The Very Best of The Tube

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1Relax
tecnico:
Stephen Lipson
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood) (nel 1983)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (nel 1983)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983)
percussione ospite :
Luís Jardim (nel 1983)
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) (nel 1983) e Anne Dudley (English score composer) (nel 1983)
voce principale:
Holly Johnson (nel 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (nel 1983) e Paul Rutherford (member of Frankie Goes to Hollywood) (nel 1983)
diritti fonografici (℗) detenuti da:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1983) e Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1983)
versione karaoke di:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) di DJ Schmolli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 10) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 44)
registrazione di:
Relax (nel 1983)
paroliere:
Holly Johnson
compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:56
2Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
esecutore:
Duran Duran (English rock band) (nel 1982)
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (nel 1982) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1998)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 398)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran3.353:23
3Time (Clock of the Heart)
assistente tecnico:
Gordon Milne (engineer)
tecnico:
Steve Levine (producer) e Mike Ross (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
basso e moog [Moog bass] :
Michael Craig (Culture Club bassist)
batteria e tamburello :
Jon Moss
campane tubolari e chitarra :
Roy Hay (Member of Culture Club and composer for film and television)
sassofono :
Steve Grainger (saxophonist)
tastiera aggiunto:
Phil Pickett (songwriter, producer, keyboard player)
voce di accompagnamento:
Helen Terry (UK singer)
voce principale:
Boy George
arrangiatore archi :
Trevor Bastow
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983)
è stato produttore per:
Do Not Erase Productions Ltd.
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
lavorazione tecnica effettuata presso:
Red Bus Studios in London (Greater London), England, Regno Unito
video musicali:
Time (Clock of the Heart) di Culture Club (English pop group)
registrazione di:
Time (Clock of the Heart)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd. (nel 1982)
Culture Club3.83:42
4The Lebanon
tecnico:
Renate Blauel, Gavin McKillop e Bill Price (UK producer/engineer)
produttore:
The Human League, Hugh Padgham e Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Hugh Padgham
video musicali:
The Lebanon di The Human League
registrazione di:
The Lebanon
paroliere e autore:
Philip Oakey
compositore:
Jo Callis
The Human League3:43
5Oblivious
tecnico:
John Brand (engineer)
produttore:
John Brand (engineer) e Bernie Clarke (keyboard / producer)
batteria e percussione :
Dave Ruffy
chitarra :
Roddy Frame
chitarra basso :
Campbell Owens
tastiera :
Bernie Clarke (keyboard / producer)
voce:
Roddy Frame
arrangiatore:
Roddy Frame
registrazione di:
Oblivious
paroliere e compositore:
Roddy Frame
Aztec Camera53:09
6Situation
registrazione di:
Situation
autore:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…) e Alison Moyet
Yazoo2:24
7Love Machine
tecnico:
Tony Taverner
produttore:
Steve Brown (engineer/music producer) e George Michael
registrazione cover di:
Love Machine
paroliere e compositore:
Billy Griffin e Warren Moore
arrangiatore corno e archi :
Wade Marcus
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Wham!3:22
8Dancing With Tears in My Eyes
tecnico:
Rik Walton
produttore:
Ultravox
tecnico di missaggio:
John Hudson (producer, recording and mixing engineer) (il 1984-03-19)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1984, nel 2025)
registrata presso:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Regno Unito (il 1983-08-08)
mixata presso:
Mayfair Studios (England) in London (Greater London), England, Regno Unito (il 1984-03-19)
video musicali:
Dancing With Tears in My Eyes di Ultravox
registrazione di:
Dancing With Tears in My Eyes (il 1983-08-08)
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:04
9Change
programmazione:
Manny Elias, Chris Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) e Ian Stanley
produttore:
Ross Cullum e Chris Hughes (producer, aka “Merrick”)
chitarra :
Roland Orzabal (UK musician, songwriter and producer)
chitarra basso :
Curt Smith
percussione :
Manny Elias e Chris Hughes (producer, aka “Merrick”)
tastiera :
Roland Orzabal (UK musician, songwriter and producer), Curt Smith e Ian Stanley
voce:
Curt Smith
direttore d'orchestra:
Chris Hughes (producer, aka “Merrick”)
esecutore:
Ross Cullum e Phil Palmer (guitarist)
registrazione di:
Change
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
Roland Orzabal Ltd.
Tears for Fears44:17
10Gonna Tear Your Playhouse Down
produttore:
Laurie Latham
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984) e Sony Music Entertainment (Germany) GmbH & Co. KG (not for release label use! for copyrights use only, existed from 2001/06/08–2004/09/23) (nel 2002)
è stato produttore per:
LOL Productions (production company associated with Laurie Latham)
registrazione cover di:
I’m Gonna Tear Your Playhouse Down
paroliere e compositore:
Earl Randle (US songwriter for Hi Records)
editore:
Burlington Music Co., Ltd. e Irving Music, Inc.
Paul Young54:46
11Pretty in Pink
tecnico:
Will Gosling e Phil Thornalley
produttore:
Steve Lillywhite
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1981) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1981, nel 1986)
registrazione di:
Pretty in Pink
autore:
John Ashton, Richard Butler (singer), Tim Butler (co‐founder of The Psychedelic Furs), Vincent Paul Davey, Duncan Kilburn e Roger Morris (UK guitarist for The Psychedelic Furs)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30) e EMI Songs Ltd.
The Psychedelic Furs4.653:58
12Modern Girl
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1984)
registrazione di:
Modern Girl
autore:
Sarah Durkee e Paul Jacobs (American composer)
editore:
Morrison Leahy Music Ltd.
Meat Loaf44:25
13Some Guys Have All the Luck
registrazione cover di:
Some Guys Have All the Luck
paroliere e compositore:
Jeff Fortgang
Robert Palmer3:07
14If You Let Me Stay
tecnico di registrazione e tecnico di missaggio:
Phil Legg
tecnico aggiunto:
Michael Brauer (engineer)
produttore:
Howard Gray (UK producer, engineer, and electronic musician)
basso :
Sean Oliver
batteria :
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
chitarra :
Pete Glenister
percussione :
Terence Trent D’Arby (now known as Sananda Maitreya) e Frank Ricotti (percussionist)
tastiera :
Nick Plytas
voce di accompagnamento:
Lance Ellington (Strictly Come Dancing) e Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1987)
registrazione di:
If You Let Me Stay
paroliere e compositore:
Terence Trent D’Arby (now known as Sananda Maitreya)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music (Publishers) Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:14
15The Politics of Dancing
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1983, nel 1984)
registrazione di:
The Politics of Dancing
paroliere e compositore:
Paul Fishman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Jambo Music Limited e Metric Music Ltd.
Re‐Flex3.353:45
16Middle of the Road
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) e Robbie McIntosh (English guitarist for The Pretenders)
chitarra basso :
Malcolm Foster (UK bass player, in The Pretenders, Simple Minds)
voce:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1983) e Warner Music UK Ltd. (not for release label use!) (nel 2000)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
registrazione di:
Middle of the Road
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
editore:
Clive Banks Music e Hynde House of Hits Music
The Pretenders4.754:13
17The Boys Are Back in Town
assistente tecnico di registrazione:
Neil Hornby
tecnico:
Will Reid-Dick
produttore:
John Alcock (producer)
batteria :
Brian Downey (Thin Lizzy drummer)
chitarra :
Scott Gorham (Thin Lizzy guitarist) e Brian Robertson (Thin Lizzy & Motörhead)
chitarra acustica e chitarra basso e voce principale:
Phil Lynott
voce:
Brian Robertson (Thin Lizzy & Motörhead)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 272) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 499)
registrazione di:
The Boys Are Back in Town
paroliere e compositore:
Phil Lynott
editore:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e PolyGram Music Publishing (nel 1989)
Thin Lizzy4.14:29

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