The World’s Best Ever Beer Songs (Summer 2001)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼CD
#TitoloArtistaValutazioneDurata
1Teenage Dirtbag
tecnico e produttore:
Philip A. Jimenez e Wheatus
tecnico di missaggio:
David Thoener
piatto (giradischi) :
Pippi Longscratchings
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 2000), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2000) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 2000)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 427)
registrazione di:
Teenage Dirtbag
paroliere e compositore:
Brendan B. Brown (Wheatus singer/guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (nel 2000) e Montauk Mantis Productions (nel 2000)
Wheatus3.454:03
2Tubthumping
tecnico:
Neil Ferguson (Chumbawamba)
produttore:
Chumbawamba
diritti fonografici (℗) detenuti da:
Chumbawamba (nel 1997)
diritti fonografici (℗) detenuti da:
EMI Electrola GmbH & Co KG (not for release label use! DE subsidiary of EMI Records from 1972–2002) (nel 1997)
registrata presso:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Regno Unito (nel 1997-02)
mixata presso:
Woodlands Studio in Castleford, Wakefield, West Yorkshire, England, Regno Unito (nel 1997-09)
edit di:
Tubthumping (album version) di Chumbawamba
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 23)
registrazione di:
Tubthumping (nel 1997-02)
editore:
Chumbawamba (nel 1997)
autore:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) e Boff Whalley
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Leosong (publisher) (nel 1997)
Chumbawamba3.653:33
3Lust for Life
tecnico:
Eduard Meyer e Colin Thurston
produttore:
Bewlay Bros.
batteria, shaker e tamburello :
Hunt Sales (dal 1977-06-04 al 1977-06-18)
chitarra :
Carlos Alomar (dal 1977-06-04 al 1977-06-18) e Ricky Gardiner (dal 1977-06-04 al 1977-06-18)
chitarra basso :
Tony Sales (dal 1977-06-04 al 1977-06-18)
pianoforte :
David Bowie (English singer‐songwriter) (dal 1977-06-04 al 1977-06-18)
voce di accompagnamento:
Hunt Sales (dal 1977-06-04 al 1977-06-18) e Tony Sales (dal 1977-06-04 al 1977-06-18)
voce principale:
Iggy Pop (dal 1977-06-04 al 1977-06-18)
diritti fonografici (℗) detenuti da:
Thousand Mile, Inc. (nel 1977, nel 1990) e Virgin Records America (used for copyrights) (nel 1977)
registrata presso:
Hansa Studio III in Berlin, Germania (dal 1977-06-04 al 1977-06-18)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 67), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 147) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 325)
registrazione di:
Lust for Life (dal 1977-06-04 al 1977-06-18)
paroliere:
Iggy Pop
compositore:
David Bowie (English singer‐songwriter) e Iggy Pop
editore:
Bewlay Bros. Music, EMI Music (do not use as release label! this is a music publisher), Fleur Music Ltd. (publisher), Tintoretto Music, Virgin Music (publisher and label, only for releases with Virgin MUSIC logo), Bug Music (music publishing) (nel 1988) e James Osterberg Music (nel 1988)
Iggy Pop4.455:13
4You Get What You Give
produttore:
Gregg Alexander
basso :
John Pierce (US session bassist)
chitarra :
Gregg Alexander e Rusty Anderson
membranofono :
Gary Ferguson (Session drummer)
percussione :
Juliet Prater
pianoforte :
Rick Nowels
arrangiatore:
Gregg Alexander
arrangiatore voci aggiunto:
Richard Podolor
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1998)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 390) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 453)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals4.655:01
5Semi‐Charmed Life
programmazione:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind) e Eric Valentine (Eric Dodd, producer and instrumentalist)
assistente tecnico:
Jaquire King e Kevin Scott (engineer)
tecnico e tecnico di missaggio:
Eric Valentine (Eric Dodd, producer and instrumentalist)
co-produttore:
Eric Valentine (Eric Dodd, producer and instrumentalist)
produttore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
produttore aggiunto:
Kevin Cadogan e Arion Salazar
batteria :
Brad Hargreaves
chitarra :
Kevin Cadogan e Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
chitarra basso :
Arion Salazar
spazzole e voce principale:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
voce di accompagnamento:
Kevin Cadogan
arrangiatore:
Kevin Cadogan e Arion Salazar
arrangiatore aggiunto:
Ren Klyce
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 138) e Indie 88: Top 500 Indie Rock Songs (numero: 347)
registrazione di:
Semi‐Charmed Life
paroliere e compositore:
Stephan Jenkins (lead singer, songwriter, and guitarist of Third Eye Blind)
editore:
3EB Publishing
Third Eye Blind44:28
6Carry Me Home
tecnico di registrazione e produttore:
Nick Launay (nel 2000-07)
assistente produttore:
David Davis (Australian engineer) (nel 2000-07)
assistente tecnico di missaggio:
Steve Sisco (nel 2000-08) e Josh Wilbur (musician, writer, engineer, mixer & producer) (nel 2000-08)
tecnico di missaggio:
Andy Wallace (engineer) (nel 2000-08)
registrata presso:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (nel 2000-07)
mixata presso:
Soundtrack Studios in New York, New York, Stati Uniti (nel 2000-08)
prodotta presso:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (nel 2000-07)
registrazione di:
Carry Me Home
paroliere e compositore:
Chris Cheney (The Living End frontman)
editore:
EMI April Music Inc.
The Living End33:13
7Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.653:58
8Psycho Killer (live)
tecnico di registrazione:
Allen Chinowsky (nel 1983-12)
tecnico di mastering:
Ted Jensen (American mastering engineer) e Jack Skinner (engineer)
assistente tecnico:
Nick Delre, Robin Laine, Linda Randazzo e Glenn Rosenstein
tecnico:
Joel Moss e Mark Wolfson
produttore:
Talking Heads
tecnico di missaggio:
Eric Thorngren
tecnico di missaggio aggiunto:
Chris Frantz e Jerry Harrison (Talking Heads & producer)
voce:
David Byrne (Talking Heads) (nel 1983-12)
registrata presso:
Hollywood Pantages Theatre in Hollywood, Los Angeles, California, Stati Uniti (nel 1983-12)
registrazione dal vivo di:
Psycho Killer (nel 1983-12)
paroliere:
David Byrne (Talking Heads), Chris Frantz e Tina Weymouth
autore:
David Byrne (Talking Heads), Christopher Frantz e Martina Weymouth
compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Talking Heads4.54:30
9One Week
assistente tecnico di registrazione:
Bob MacLeod (nel 1998-02) e Scott Lake (nel 1998-03)
tecnico di registrazione:
Susan Rogers (US sound engineer) (nel 1998-02) e David Leonard (US producer and engineer) (nel 1998-03)
supporto a vario titolo:
Ed (incarico: Dans la Maison) e Tyler (incarico: Dans la Maison)
tecnico:
David Leonard (US producer and engineer) e Susan Rogers (US sound engineer)
produttore:
Barenaked Ladies (nel 1998), David Leonard (US producer and engineer) (nel 1998) e Susan Rogers (US sound engineer) (nel 1998)
assistente tecnico di missaggio:
Charlie Brocco (dal 1998-03 al 1998-04) e Kevin Szymanski (dal 1998-03-04 al 1998-04-04)
tecnico di missaggio:
David Leonard (US producer and engineer) (dal 1998-03 al 1998-04)
batteria [drums] :
Tyler (dal 1998-02 al 1998-03)
chitarra acustica :
Ed (dal 1998-02 al 1998-03)
chitarra elettrica :
Ed (dal 1998-02 al 1998-03) e Kevin (dal 1998-02 al 1998-03)
contrabbasso elettrico [electric double bass] :
Jim (dal 1998-02 al 1998-03)
tastiera [keyboards] :
Kevin (dal 1998-02 al 1998-03)
voce di accompagnamento [dans la maison]:
Ed (dal 1998-02 al 1998-03) e Tyler (dal 1998-02 al 1998-03)
voce principale [vocals]:
Ed (dal 1998-02 al 1998-03) e Steven (Barenaked Ladies) (dal 1998-02 al 1998-03)
registrata presso:
Arlyn Studios (sister of Pedernales Studio) in Austin, Texas, Stati Uniti (nel 1998-02) e Phase One Studios in Toronto, Ontario, Canada (nel 1998-03)
mixata presso:
East Iris Studios in Nashville, Tennessee, Stati Uniti (dal 1998-03 al 1998-04)
video musicali:
One Week di Barenaked Ladies
registrazione di:
One Week (dal 1998-02 al 1998-03)
paroliere e compositore:
Ed Robertson
editore:
Treat Baker Music (nel 1997) e WB Music Corp. (1929–2019) (nel 1997)
Barenaked Ladies4.12:51
10All Right Now
tecnico:
Roy Thomas Baker (producer)
produttore:
Free (60s/70s UK blues rock group) e John Kelly (producer)
basso :
Andy Fraser (English bassist, member of Free)
batteria :
Simon Kirke
chitarra :
Paul Kossoff
voce principale:
Paul Rodgers
remixer:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Free (60s/70s UK blues rock group) (nel 1970)
diritti fonografici (℗) detenuti da:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (nel 1970, nel 1971)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
video musicali:
All Right Now di Free (60s/70s UK blues rock group)
registrazione di:
All Right Now
autore:
Andy Fraser (English bassist, member of Free) e Paul Rodgers
editore:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music, Songs of Kobalt Music Publishing e Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:16
11Eagle Rock
basso :
Wayne Duncan (Australian musician)
batteria :
Gary Young (Australian drummer)
chitarra :
Ross Hannaford e Ross Wilson (Australian singer-songwriter, guitarist and producer)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1971), Sparmac (nel 1971), Wizard (Australian rock) (nel 1971), Wizard Records (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1998)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 45)
registrazione di:
Eagle Rock
autore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
Daddy Cool4:11
12You Took the Words Right Out of My Mouth
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977, nel 1978)
edit di:
You Took the Words Right Out of My Mouth (Hot Summer Night) di Meat Loaf
registrazione di:
You Took the Words Right Out of My Mouth (Hot Summer Night)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e J. Albert & Son Pty. Ltd.
Meat Loaf44:16
13Little Miss Can’t Be Wrong
tecnico:
Peter Denenberg
produttore e tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
basso :
Mark White (Spin Doctors)
chitarra :
Eric Schenkman
organo Hammond, batteria e percussione e voce di accompagnamento:
Aaron Comess
voce:
Chris Barron
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Little Miss Can’t Be Wrong
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3.73:55
14Driving Wheels
tecnico:
Al Wright (Engineer), Jonathan Cain, Jim Gaines e Robert Missbach
produttore:
Jonathan Cain e Mike Stone (producer and engineer, 1960s–80s)
tecnico di missaggio:
Al Wright (Engineer) e Mike Stone (producer and engineer, 1960s–80s)
basso :
Randy Jackson (former bassist with Journey and American Idol judge)
batteria :
Tony Brock
chitarra :
Rick Brewster e Neal Schon
chitarra pedal steel :
David Lindley
pianoforte e tastiera :
Jonathan Cain
voce di accompagnamento:
Dave Amato, Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) e David Glen Eisley
voce principale:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
registrata in aggiunta presso:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia e Vertigo Sound in Novato, California, Stati Uniti
registrata presso:
The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australia, Rhinoceros Studios in Sydney, New South Wales, Australia e Vertigo Sound in Novato, California, Stati Uniti
registrazione di:
Driving Wheels
autore:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel), Jonathan Cain e David Roberts (Canadian singer‐songwriter)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Warner Chappell e Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes5:16
15Reckless (Don’t Be So…)
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!)
registrazione di:
Reckless (Don't Be So...)
paroliere e compositore:
James Reyne
editore:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Australian Crawl5:03
16If You Want My Love
assistente tecnico:
Paul Klingberg
tecnico:
Ian Taylor (rock producer/engineer)
produttore:
Roy Thomas Baker (producer)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1982) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982)
registrata presso:
Pierce Arrow Recorders (Concert Venue) in Evanston, Illinois, Stati Uniti
mixata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
If You Want My Love
paroliere e compositore:
Rick Nielsen
editore:
Adult Music, EMI Music Publishing Australia Pty. Limited (not for release label use!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cheap Trick3.353:37
17Because I Love You
diritti fonografici (℗) detenuti da:
EMI Music Australia Pty. Limited (not for release label use!) (nel 1970, nel 1971)
registrazione di:
Because I Love You (Masters Apprentices song)
autore:
Doug Ford e Jim Keays
editore:
EMI Music Australia Pty. Limited (not for release label use!), EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Masters Apprentices4:30
2▶CD

Accreditamenti