Singers and Songwriters: 1979-1989

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1You Belong to the City
produttore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
basso , chitarra elettrica , sintetizzatore e voce principale:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
batteria :
Michael Huey
sassofono :
Bill Bergman
strumenti:
Glenn Frey (US musician/singer/songwriter, member of the Eagles)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1985)
registrazione di:
You Belong to the City
autore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) e Jack Tempchin
editore:
Night River Publishing e Red Cloud Music
Glenn Frey55:51
2In the Air Tonight
assistente tecnico:
Nick Launay e Karen Segal (engineer)
tecnico:
Hugh Padgham
assistente produttore:
Hugh Padgham
produttore:
Phil Collins (of Genesis) e Hugh Padgham
chitarra :
Daryl Stuermer (nel 1980)
chitarra basso :
John Giblin (nel 1980)
piano Rhodes, drum machine, batteria, sintetizzatore e vocoder e voce principale:
Phil Collins (of Genesis) (nel 1980)
violino :
Sharokav (nel 1980)
arrangiatore:
Phil Collins (of Genesis)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1981) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1981)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 291)
registrazione di:
In the Air Tonight (nel 1980)
paroliere e compositore:
Phil Collins (of Genesis)
editore:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (nel 1980, nel 1981), Hit & Run Music (Publishing) Ltd (nel 1980) e Pun Music, Inc. (nel 1981)
parte di:
Risky Business (film soundtrack)
Phil Collins4.35:22
3I Want to Know What Love Is
assistente tecnico:
Bobby Cohen (engineer), Tim Crich e Scott “Abada” Mabuchi
tecnico:
Frank Filipetti
tecnico aggiunto:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla e Howie Lindeman
produttore:
Mick Jones (Foreigner/Spooky Tooth, worked in France) e Alex Sadkin
batteria :
Dennis Elliott
chitarra basso :
Rick Wills
chitarra elettrica :
Mick Jones (Foreigner/Spooky Tooth, worked in France)
tastiera aggiunto:
Tom Bailey (Thompson Twins)
cori:
The New Jersey Mass Choir
voce aggiuntiva:
Jennifer Holliday
voce di accompagnamento:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) e Rick Wills
voce principale:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1984), Warner Music International (trademark of Warner Music International the company) (nel 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984, nel 2018) e Rhino Entertainment Company (not for release label use!) (nel 2009)
registrata in aggiunta presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti
mixata presso:
Right Track Recording in Manhattan, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 476)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner3.955:01
4Got a Hold on Me
chitarra :
Lindsey Buckingham (guitarist, singer, songwriter and producer)
sintetizzatore :
Steve Winwood
registrazione di:
Got a Hold on Me
autore:
Christine McVie e Todd Sharp
editore:
BMG Songs, Inc., Careers–BMG Music Publishing, Inc. e Cement Chicken Music
Christine McVie33:51
5Chuck E.'s in Love
tecnico:
Loyd Clifft e Lee Herschberg
tecnico aggiunto:
Tom Knox e Roger Nichols (US mastering, recording engineer and producer)
produttore:
Russ Titelman e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
voce:
Rickie Lee Jones
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1979)
registrata presso:
The Burbank Studios in Burbank, California, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Chuck E.’s in Love
paroliere e compositore:
Rickie Lee Jones
editore:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:30
6One Fine Day
assistente tecnico:
James Tuttle (engineer)
tecnico:
Chet Himes
produttore:
Mark Hallman e Carole King
pianoforte [acoustic piano] :
Carole King (nel 1980-01)
diritti fonografici (℗) detenuti da:
CK Masters LLC (nel 1980)
registrata presso e mixata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti (nel 1980-01)
registrazione cover di:
One Fine Day (nel 1980-01)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Magna Music Co Ltd e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Carole King42:30
7The Night Owls
tecnico:
Geoff Emerick (British recording engineer) e Ernie Rose
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
basso e voce principale:
Wayne Nelson (dal 1981-04 al 1981-05)
batteria :
Derek Pellicci (dal 1981-04 al 1981-05)
chitarra elettrica :
Beeb Birtles (dal 1981-04 al 1981-05), David Briggs (producer, guitarist of Little River Band) (dal 1981-04 al 1981-05) e Graham Goble (dal 1981-04 al 1981-05)
pianoforte :
Peter Jones (Australian pianist/composer) (dal 1981-04 al 1981-05)
sintetizzatore :
Bill Cuomo (dal 1981-04 al 1981-05)
voce:
Graham Goble (dal 1981-04 al 1981-05) e Glenn Shorrock (dal 1981-04 al 1981-05)
remixer:
Little River Band e Ern Rose
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1981) e Capitol Records (imprint of Capitol Records, Inc.) (nel 2002)
registrata presso:
Air Studios (Montserrat), West Indies in Saint Peter, Montserrat (dal 1981-04 al 1981-05)
remixata presso:
AAV (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
registrazione di:
The Night Owls (dal 1981-04 al 1981-05)
paroliere e compositore:
Graeham Goble
editore:
American Ragtime Music, Colgems-EMI Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Music of the World (BMI publisher), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI) e Universal/MCA Music Publishing Pty Ltd
Little River Band35:17
8Key Largo
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981) e Sony Music Special Products (nel 1982)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 75)
registrazione di:
Key Largo
autore:
Bertie Higgins e Sonny Limbo
editore:
Chappell & Co., Jen‐Lee Music Company, Lowery Music Co. Inc. e Sony/ATV Tunes LLC (ASCAP)
Bertie Higgins3:20
9More Than I Can Say
produttore:
Alan Tarney
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Rhino Entertainment Company (not for release label use!) (nel 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1980) e Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1980)
registrazione cover di:
More Than I Can Say (nel 1980)
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
registrazione di:
More Than I Can Say
autore:
Jerry Allison e Sonny Curtis
editore:
Southern Music Ltd. (publisher), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e 台灣琦雅有限公司 (Peermusic (Taiwan) Ltd.)
Leo Sayer33:38
10It Might Be You
produttore:
Dave Grusin (American pianist and score composer)
batteria :
Carlos Vega
chitarra :
George Doering, Mitch Holder (guitarist) e Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
chitarra basso :
Abraham Laboriel
percussione :
Steve Forman (US percussionist)
sintetizzatore :
Dave Grusin (American pianist and score composer)
voce:
Stephen Bishop (American singer-songwriter)
voce di accompagnamento e voce principale:
Stephen Bishop (American singer-songwriter)
arrangiatore:
Dave Grusin (American pianist and score composer)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1982)
registrazione di:
It Might Be You (theme from Tootsie)
paroliere:
Alan Bergman (American lyricist) e Marilyn Bergman
autore e compositore:
Dave Grusin (American pianist and score composer)
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 55th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1982 nominee)
Stephen Bishop4:15
11Let Me Love You Tonight
assistente tecnico:
Doug Pakes
tecnico:
Bill Drescher (Producer and sound engineer)
produttore:
John Ryan (producer a/k/a “The Chicago Kid”)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1980)
registrata presso:
Sound City Studios in Van Nuys, California, Stati Uniti
registrazione di:
Let Me Love You Tonight
autore:
George Greer (Metric man musician), Jeff Wilson (Pure Prairie League guitarist) e Steve Woodard (Bass player with Feather)
editore:
Kentucky Wonder Music
Pure Prairie League52:45
12Always on My Mind
produttore:
Chips Moman
armonica (a bocca) :
Mickey Raphael (il 1981-10-11)
basso :
Mike Leech (Nashville session musician and arranger) (il 1981-10-11)
batteria :
Gene Chrisman (il 1981-10-11)
chitarra :
Johnny Christopher (guitarist, lyricist, composer, singer, session musician) (il 1981-10-11), Willie Nelson (il 1981-10-11) e Reggie Young (guitarist and songwriter) (il 1981-10-11)
tastiera :
Bobby Woods (American pianist, keyboard player and songwriter) (il 1981-10-11) e Bobby Emmons (il 1981-10-11)
voce:
Willie Nelson (il 1981-10-11)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1981, nel 1982, nel 2003) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1982)
registrata presso:
Moman's Recording Studio in Nashville, Tennessee, Stati Uniti (il 1981-10-11)
registrazione di:
Always on My Mind (il 1981-10-11)
autore:
Johnny Christopher (guitarist, lyricist, composer, singer, session musician), Mark James (Francis Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Willie Nelson4.73:31

Accreditamenti

Pubblicazione

fabbricata a:Stati Uniti
stampata a:Stati Uniti
fotografia:Stephanie Chernikowski
Michael Ochs Archives
Jim Shea
produttore:Joe Sasfy
produttore esecutivo:Robert Hull (Production)
tecnico di mastering:Ron Rice
design:The Fiddler Group
fabbricata da:Warner Special Products
licenziata da:EMI‐Capitol Music Special Markets
Sony Music Special Products
Universal Music Enterprises (not for release label use; catalog/reissue division of UMG Recordings, Inc.)
è stato produttore per e fabbricata per:Time–Life Music
Discogs:https://www.discogs.com/release/3044315 [info]
ASIN:US: B000KA9RKO [info]

Gruppo di pubblicazioni

parte di:Singers and Songwriters (Time-Life Music) (numero: 13) (ordine: 26)