Messe in h‐moll

~ Veröffentlichung von Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

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E1Hohe Messe in h‐Moll, BWV 232: IIIg. Aria (Basso) “Et in Spiritum Sanctum”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Bass-Gesang:
Dietrich Fischer‐Dieskau (baritone) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:38
E2Hohe Messe in h‐Moll, BWV 232: IIIh. Coro “Confiteor unum baptisma”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:06
E3Hohe Messe in h‐Moll, BWV 232: IIIi. Coro “Et expecto”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 120.1 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen" (former BWV 120)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:14
E4Hohe Messe in h‐Moll, BWV 232: IVa. Coro “Sanctus”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach5:47
F1Hohe Messe in h‐Moll, BWV 232: IVb. Coro “Hosanna”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:55
F2aHohe Messe in h‐Moll, BWV 232: IVc. Aria (Tenore) “Benedictus”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Tenor-Gesang:
Ernst Haefliger (tenor) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach4:56
F2bHohe Messe in h‐Moll, BWV 232: IVd. Coro “Hosanna”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach2:56
F3Hohe Messe in h‐Moll, BWV 232: IVe. Aria (Alto) “Agnus Dei”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Hochgesang:
Hertha Töpper (mezzo soprano) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach6:36
F4Hohe Messe in h‐Moll, BWV 232: IVf. Coro “Dona nobis pacem”
recording engineer:
Walter Alfred Wettler
Produzent(in):
Karl-Heinz Schneider (producer)
Cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
Fagott:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) und Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
Geige / Violine:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
Horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
Kontrabass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
Oboe d’amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) und Edgar Shann (oboist) (in 1961-02, in 1961-04)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
Trompete:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1747 bis 1749)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Dona nobis pacem
Teil von:
h-Moll-Messe, BWV 232 (Hohe Messe in h-Moll, BWV 232, Mass in B minor)
Johann Sebastian Bach3:25

Nennungen

Veröffentlichungsgruppe

enthalten in:111 Years of Deutsche Grammophon: The Collectors’ Edition von Various Artists (Diverse Interpreten, add compilations to this artist)