Les 100 plus belles musiques classiques du cinéma

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1▶CD: Les Blockbusters
2▶CD: Les Grands Classiques
3▶CD: Films préférés
4▶CD: Le piano au cinéma
5▶CD: L’opéra au cinéma
6▼CD: Le baroque au cinéma
Nr.TitelKünstlerBewertungLänge
1Arrivée de la reine de Saba (Quatre mariages et un enterrement)
Produzent(in):
John Fraser (UK producer)
Cembalo:
Ian Watson (conductor and keyboardist) (von 1983-06-27 bis 1983-06-28)
Orchester:
Academy of St Martin in the Fields (von 1983-06-27 bis 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (von 1983-06-27 bis 1983-06-28)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1983-06-27 bis 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (von 1983-06-27 bis 1983-06-28)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft und Public Domain (refers to works that are in the public domain)
Teil von:
Solomon, HWV 67: Act III
Georg Friedrich Händel42:51
2Fugue (Aviator)
Orgel:
Wayne Marshall (British pianist, organist and conductor)
aufgenommen bei:
Coventry Cathedral in Coventry, West Midlands, England, Vereinigtes Königreich
recording of:
Toccata und Fuge d-Moll, BWV 565: II. Fuge
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach6:21
3Zadok the Priest (La Folie du roi George)
Chorgesang:
Royal Choral Society (The Royal Choral Society)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Andrew Davis (conductor, keyboardist, composer, arranger)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1727)
Premiere bei:
Westminster Abbey in London (Greater London), England, Vereinigtes Königreich (am 1727-10-11)
Teil von:
Händel-Werke-Verzeichnis (Nummer: HWV 258)
Teil von:
The Four Coronation Anthems
Georg Friedrich Händel6:04
4Concerto pour 2 violons en ré mineur (Les Enfants du silence)
Geige / Violine:
Christian Ferras (violinist) und Yehudi Menuhin (violinist)
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
teilweise recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1730 bis 1731)
Teil von:
Concerto for 2 Violins in D minor, BWV 1043
Johann Sebastian Bach2:36
5Gloria in excelsis Deo (Traquée)
Instrumente:
Taverner Players
Chorgesang:
Taverner Choir (in 1992-11) und Taverner Consort (in 1992-11)
Orchester:
Taverner Players (in 1992-11)
conductor:
Andrew Parrott (conductor) (in 1992-11)
aufgenommen bei:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, Vereinigtes Königreich (in 1992-11)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1992-11)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Gloria in D major, RV 589
Antonio Vivaldi2:34
6Sonate pour viole de gambe en sol mineur (Truly, Madly, Deeply)
Cembalo:
Ton Koopman (conductor, organist and harpsichordist)
viola da gamba:
Jordi Savall (viol player, conductor and composer)
Bearbeitung von:
Viola da Gamba Sonata no. 3 in G minor, BWV 1029: II. Adagio von Jordi Savall (viol player, conductor and composer), Ton Koopman (conductor, organist and harpsichordist)
teilweise recording of:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029: II. Adagio
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Sonate für Viola da Gamba und Cembalo g-Moll, BWV 1029
Johann Sebastian Bach2:34
7Adagio en sol mineur (Gallipoli)
Orchester:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Giovanni Albinoni5:52
8Concerto pour mandoline en ut majeur (Kramer contre Kramer)
Mandoline:
André Saint-Clivier (mandolin player)
Orchester:
Toulouse Chamber Orchestra
conductor:
Louis Auriacombe (conductor)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (Mandolinenkonzert C-Dur, RV 425: I. Allegro)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Mandolin in C major, RV 425 (Mandolinenkonzert C-Dur, RV 425)
Antonio Vivaldi3:00
9Variations Goldberg (Le Silence des agneaux)
recording engineer:
Daniel Michel (recording engineer)
Produzent(in):
Alain Lanceron
Klavier:
Maria Tipo (pianist) (von 1986-06-26 bis 1986-06-28)
aufgenommen bei:
Salle Wagram in Paris, Île-de-France, Frankreich (von 1986-06-26 bis 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 1986-06-26 bis 1986-06-28)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:06
10Concerto Grosso (Pirates des Caraïbes : La Malédiction du Black Pearl)
Orchester:
Bath Festival Orchestra
conductor:
Yehudi Menuhin (violinist)
recording of:
Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Aria: larghetto e piano
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Concerto grosso in B minor, op. 6 no. 12, HWV 330
Georg Friedrich Händel4:15
11Air (Just Married (ou presque))
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:35
12Canon (Des gens comme les autres)
Techniker(in):
Christopher Parker (classical recording and balance engineer, active from 1950s)
Produzent(in):
Christopher Bishop (conductor/producer)
Geige / Violine:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (von 1973-10-01 bis 1973-10-04)
Orchester:
Academy of St Martin in the Fields (von 1973-10-01 bis 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (von 1973-10-01 bis 1973-10-04)
Tonmeister(in):
Stuart Eltham (engineer)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-10-01 bis 1973-10-04)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon und Gigue D-Dur, P37: I. Canon) (von 1973-10-01 bis 1973-10-04)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Johann Pachelbel5:02
13Les 4 saisons (The Other Sister)
Cembalo:
Paul Crocker (harpsichord) (in 1979-12)
Geige / Violine:
Yehudi Menuhin (violinist) (in 1979-12)
Orchester:
Camerata Lysy Gstaad (in 1979-12)
conductor:
Alberto Lysy (violinist and conductor) (in 1979-12)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1979-12)
recording of:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno”: II. Largo (in 1979-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in F minor, op. 8 no. 4, RV 297 “L’inverno” (Concerto in F minor, op. 8 no. 4, RV 297 “Winter”)
Antonio Vivaldi2:12
14Jésus, que ma joie demeure (Mon beau‐père et moi)
Produzent(in):
Christopher Bishop (conductor/producer)
Chorgesang:
King’s College Choir, Cambridge
Orchester:
Academy of St Martin-in-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor) und Sir David Willcocks (UK composer, organist, choral conductor)
Tonmeister(in):
Neville Boyling (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich
recording of:
Jesu, Joy of Man’s Desiring
Orchestrator(in):
Leopold Stokowski (conductor)
Texter:
Robert Bridges (poet)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
übersetzte Version von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1723-07-02)
Texter:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
Teil von:
Classic 100: Piano (2025) (Nummer: 15)
Teil von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:32
15Sarabande (Barry Lyndon)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Komponist(in):
George Frideric Handel (German‐British baroque composer)
basiert auf:
Folia
Teil von:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437
Georg Friedrich Händel3:03
16Concerto pour clavier n° 5 en fa mineur (Lara Croft : Tomb Raider)
Produzent(in):
John Fraser (UK producer)
Klavier:
Andrei Gavrilov (Andrei Gawrilow, pianist) (in 1986-04)
Orchester:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
Tonmeister(in):
Mark Vigars (engineer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
aufgenommen bei:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1986-04)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (in 1986-04)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach3:28
17Concerto Brandebourgeois n° 3 (Hannibal)
Orchester:
Polish Chamber Orchestra
conductor:
Jerzy Maksymiuk (conductor)
Interpret(in):
Rachel Beckett (flute and recorder player), Zbigniew Czapczynaki und Philip Pickett (musician)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Teil von:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:19
18Alléluia (Le Journal de Bridget Jones)
Chorgesang:
Choir of King’s College, Cambridge
Orchester:
Academy of St Martin in the Fields
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah”
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
Georg Friedrich Händel4:26

Nennungen

Veröffentlichungsgruppe

Teil von:100 Best (EMI Classics) (Reihenfolge: 5)
Discogs:https://www.discogs.com/master/1225566 [Info]
Diskografieeintrag:https://www.last.fm/music/Various+Artists/100+Best+Film+Classics [Info]