Portrait, Volume 1

~ Veröffentlichung von Fats Waller (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Fats Waller Stomp
2▶CD: A Handful of Keys
3▶CD: Valentine Stomp
4▼CD: I’m Crazy ’Bout My Baby
Nr.TitelBewertungLänge
1St. Louis Blues
Klavier:
Benny Paine (jazz pianist and vocalist) (am 1930-03-21) und Fats Waller (am 1930-03-21)
recording of:
St. Louis Blues (am 1930-03-21)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
3:00
2After You’re Gone
Klavier:
Benny Paine (jazz pianist and vocalist) (am 1930-03-21) und Fats Waller (am 1930-03-21)
recording of:
After You’ve Gone (am 1930-03-21)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
3:23
3Girls Like You Were Meant for Boys Like Me
alto saxophone und Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1930-10-30)
andere Instrumente [comb]:
Red McKenzie (am 1930-10-30)
Banjo:
Eddie Condon (am 1930-10-30)
Klavier:
Fats Waller (am 1930-10-30)
Tenorsaxophon:
Bud Freeman (am 1930-10-30) und Coleman Hawkins (am 1930-10-30)
2:57
4Arkansas Blues
alto saxophone und Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1930-10-30)
Banjo:
Eddie Condon (am 1930-10-30)
Klavier:
Fats Waller (am 1930-10-30)
vocals:
Red McKenzie (am 1930-10-30)
recording of:
Arkansas Blues (am 1930-10-30)
Verfasser(in):
Anton Lada (US jazz drummer, composer & bandleader) und Spencer Williams (US jazz composer, pianist & singer)
2:35
5Egyptian Ella
alto saxophone und baritone saxophone:
Louis Martin (early jazz saxophonist) (am 1931-03-05)
Geige / Violine:
Sol Klein (violinist) (am 1931-03-05) und Sam Shapiro (Big Band-era violinist) (am 1931-03-05)
Gitarre:
Tony Gerhardi (early jazz guitarist) (am 1931-03-05)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1931-03-05) und Ted Lewis (am 1931-03-05)
Klavier:
Fats Waller (am 1931-03-05)
Kontrabass und Tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (am 1931-03-05)
Kornett:
Muggsy Spanier (am 1931-03-05)
Posaune:
Sam Blank (early jazz trombonist) (am 1931-03-05) und George Brunies (am 1931-03-05)
Schlagzeug:
John Lucas (early jazz drummer) (am 1931-03-05)
Tenorsaxophon:
Hymie Wolfson (early jazz saxophonist) (am 1931-03-05)
Trompete:
Dave Klein (cornet, trumpet) (am 1931-03-05) und Muggsy Spanier (am 1931-03-05)
vocals:
Ted Lewis (am 1931-03-05)
3:18
6I’m Crazy ’Bout My Baby (And My Baby’s Crazy ’Bout Me)
recorded in:
New York, New York, Vereinigte Staaten (am 1931-03-05)
alto saxophone und baritone saxophone:
Louis Martin (early jazz saxophonist) (am 1931-03-05)
Gitarre:
Tony Gerhardi (early jazz guitarist) (am 1931-03-05)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1931-03-05) und Ted Lewis (am 1931-03-05)
Klavier:
Fats Waller (am 1931-03-05)
Kontrabass und Tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (am 1931-03-05)
Kornett:
Muggsy Spanier (am 1931-03-05)
Posaune:
Sam Blank (early jazz trombonist) (am 1931-03-05) und George Brunies (am 1931-03-05)
Schlagzeug:
John Lucas (early jazz drummer) (am 1931-03-05)
Tenorsaxophon:
Hymie Wolfson (early jazz saxophonist) (am 1931-03-05)
Trompete:
Dave Klein (cornet, trumpet) (am 1931-03-05) und Muggsy Spanier (am 1931-03-05)
vocals:
Fats Waller (am 1931-03-05)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1931-03-05)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
3:05
7Dallas Blues
alto saxophone und baritone saxophone:
Louis Martin (early jazz saxophonist) (am 1931-03-06)
Geige / Violine:
Sol Klein (violinist) (am 1931-03-06) und Sam Shapiro (Big Band-era violinist) (am 1931-03-06)
Gitarre:
Tony Gerhardi (early jazz guitarist) (am 1931-03-06)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1931-03-06)
Klavier:
Fats Waller (am 1931-03-06)
Kontrabass und Tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (am 1931-03-06)
Posaune:
Sam Blank (early jazz trombonist) (am 1931-03-06) und George Brunies (am 1931-03-06)
Schlagzeug:
John Lucas (early jazz drummer) (am 1931-03-06)
Tenorsaxophon:
Hymie Wolfson (early jazz saxophonist) (am 1931-03-06)
Trompete:
Dave Klein (cornet, trumpet) (am 1931-03-06) und Muggsy Spanier (am 1931-03-06)
vocals:
Fats Waller (am 1931-03-06)
recording of:
Dallas Blues (am 1931-03-06)
Texter und Komponist(in):
Lloyd Garrett und Hart Wand
3:18
8Royal Garden Blues
alto saxophone und baritone saxophone:
Louis Martin (early jazz saxophonist) (am 1931-03-06)
Gitarre:
Tony Gerhardi (early jazz guitarist) (am 1931-03-06)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1931-03-06)
Klavier:
Fats Waller (am 1931-03-06)
Kontrabass und Tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (am 1931-03-06)
Posaune:
Sam Blank (early jazz trombonist) (am 1931-03-06) und George Brunies (am 1931-03-06)
Schlagzeug:
John Lucas (early jazz drummer) (am 1931-03-06)
Tenorsaxophon:
Hymie Wolfson (early jazz saxophonist) (am 1931-03-06)
Trompete:
Dave Klein (cornet, trumpet) (am 1931-03-06) und Muggsy Spanier (am 1931-03-06)
vocals:
Fats Waller (am 1931-03-06)
recording of:
Royal Garden Blues (am 1931-03-06)
Komponist(in):
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1919) und Spencer Williams (US jazz composer, pianist & singer) (in 1919)
3:01
9I’m Crazy ’Bout My Baby (And My Baby’s Crazy ’Bout Me)
Klavier:
Fats Waller (am 1931-03-13)
vocals:
Fats Waller (am 1931-03-13)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1931-03-13)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
3:21
10Draggin’ My Heart Around
Klavier:
Fats Waller (am 1931-03-13)
vocals:
Fats Waller (am 1931-03-13)
3:20
11A Shine on Your Shoes
3:09
12A Porter’s Love Song to a Chambermaid
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
A Porter's Love Song to a Chambermaid (am 1934-05-16)
Texter:
Andy Razaf
Komponist(in):
James P. Johnson
3:18
13I Wish I Were Twins
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
I Wish I Were Twins (am 1934-05-16)
Texter:
Eddie DeLange
Komponist(in):
Frank Loesser und Joseph Meyer (US songwriter)
2:39
14Armful O’Sweetness
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
alto saxophone und Klarinette:
Ben Whitted (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
Armful o’ Sweetness (am 1934-05-16)
Texter und Komponist(in):
Alex Hill (20th century US jazz pianist)
3:01
15Do Me a Favor
recorded in:
New York, New York, Vereinigte Staaten (am 1934-05-16)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-05-16)
Klarinette:
Ben Whitted (am 1934-05-16)
Klavier:
Fats Waller (am 1934-05-16)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-05-16)
Schlagzeug:
Harry Dial (am 1934-05-16)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-05-16)
vocals:
Fats Waller (am 1934-05-16)
recording of:
Do Me a Favor (am 1934-05-16)
Verfasser(in):
Jack Lawrence (US songwriter) und Peter Tinturin
3:10
16Georgia May
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
recording of:
Georgia May (am 1934-08-17)
Texter:
Andy Razaf (in 1934)
Komponist(in):
Paul Denniker (in 1934)
2:34
17Don’t Let It Bother You
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
zusätzlich Sprecher:
Harry Dial (am 1934-08-17) und Fats Waller (am 1934-08-17)
recording of:
Don’t Let It Bother You (am 1934-08-17)
Verfasser(in):
Mack Gordon und Harry Revel (British-born American composer)
2:51
18Have a Little Dream on Me
recorded in:
New York, New York, Vereinigte Staaten (am 1934-08-17)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-08-17)
Klavier:
Fats Waller (am 1934-08-17)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-08-17)
Schlagzeug:
Harry Dial (am 1934-08-17)
Tenorsaxophon:
Gene Sedric (am 1934-08-17)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-08-17)
vocals:
Fats Waller (am 1934-08-17)
recording of:
Have a Little Dream on Me (am 1934-08-17)
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader), Jack Murray (US songwriter) und Billy Rose (lyricist and Broadway producer)
2:49
19Serenade for a Wealthy Widow
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier und Sprecher:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug und Vibraphon:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
instrumental recording of:
Serenade for a Wealthy Widow (am 1934-09-28)
Komponist(in):
Reginald Foresythe
2:38
20How Can You Face Me?
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
How Can You Face Me? (am 1934-09-28)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
2:47
21Sweetie Pie
recorded in:
New York, New York, Vereinigte Staaten (am 1934-09-28)
alto saxophone und Klarinette:
Mezz Mezzrow (am 1934-09-28)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1934-09-28)
Klavier:
Fats Waller (am 1934-09-28)
Kontrabass:
Billy Taylor (jazz bassist) (am 1934-09-28)
Posaune:
Floyd O'Brien (am 1934-09-28)
Schlagzeug:
Harry Dial (am 1934-09-28)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1934-09-28)
vocals:
Fats Waller (am 1934-09-28)
recording of:
Sweetie Pie (am 1934-09-28)
Texter und Komponist(in):
John Jacob Loeb
3:03
5▶CD: Honeysuckle Rose
6▶CD: Sweet and Low
7▶CD: Sugar Blues
8▶CD: Functionizin’
9▶CD: Fractious Fingering
10▶CD: Havin’ A Ball

Nennungen