Housework Songs II

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Simply Irresistible
Techniker(in):
Tim Kramer (engineer)
Produzent(in):
Robert Palmer (English singer‐songwriter)
Mix:
Eric "E.T." Thorngren
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Simply Irresistible
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Heavy Nova Music
Robert Palmer3.64:12
2Can’t Get Enough of Your Love
Produzent(in) und Mix:
Robert Clivilles and David Cole
arranger:
Robert Clivilles and David Cole
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1993)
cover recording of:
Can’t Get Enough of Your Love Babe
Texter und Komponist(in):
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Taylor Dayne4:24
3Neutron Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) (in 1983)
drum machine-Programmierung:
Reek Havoc (in 1983), Bob Mithoff (in 1983) und Howie Rice (in 1983)
Synthesizer-Programmierung:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
Produzent(in):
Richard Perry (producer)
Minimoog, drum machine, Gitarre, Orgel, Klavier und Synthesizer:
Howie Rice (in 1983)
Tamburin:
Paulinho da Costa (Brazilian percussionist) (in 1983)
Sologesang:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
phonographisches Urheberrecht (℗) von:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1983) und Geffen Records (in 1984)
recording of:
Neutron Dance (in 1983)
Verfasser(in):
Danny Sembello und Allee Willis
publisher:
MCA Music Ltd.
The Pointer Sisters34:10
4I Only Want to Be With You
Produzent(in):
John Franz
phonographisches Urheberrecht (℗) von:
Mercury Ltd (not for release label use!) (in 1963)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1963)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 31) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 323)
recording of:
I Only Want to Be With You (Dusty Springfield song) (in 1963)
Verfasser(in):
Mike Hawker und Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (bis 1987) und Warner/Chappell Music International Ltd. (vom 1987 bis heute)
Dusty Springfield4.42:34
5Break My Stride
Schlagzeug-Programmierung:
John Gilston (in 1983)
Produzent(in):
Peter Bunetta, Rick Chudacoff und Bill Elliott (keyboardist/composer)
Analoger Synthesizer [Prophet-5]:
Bill Elliott (keyboardist/composer) (in 1983) und Matthew Wilder (in 1983)
drum machine [Oberheim DMX], Perkussion und Schlagzeug:
Peter Bunetta (in 1983)
Gitarre:
Dennis Herring (in 1983)
Hintergrundgesang:
Greg Prestopino (in 1983), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (in 1983) und Matthew Wilder (in 1983)
Sologesang:
Matthew Wilder (in 1983)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983)
aufgenommen bei:
Pasha Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1983)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 39)
recording of:
Break My Stride (in 1983)
Verfasser(in):
Greg Prestopino und Matthew Wilder
publisher:
Buchu Music, Bug Music, Inc., Bughouse, MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music of Windswept, Universal Studios, Inc. (formerly known as MCA Inc.), WB Music Corp. (1929–2019), Wilder Kingdom Music, Big Ears Music (publisher) (in 1983), No Ears Music (in 1983) und Streetwise Music (US publisher) (in 1983)
Matthew Wilder3.42:59
6I Say a Little Prayer
Produzent(in):
Andy Marvel
cover recording of:
I Say a Little Prayer
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) und Windswept Pacific Music Ltd.
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Diana King3:31
7Together in Electric Dreams
Produzent(in):
Giorgio Moroder und Philip Oakey
Mix:
Brian Reeves
Bass:
Arthur Barrow
Gitarre:
Richie Zito
Synthesizer:
Giorgio Moroder
Hintergrundgesang:
E.G. Daily (American singer and actress) und Joe Esposito
Sologesang:
Philip Oakey
recording of:
Together in Electric Dreams
Texter:
Philip Oakey
Komponist(in):
Giorgio Moroder
publisher:
BMG Gold Songs und WB Music Corp. (1929–2019)
Philip Oakey & Giorgio Moroder2.53:49
8The Only Way Is Up
cover recording of:
The Only Way Is Up
Verfasser(in):
Johnny Henderson (southern soul songwriter) und George Jackson (US soul songwriter/vocalist)
publisher:
Big Life Music (in 1988) und Malaco Music (publisher related to Malaco Records) (in 1988)
Yazz & The Plastic Population3:58
9If I Can’t Have You
Techniker(in):
James Richards (engineer) und Stephen Streater
Produzent(in):
Ricky Wilde
zusätzliche(r) Produzent(in):
Phil Kelsey (notable remixer, aka Uncle Bob)
remixer:
Phil Kelsey (notable remixer, aka Uncle Bob)
arranger:
Ricky Wilde
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
aufgenommen bei und mixed at:
Select Sound Studios in Knebworth, Hertfordshire, England, Vereinigtes Königreich
cover recording of:
If I Can’t Have You
geschrieben in:
Frankreich
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., Stigwood Music, Inc. (in 1978) und Unichappell Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kim Wilde2.653:25
10I’ve Been Thinking About You
Produzent(in) und Mix:
Martyn Phillips (producer, engineer, multi-instrumentalist)
Bassgitarre:
William Henshall (Londonbeat)
E-Gitarre:
John Turnbull
Klavier und Synthesizer:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat)
Hintergrundgesang:
George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), William Henshall (Londonbeat) und John Turnbull
Sologesang:
Jimmy Helms (soul singer)
phonographisches Urheberrecht (℗) von:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1990)
recording of:
I’ve Been Thinking About You
Verfasser(in):
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) und William Henshall (Londonbeat)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Londonbeat43:46
11Suddenly I See
assistierende(r) Techniker(in):
Graham Deas
Techniker(in):
Bruno Ellingham
Produzent(in):
Steve Osborne (producer)
Mix:
Ren Swan
Baritongitarre und Bass:
Arnulf Lindner
Cajón, Schlagzeug und Perkussion:
Luke Bullen
Gitarre:
KT Tunstall
vocals:
KT Tunstall
phonographisches Urheberrecht (℗) von:
Jaydone Ltd. ("record company trading as Relentless Records") (in 2004)
mixed at:
Metrophonic in London (Greater London), England, Vereinigtes Königreich
produced at:
Nam Studios in Bradford on Avon, Wiltshire, England, Vereinigtes Königreich
recording of:
Suddenly I See
Texter und Komponist(in):
KT Tunstall
publisher:
Sony/ATV Songs LLC
sub-publisher:
Sony/ATV Music Publishing (UK) Ltd. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
KT Tunstall3.63:09
12Finally
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1982)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 447)
recording of:
Finally (CeCe Peniston song)
Verfasser(in):
Cecilia Peniston, Felipe Delgado, Elbert Linnear und R. K. Jackson
publisher:
Blue Zephyr, Ce Ce Peniston Music, Mainlot Music, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Urban Tracks Music und Wax Museum Music
CeCe Peniston4.24:04
13Crush
recording engineer und Produzent(in):
Andy Goldmark
Mix:
Dave Way
Gitarre:
Kevin Dukes
Keyboard:
Andy Goldmark
Perkussion:
Alex Acuña
zusätzlich Instrumente:
Jimmy Bralower
Hintergrundgesang und Sologesang:
Jennifer Paige
arranger:
Andy Goldmark
phonographisches Urheberrecht (℗) von:
Edel America Records, Inc. (in 1998)
recording of:
Crush
Verfasser(in):
Kevin Clark (UK singer/songwriter/producer active since 1980s, married to Berny Cosgrove), Berny Cosgrove, Andy Goldmark und Mark Mueller (US songwriter)
Jennifer Paige3.453:18
14When the Going Gets Tough, the Tough Get Going
leitende(r) Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
Produzent(in):
Barry J. Eastmond und Wayne Brathwaite
Mix:
Nigel Green (engineer)
phonographisches Urheberrecht (℗) von:
Zomba Records Limited (not strictly a label - avoid adding releases here) (in 1986)
Musikvideos:
When the Going Gets Tough, the Tough Get Going von Billy Ocean
recording of:
When the Going Gets Tough, the Tough Get Going
Verfasser(in):
Wayne Brathwaite, Barry Eastmond, Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
publisher:
Aqua Music (Billy Ocean's recording & publishing label), Aqua Music Ltd., BMG Music Publishing Ltd., Imagem London Ltd., Universal Music Publishers MGB Australia Pty Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Zomba Enterprises, Inc. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Billy Ocean3.254:05
15Out of Touch
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1984)
recording of:
Out of Touch
Texter und Komponist(in):
Daryl Hall und John Oates
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Gelfand, Rennert & Feldman, Hot Cha Music Co., Intersong Music, Unichappell Music, Inc., Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS), Warner/Chappell Music, Inc. und Warner/Chappell North America
Hall & Oates4:04
16Walking on Broken Glass
Techniker(in):
Heff Moraes
Produzent(in):
Stephen Lipson
assistierende(r) Mix:
Will O'Donovan
vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1992)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Walking on Broken Glass (video) von Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 300)
recording of:
Walking on Broken Glass
Texter und Komponist(in):
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
publisher:
BMG Music Publishing Ltd., La Lennoxa Ltd und Universal Music Publishing International MGB Ltd.
Annie Lennox44:03
17Always Something There to Remind Me
Produzent(in):
Tony Mansfield (producer & songwriter)
cover recording of:
(There’s) Always Something There to Remind Me (in 1982-09)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Naked Eyes4.33:33
18Things Can Only Get Better
D:Ream3:26
19HeartbreakerDionne Warwick4:13
20Leave a Light On
Produzent(in):
Rick Nowels
phonographisches Urheberrecht (℗) von:
Artist Management Services Ltd. (in 1989)
recording of:
Leave a Light On
Verfasser(in):
Rick Nowels und Ellen Shipley
publisher:
Bug Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Spirit Music Publishing Limited, Future Furniture Music (in 1989), Shipwreck Music (publisher) (in 1989) und Virgin Songs, Inc. (in 1989)
Belinda Carlisle24:13
21Save the Best for Last
Produzent(in):
Keith Thomas (CCM, country, pop producer & songwriter)
arranger:
Keith Thomas (CCM, country, pop producer & songwriter)
zusätzlich arranger:
Vanessa Williams (US pop/R&B vocalist/producer)
recording of:
Save the Best for Last
Verfasser(in):
Phil Galdston, Jon Lind und Wendy Waldman
publisher:
Big Mystique Music, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated), Kazzoom Music, Inc., Moon and Stars Music, PolyGram Music Publishing, The International Music Network Ltd, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Vanessa Williams3.353:38

Nennungen