Greatest Hits 1969–1999 (Blu-spec CD2)

~ Veröffentlichung von John Williams (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

1▶Blu-spec CD
2▼Blu-spec CD
Nr.TitelBewertungLänge
1Saving Private Ryan: Hymn to the Fallen
Chorgesang:
Tanglewood Festival Chorus (in 1998)
Orchester:
Boston Symphony Orchestra (in 1998)
conductor:
John Williams (American score composer and conductor) (in 1998)
recording of:
Hymn to the Fallen (Saving Private Ryan)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Cherry Lane Music Ltd. und Universal Music Publishing MGB
Teil von:
Saving Private Ryan (1998 film score)
6:12
2Jurassic Park: Theme
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer and conductor) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Theme From Jurassic Park (Jurassic Park) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
Teil von:
Jurassic Park (1993 film score)
5:33
3Schindler’s List: Theme
recording engineer:
Shawn Murphy (producer/engineer)
Produzent(in):
Thomas Frost (classical music producer)
Geige / Violine:
Itzhak Perlman (violinist and conductor) (am 1996-12-10)
Orchester:
Pittsburgh Symphony Orchestra (am 1996-12-10)
conductor:
John Williams (American score composer and conductor) (am 1996-12-10)
aufgenommen bei:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, Vereinigte Staaten (am 1996-12-10)
recording of:
Main Theme (Schindler’s List) (am 1996-12-10)
Komponist(in):
John Williams (American score composer and conductor) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. und Universal/MCA Music (music publisher; do not use as release label!)
Teil von:
Schindler's List
Teil von:
Three Pieces from Schindler’s List
3:35
4Hook: Flight to Neverland
recording engineer und Produzent(in):
Shawn Murphy (producer/engineer)
Orchester:
Boston Pops Orchestra (von 1995-05-25 bis 1995-05-27)
conductor:
John Williams (American score composer and conductor) (von 1995-05-25 bis 1995-05-27)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1995)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1995-05-25 bis 1995-05-27)
recording of:
Flight to Neverland (Hook) (von 1995-05-25 bis 1995-05-27)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Hook
4:45
5Seven Years in Tibet: Theme
recording engineer:
Shawn Murphy (producer/engineer) (von 1997-07-25 bis 1997-07-31)
Mix:
Shawn Murphy (producer/engineer)
Cello:
Yo‐Yo Ma (cellist) (von 1997-07-25 bis 1997-07-31)
conductor:
John Williams (American score composer and conductor) (von 1997-07-25 bis 1997-07-31)
aufgenommen bei:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten (von 1997-07-25 bis 1997-07-31)
recording of:
Seven Years in Tibet (von 1997-07-25 bis 1997-07-31)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Seven Years in Tibet (1997 film score)
47:11
6JFK: Prologue
recording engineer und Mix:
Armin Steiner
Produzent(in):
John Williams (American score composer and conductor)
Editing:
Kenneth Wannberg
Solo-Waldhorn:
Jim Thatcher (hornist from United States) (in 1991)
Trompete:
Tim Morrison (trumpeter) (in 1991)
conductor:
John Williams (American score composer and conductor) (in 1991)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”)
recording of:
Prologue (JFK) (in 1991)
Orchestrator(in):
John Neufeld (arranger, orchestrator and clarinetist) (in 1991)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
JFK (1991 film score)
44:02
7Stepmom: The Days Between
recording engineer und Mix:
Shawn Murphy (producer/engineer)
Produzent(in):
John Williams (American score composer and conductor)
Editing:
Ken Wannberg
Solo-Gitarre:
Christopher Parkening (guitarist)
conductor:
John Williams (American score composer and conductor)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei und mixed at:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten
recording of:
The Days Between
Orchestrator(in):
Conrad Keely
Komponist(in):
John Williams (American score composer and conductor)
6:28
81941: March
Produzent(in):
Thomas Z. Shepard
Orchester:
Boston Pops Orchestra (von 1990-05-18 bis 1990-05-19, am 1990-05-25)
conductor:
John Williams (American score composer and conductor) (von 1990-05-18 bis 1990-05-19, am 1990-05-25)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (von 1990-05-18 bis 1990-05-19, am 1990-05-25)
recording of:
The March (1941) (von 1990-05-18 bis 1990-05-25)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
1941
4:15
9Home Alone: Somewhere in My Memory
Techniker(in):
Armin Steiner (von 1990-09-22 bis 1990-10-20)
Produzent(in):
John Williams (American score composer and conductor)
conductor:
John Williams (American score composer and conductor) (von 1990-09-22 bis 1990-10-20)
aufgenommen bei:
Newman Scoring Stage in Century City, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1990-09-22 bis 1990-10-20)
recording of:
Somewhere in My Memory (Home Alone)
Texter:
Leslie Bricusse
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
The 63rd Academy Award for Best Original Song (Nummer: 2)
4.54:58
10Olympic Centennial: Summon the Heroes
recording engineer, Techniker(in) und Produzent(in):
Shawn Murphy (producer/engineer)
assistierende(r) Techniker(in):
Darcy Proper, Todd Whitelock (engineer) und Robert Wolff (engineer)
Orchester:
Boston Pops Orchestra (am 1996-01-06, am 1996-01-10, am 1996-01-13)
conductor:
John Williams (American score composer and conductor) (am 1996-01-06, am 1996-01-10, am 1996-01-13)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1996-01-06, am 1996-01-10, am 1996-01-13)
recording of:
Summon the Heroes (von 1996-01-06 bis 1996-01-13)
Komponist(in):
John Williams (American score composer and conductor) (in 1995)
gewidmet:
Tim Morrison (trumpeter)
Premiere bei:
Turner Field in Atlanta, Georgia, Vereinigte Staaten (am 1996-07-19)
6:17
11Rosewood: Look Down, Lord
recording engineer:
Dennis Sands (American sound engineer)
assistierende(r) Techniker(in):
Sue McLean
Produzent(in):
John Williams (American score composer and conductor)
Editing:
Ken Wannberg
Gitarre:
Dean Parks (American session guitarist) (von 1996-12-01 bis 1996-12-06)
Mundharmonika:
Tommy Morgan (Harmonica player) (von 1996-12-01 bis 1996-12-06)
conductor:
John Williams (American score composer and conductor) (von 1996-12-01 bis 1996-12-06)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
Sony Pictures Studios Scoring Stage (formerly Sony Pictures Studios Scoring Stage before Feb 9, 2004) in Culver City, California (Kalifornien), Vereinigte Staaten (von 1996-12-01 bis 1996-12-06)
recording of:
Look Down, Lord
Komponist(in):
John Williams (American score composer and conductor)
4:15
12Far and Away: Theme
recording engineer:
Shawn Murphy (producer/engineer)
Produzent(in):
Thomas Frost (classical music producer)
Geige / Violine:
Itzhak Perlman (violinist and conductor) (von 1996-12-09 bis 1996-12-11)
Orchester:
Pittsburgh Symphony Orchestra (von 1996-12-09 bis 1996-12-11)
conductor:
John Williams (American score composer and conductor) (von 1996-12-09 bis 1996-12-11)
aufgenommen bei:
Heinz Hall for the Performing Arts in Pittsburgh, Pennsylvania, Vereinigte Staaten (von 1996-12-09 bis 1996-12-11)
recording of:
Far & Away: Theme (Far and Away) (von 1996-12-09 bis 1996-12-11)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Far and Away (1992 film score)
5:37
13Born on the Fourth of July: Theme
recording engineer:
Bud Graham (classical sound engineer)
Produzent(in):
Thomas Z. Shepard
Trompete:
Tim Morrison (trumpeter) (am 1990-11-05, am 1991-02-11)
Orchester:
Boston Pops Orchestra (am 1990-11-05, am 1991-02-11)
conductor:
John Williams (American score composer and conductor) (am 1990-11-05, am 1991-02-11)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (am 1990-11-05, am 1991-02-11)
recording of:
Born on the Fourth of July (von 1990-11-05 bis 1991-02-11)
Komponist(in):
John Williams (American score composer and conductor)
Teil von:
Born on the Fourth of July
6:22
14Star Wars Episode 1: The Phantom Menace: Duel of the Fates
Chorgesang:
London Voices (von 1999-02-05 bis 1999-02-18)
Orchester:
London Symphony Orchestra (von 1999-02-05 bis 1999-02-18)
conductor:
John Williams (American score composer and conductor) (von 1999-02-05 bis 1999-02-18)
phonographisches Urheberrecht (℗) von:
Lucas Film Ltd. (in 2018)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1999-02-05 bis 1999-02-17)
recording of:
Duel of the Fates (Star Wars, Episode I: The Phantom Menace) (von 1999-02-05 bis 1999-02-18)
Komponist(in):
John Williams (American score composer and conductor)
publisher:
Bantha Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Teil von:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
Teil von:
Star Wars: The Phantom Menace - Suite for Orchestra
44:15