07) und Albrecht Mayer (oboist) (in 1991-07)
Oboe [oboe I]:
Diethelm Jonas (oboist) (von 1991-07-12 bis 1991-07-15)
Oboe [oboe II]:
Albrecht Mayer (oboist) (von 1991-07-12 bis 1991-07-15)
Waldhorn:
Nikolaus Frisch (horn player) (in 1991-07), Bruno Schneider (horn player) (in 1991-07), Richard Schneider (hornist) (in 1991-07) und Dietmar Ullrich (hornist) (in 1991-07)
Tonmeister(in):
Hartwig Paulsen (von 1991-07-12 bis 1991-07-15)
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1992)
aufgenommen bei:
Pfarrkirche Pleis, Vella (CH) in Schweiz (von 1991-07-12 bis 1991-07-15)
recording of:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”: III. Adagio (von 1991-07-12 bis 1991-07-15)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1781)
Teil von:
Serenade no. 10 for 12 Winds & Contrabass in B‐flat major, K. 370a/361 “Gran partita”
5:24
37Das Butterbrot, K. Anh. 284n
Klavier:
Émile Naoumoff (pianist)
recording of:
La Tartine de beurre (Das Butterbrot, K. Anh. 284n C. 27.09)
Komponist(in):
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Wolfgang Amadeus Mozart (classical composer)
Teil von:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. Anh. 284n), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. Anh. C 29.23) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. Anh. C 27.09)
1:15
38Violin Sonata no. 21 in E minor, K. 304: I. Allegro9:02
3912 Variations on "Ah, vous dirai-je maman" in C major, K. 265
Klavier:
Aldo Ciccolini (pianist) (in 1981)
recording of:
12 Variations on French Traditional: "Ah, vous dirai-je, Maman" for Piano in C major, K. 300e/265 (in 1981)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1781 bis 1782)
Teil von:
Köchelverzeichnis (original numbering) (Nummer: 265) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 300e)
Arrangement von:
Twinkle, Twinkle, Little Star
basiert auf:
Ah ! Vous dirai‐je, maman
9:35
40Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:53
41Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance. Andante
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: II. Romance. Andante (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
5:44
42Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto. Allegretto
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: III. Minuetto. Allegretto & Trio (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
1:58
43Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo. Allegro
Produzent(in):
Christopher Bishop (conductor/producer)
Orchester:
Academy of St Martin in the Fields (am 1976-01-29, am 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (am 1976-01-29, am 1976-10-26)
Tonmeister(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1976-01-29, am 1976-10-26)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (am 1976-01-29)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: IV. Rondo. Allegro (am 1976-10-26)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
3:04
44Three German Dances in C major, K. 605: III. Dance with Trio "Die Schlittenfahrt"
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04) und Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (Deutscher Tanz C-dur, KV 605 no. 3 „Schlittenfahrt“) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1789)
Teil von:
3 German Dances for Orchestra, K. 605
3:09
45Fantasia for Piano in D minor, K. 397
Klavier:
Alexander Lonquich (pianist)
recording of:
Fantasia for Piano in D minor, K. 397/385g
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1782)
Teil von:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (Nummer: K. 385g), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 397), Köchelverzeichnis (original numbering) (Nummer: 397) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 385g)
5:38
46Divertimento for String Trio in E-Flat major, K. 563: VI. Allegro6:38
47Maurerische Trauermusik in C minor, K. 477
Produzent(in):
John Fraser (UK producer)
Orchester:
Academy of St Martin in the Fields (in 1989-12)
conductor:
Sir Neville Marriner (conductor) (in 1989-12)
Tonmeister(in):
Mark Vigars (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1989-12)
recording of:
Maurerische Trauermusik für Orchester c-Moll, K. 479a/477 (in 1989-12)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1785)
Teil von:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (Nummer: K. 477), Köchelverzeichnis (original numbering) (Nummer: 477) und Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (Nummer: K. 479a)
5:56
48Piano Sonata no. 16 in C major, K. 545 "Semplice": I. Allegro
Klavier:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
aufgenommen bei:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), Frankreich (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 “Sonata facile”: I. Allegro (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 1. Allegro) (in 1982-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1788)
Teil von:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
3:08
49Piano Sonata no. 16 in C major, K. 545 "Semplice": II. Andante
Klavier:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
aufgenommen bei:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), Frankreich (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": II. Andante (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 2. Andante) (in 1982-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1788)
Teil von:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
5:44
50Piano Sonata no. 16 in C major, K. 545 "Semplice": III. Rondo. Allegretto
Klavier:
Jean‐Bernard Pommier (pianist and conductor) (in 1982-08)
aufgenommen bei:
Château de Malesherbes in Malesherbes, Loiret, Centre-Val de Loire (Centre-Loire Valley), Frankreich (in 1982-08)
recording of:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": III. Rondo (Sonata for Piano no. 16 in C major, K. 545 "Sonata facile": 3. Rondo) (in 1982-08)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1788)
Teil von:
Sonata for Piano no. 16 in C major, K. 545 "Sonata facile"
1:41