Christmas Rules

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Sleigh Ride
membranophone [drum]-Programmierung:
Jack Antonoff
zusätzliche membranophone [drum]-Programmierung:
Xaphoon Jones
Techniker(in):
Richard Woodcraft
Produzent(in):
Fun (American indie pop band) und TommyD
zusätzliche(r) Produzent(in):
Andrew Dawson (US mix engineer)
Mix:
Andrew Dawson (US mix engineer)
Bratsche / Viola:
Becky Jones (violist)
Cello:
Rosie Danvers
flute:
Chloe Vincent
Geige / Violine:
Lizzie Ball (Violinist), Natalia Bonner (violinist), Eleanor Stamford, Sally Jackson (violinist), Patrick Kiernan (violinist) und Debbie Widdup (violinist)
Harfe:
Camilla Pay (Harpist)
Kontrabass:
Richard Pryce (double bassist)
Waldhorn:
Richard Ashton
Interpret(in):
Fun (American indie pop band) und Wired Strings
arranger:
Andrew Dost
Orchestrator(in):
Rosie Danvers
engineered at:
Metropolis (London) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Sleigh Ride
Texter:
Mitchell Parish (in 1950)
Komponist(in):
Leroy Anderson (bis 1948-02-10)
publisher:
EMI Harmonies Limited, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Woodbury Music (aka Woodbury Music Company)
Version von:
Sleigh Ride (original instrumental version)
fun.?:??
2Wonderful Christmastime
recording engineer:
The Shins
Produzent(in):
Richard Swift
aufgenommen bei:
The Aural Apothecary in Portland, Oregon, Vereinigte Staaten
cover recording of:
Wonderful Christmastime
Texter und Komponist(in):
Paul McCartney (The Beatles)
publisher:
MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
The Shins?:??
3Baby, It’s Cold Outside
Techniker(in) und Mix:
Stewart Lerman
Produzent(in):
Stewart Lerman und Randall Poster (producer and soundtrack music supervisor)
Klavier:
Andy Burton
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Rufus Wainwright feat. Sharon Van Etten4?:??
4The Christmas Song (Chestnuts Roasting on an Open Fire)
recording engineer und Mix:
Al Schmitt
assistierende(r) Techniker(in):
Chandler Harrold (engineer) und Tim Marchiafava
Techniker(in):
Brian Montgomery
Produzent(in):
Tommy LiPuma
Bass und Kontrabass [bass]:
Robert Hurst (jazz bassist composer)
Gitarre:
John Pizzarelli
Klavier:
Diana Krall
Schlagzeug und Schlagzeug [drums]:
Karriem Riggins
Sologesang:
Paul McCartney (The Beatles)
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
The Christmas Song (Chestnuts Roasting on an Open Fire)
Texter:
Robert Wells (songwriter) (in 1945-07) und Mel Tormé (“The Velvet Fog”) (in 1945-07)
Komponist(in):
Mel Tormé (“The Velvet Fog”) (in 1945-07)
publisher:
Chappell/Morris Ltd., MPL Music Publishing Inc., Sony/ATV Music Publishing Australia Pty Ltd., Sony/ATV Tunes LLC (ASCAP), Warner Chappell, Warner Chappell Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (vom 1946 bis heute)
Paul McCartney?:??
5(Everybody’s Waitin’ for) The Man With the Bag
recording engineer:
Adam Seltzer und Chris Funk (Portland multi-instrumentalist, member of The Decemberists)
Produzent(in):
Chris Funk (Portland multi-instrumentalist, member of The Decemberists)
Mix:
Vance Powell
accordion, Celesta [celeste] und Perkussion:
Jennifer Conlee-Drizos
Banjo:
Chris Funk (Portland multi-instrumentalist, member of The Decemberists)
Gitarre:
Jon Neufeld
Kontrabass [bass]:
Nate Query
Posaune, Trompete und Waldhorn:
Victor Nash (trumpeter)
Schlagzeug [drums]:
Ji Tanzer
Strohgeige:
Annalisa Tornfelt (American fiddler)
vocals:
Sallie Ford und Annalisa Tornfelt (American fiddler)
aufgenommen bei:
Search Party West in Portland, Oregon, Vereinigte Staaten und Type Foundry in Portland, Oregon, Vereinigte Staaten
mixed at:
Sputnik Sound in Nashville, Tennessee, Vereinigte Staaten
cover recording of:
(Everybody’s Waitin’ for) The Man With the Bag
Verfasser(in):
Dudley Brooks, Hal Stanley und Irving Taylor
publisher:
Morley Music Corp.
Black Prairie feat. Sallie Ford?:??
6I Heard the Bells on Christmas Day
Techniker(in), Produzent(in) und Mix:
Jay Joyce
Akustikgitarre und zwölfsaitige Gitarre [electric 12-string guitar]:
John Paul White
Glocken [sleigh bells], Harmonium [pump organ] und Klavier:
Joy Williams (US singer/songwriter)
vocals:
John Paul White und Joy Williams (US singer/songwriter)
cover recording of:
I Heard the Bells on Christmas Day
Texter:
Henry Wadsworth Longfellow (American poet)
Komponist(in):
Johnny Marks (American songwriter)
publisher:
Chappell Music Ltd. und St. Nicholas Music Inc.
basiert auf:
Christmas Bells
The Civil Wars?:??
7Green Grows the Holly
recorded in:
Tucson, Arizona, Vereinigte Staaten und Washington, D.C., Vereinigte Staaten
Techniker(in):
Ryan Alfred, Jack MacInnes und Michael Taylor (engineer)
accordion, Cello, klassiche Gitarre [nylon acoustic guitar] und Klavier:
Joey Burns
E-Gitarre, Kontrabass [upright bass] und Hintergrundgesang [backing vocals]:
Ryan Alfred
Schlagzeug [drums]:
John Convertino (alt-rock drummer)
Trompete:
Jacob Valenzuela
vocals:
Joey Burns
arranger:
Calexico
Calexico?:??
8We Need a Little Christmas
recording engineer und Produzent(in):
Chris Funk (Portland multi-instrumentalist, member of The Decemberists)
Mix:
Graeme Gibson (US musician and engineer)
Bassgitarre [bass]:
Rob Oberdorfer
Gitarre:
Adam Thompson (guitarist)
Gitarre [Nashville guitar]:
Tim Perry (AgesandAges)
Händeklatschen:
Sarah Fennell, Brent Knopf und Matt Sheehy
Harmonium [pump], Keyboard [Casio] und Klavier:
Johanna Kunin
Perkussion und Schlagzeug [drums]:
Dan Hunt
vocals:
Dan Hunt, Johanna Kunin, Tim Perry (AgesandAges) und Adam Thompson (guitarist)
aufgenommen bei und mixed at:
Search Party West in Portland, Oregon, Vereinigte Staaten
cover recording of:
Mame: We Need a Little Christmas
Texter und Komponist(in):
Jerry Herman
Teil von:
Mame (full musical)
AgesandAges?:??
9That’s What I Want for Christmas
Techniker(in) und Produzent(in):
David Drake
vocals:
Holly Golightly (British singer-songwriter)
Interpret(in):
David Drake
Holly Golightly?:??
10May Ev’ry Day Be Christmas
recording engineer:
Earl Scioneaux (Keyboardist, appears on "A Color Map of the Sun")
Klarinette:
Charlie Gabriel
Klavier:
Rickie Monie
Kontrabass [bass]:
Ben Jaffe (tuba, bass)
membranophone:
Joe Lastie
Posaune:
Freddie Lonzo
Saxophon:
Clint Maedgen
Trompete:
Mark Braud
Tuba:
Ronnell Johnson
vocals:
Irma Thomas
aufgenommen bei:
Preservation Hall in French Quarter, New Orleans, Louisiana, Vereinigte Staaten
Irma Thomas & Preservation Hall Jazz Band?:??
11Blue Christmas
Techniker(in):
Michael Crow und Mark Nathan
Akustikgitarre:
Jesse Ebaugh und Mark Nathan
Bassgitarre [bass] und Pedal-Steel-Gitarre [pedal steel]:
Jesse Ebaugh
E-Gitarre:
Mark Nathan
Klavier und Schlagzeug [drums]:
David Colvin (drummer)
vocals:
Erika Wennerstrom
cover recording of:
Blue Christmas
Verfasser(in):
Bill Hayes (songwriter) und Jay Johnson (songwriter of “Blue Christmas”)
publisher:
Anglo-Pic Music Co. Ltd., Bibo Music Publishing, Inc., J. Albert & Son Pty. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal Polygram International, Inc.
Heartless Bastards?:??
12Santa, Bring My Baby Back (To Me)
Techniker(in) und Mix:
W. Andrew Raposo und Morgan Wiley
Produzent(in):
Eleanor Friedberger
Bassgitarre [bass]:
W. Andrew Raposo
Klavier:
Morgan Wiley
Perkussion:
Andrew Frawley
Posaune:
Jason Disu
Saxophon:
Julio Monterrey (saxophone)
Schlagzeug [drums]:
Max Goldman
Trompete:
Kenny Warren
Vibraphon:
Michael Demsyn-Hanf (US percussionist)
vocals:
Eleanor Friedberger
cover recording of:
Santa Bring My Baby Back (to Me)
Verfasser(in):
Claude Demetrius und Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Cherry Lane Music Co., Gladys Music, Gladys Music Inc., Minder Music Ltd. und Rachel’s Own Music
Eleanor Friedberger?:??
13It’s Beginning to Look Like Christmas
recording engineer:
Chris Funk (Portland multi-instrumentalist, member of The Decemberists)
Mix:
Graeme Gibson (US musician and engineer)
Bassgitarre [bass], Gitarre [guitars], Marxophone und Tamburin:
Eric D. Johnson (lead singer of the Fruit Bats)
Lap-Steel-Gitarre [8 string lap steel]:
Chris Funk (Portland multi-instrumentalist, member of The Decemberists)
Perkussion und Schlagzeug [drums]:
Graeme Gibson (US musician and engineer)
vocals:
Eric D. Johnson (lead singer of the Fruit Bats)
aufgenommen bei und mixed at:
Search Party West in Portland, Oregon, Vereinigte Staaten
cover recording of:
It’s Beginning to Look a Lot Like Christmas
Texter und Komponist(in):
Meredith Willson (in 1951)
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, Meredith Willson Music LLC, MPL Communications Australia und MPL Music Publishing
Fruit Bats?:??
14Señor Santa (Mister Santa)
recording engineer und Produzent(in):
Chris Funk (Portland multi-instrumentalist, member of The Decemberists)
Mix:
Graeme Gibson (US musician and engineer)
aufgenommen bei und mixed at:
Search Party West in Portland, Oregon, Vereinigte Staaten
Y La Bamba?:??
15O Come, O Come, Emmanuel
assistierende(r) Techniker(in):
Bob Mallory
Techniker(in):
Dave Sinko
Mix:
Jacquire King
arranger:
Punch Brothers
aufgenommen bei:
Avatar Studios, Studio A in New York, New York, Vereinigte Staaten
Punch Brothers?:??
16What Are You Doing New Year’s Eve?
assistierende(r) Techniker(in):
Brendan Mills-McCabe
Techniker(in) und Mix:
Shawn Simmons
Produzent(in):
The Head and the Heart
Akustikgitarre und E-Gitarre:
Josiah Johnson
Bassgitarre [bass]:
Chris Zasche
Klavier:
Kenny Hensley
Schlagzeug [drums]:
Tyler Williams (drummer, percussionist, The Head and the Heart)
vocals:
Jon Russell (guitarist, vocalist and percussionist, The Head and the Heart) und Charity Thielen
aufgenommen bei:
Studio Litho in Seattle, Washington, Vereinigte Staaten
recording of:
What Are You Doing New Year’s Eve
Texter und Komponist(in):
Frank Loesser
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Frank Music Corp. (in 1947) und MPL Music Publishing Inc. (in 1947)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The Head and the Heart?:??
17Auld Lang Syne
recording engineer:
Damon Whittemore
Mix:
David Boucher
E-Gitarre:
Matt Gervais
Geige / Violine:
Andrew Bird (US indie rock multi-instrumentalist, singer, and songwriter)
Gitarre:
Alan Hampton (bass, vocals, composer)
vocals:
Andrew Bird (US indie rock multi-instrumentalist, singer, and songwriter) und Alan Hampton (bass, vocals, composer)
aufgenommen bei:
Valvetone Studios in New York, New York, Vereinigte Staaten
Andrew Bird?:??