50 Years of the Greatest Hit Singles: Platinum Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
2▼CD
#TitoloArtistaValutazioneDurata
1A Little Less Conversation
assistente tecnico:
Dan Milazzo e Claudius Mittendorfer (engineer, producer, mixer)
tecnico:
Ray Bardani
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1968-03-07 al 1968-06-23)
remixer:
Junkie XL (Dutch DJ/score composer Tom Holkenborg)
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 2002) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1968-03-07 al 1968-06-23)
mixata presso:
Computer Hell Cabin in Amsterdam, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
remix di:
A Little Less Conversation di Elvis Presley (“The King of Rock and Roll”)
registrazione cover di:
A Little Less Conversation (dal 1968-03-07 al 1968-06-23)
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
registrazione di:
A Little Less Conversation
autore:
Mac Davis (US country singer, songwriter & actor) e Billy Strange
editore:
Carlin Music Corporation e Elvis Presley Music
Elvis vs. JXL3.43:33
2Rock DJ
programmazione degli strumenti:
Andy Duncan (UK drummer and producer)
assistente tecnico:
David Naughton (UK engineer/producer) (incarico: assistant mix engineer)
tecnico aggiunto:
Σάββας Ιωσηφίδης, Steve Price (UK recording engineer/producer/orchestrator/arranger) (incarico: orchestral engineer) e Richard Woodcraft
produttore:
Guy Chambers (English songwriter and record producer) e Steve Power
tecnico di missaggio:
Steve Power
chitarra basso :
Winston Blissett
chitarra elettrica :
Neil Taylor (guitarist)
ottoni :
Dave Bishop (saxophonist), Neil Sidwell e Steve Sidwell (English composer & wind instrumentalist)
tastiera [all keyboards] :
Guy Chambers (English songwriter and record producer)
vocoder :
Steve Power
voce di accompagnamento:
Andy Caine, Derek Green, Katie Kissoon, Sylvia Mason‐James (British singer), Tessa Niles e Paul "Tubbs" Williams (UK bass player, producer, vocalist)
voce principale:
Robbie Williams
orchestra:
The London Session Orchestra
direttore d'orchestra:
Gavyn Wright (UK violinist, conductor)
arrangiatore:
Guy Chambers (English songwriter and record producer)
orchestratore:
Nick Ingman
campionamenti:
It’s Ecstasy When You Lay Down Next to Me di Barry White
registrazione di:
Rock DJ
autore:
Kelvin Andrews, Guy Chambers (English songwriter and record producer), Ekundayo Paris, Nelson Pigford e Robbie Williams
editore:
Bella Figura Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!), Farrell Music Limited, Hit & Run Music (Publishing) Ltd, Kobalt Music Publishing Ltd. (UK), Me-Benish Music LLC, Phoenix Music International Limited, Seven Songs, Virgin Music Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Robbie Williams3.454:16
3Wake Me Up Before You Go-Go
assistente tecnico:
Paul Gomersau
tecnico:
Chris Porter (engineer and producer)
produttore:
George Michael
sassofono :
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
tastiera :
Tommy Eyre
arrangiatore:
George Michael
diritti fonografici (℗) detenuti da:
CBS Records (CBS, CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1984), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984, nel 2006) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
video musicali:
Wake Me Up Before You Go di Wham! (British pop-duo)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 28) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 269)
registrazione di:
Wake Me Up Before You Go‐Go
paroliere e compositore:
George Michael
editore:
Chappell Music (UK), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Morrison Leahy Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Ltd. (1996–2019)
Wham!3.853:51
4Baggy Trousers
registrazione di:
Baggy Trousers
paroliere:
Mike Barson, Mark Bedford, Graham McPherson, Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
compositore:
Mike Barson, Mark Bedford, Chris Foreman (UK musician, aka “Chrissy Boy”), Carl Smyth, Lee “Kix” Thompson (Madness) e Daniel Woodgate
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness52:40
5Every Little Thing She Does Is Magic
tecnico:
Hugh Padgham
co-produttore:
Hugh Padgham
produttore:
Hugh Padgham e The Police (British rock band)
basso elettrico :
Sting (singer, songwriter & member of The Police)
batteria :
Stewart Copeland (drummer, percussionist, pianist and composer)
chitarra elettrica :
Andy Summers
pianoforte :
Jean Roussel
voce:
Sting (singer, songwriter & member of The Police)
diritti fonografici (℗) detenuti da:
A&M Records (nel 1981) e A&M Records, Inc. (nel 1997)
registrata presso:
Le Studio in Morin‐Heights, Québec (Quebec), Canada
registrazione di:
Every Little Thing She Does Is Magic
paroliere e compositore:
Sting (singer, songwriter & member of The Police)
The Police3.754:20
6Sweetest Thing
tecnico di registrazione:
Pat McCarthy e Joe O’Herlihy
tecnico di registrazione aggiunto:
Steve Harris (mixer/producer)
produttore:
Brian Eno, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) e Steve Lillywhite
tecnico di missaggio:
Steve Harris (mixer/producer)
archi :
Nicola Cleary, Nicholas Milne, Aengus O’Connor e Una O’Kane
batteria e percussione :
Larry Mullen, Jr.
chitarra :
The Edge (U2 guitarist David Evans)
chitarra basso :
Adam Clayton
voce principale:
Bono (singer of U2)
arrangiatore archi :
Daragh O’Toole (composer/arranger)
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1998)
video musicali:
Sweetest Thing di U2 (Irish rock band)
registrazione di:
Sweetest Thing
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) e Larry Mullen, Jr.
editore:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc. e Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group)
U23.33:00
7I Don't Like Mondays
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats4.53:46
8I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.953:18
9Waterloo
tecnico:
Michael B. Tretow
produttore:
Benny Andersson (ABBA) e Björn Ulvaeus
batteria :
Ola Brunkert (il 1973-12-17, il 1974-02-20)
chitarra :
Janne Schaffer (il 1973-12-17, il 1974-02-20)
chitarra acustica :
Björn Ulvaeus (il 1973-12-17)
chitarra basso :
Rutger Gunnarsson (il 1973-12-17)
moog, mellotron e pianoforte :
Benny Andersson (ABBA) (il 1973-12-17)
sassofono tenore :
Christer Eklund (il 1974-01-04)
diritti fonografici (℗) detenuti da:
Polar Music AB (nel 1974) e Polar Music International AB (nel 2014)
registrata presso:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Svezia (il 1973-12-17, il 1974-01-04, il 1974-02-20)
parte di:
Sweden in the Eurovision Song Contest (Svezia all'Eurovision Song Contest) (numero: 1974) e Winners of the Eurovision Song Contest (Vincitori dell'Eurovision Song Contest) (numero: 1974)
registrazione di:
Waterloo (English version) (dal 1973-12-17 al 1974-01)
autore:
Stig Anderson (Stikkan), Benny Andersson (ABBA) e Björn Ulvaeus
editore:
Overseas Songs (conclusa), Polar Music AB (conclusa), Bocu Music Ltd., EMI Grove Park Music, Inc., Union Songs Music, Universal–Songs of PolyGram International, Inc., EMI Waterford Music (dal 1974 a oggi), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (dal 1974 a oggi) e Universal/Union Songs Musikförlag AB (dal 1974 a oggi)
versione tradotta di:
Waterloo (Swedish version)
parte di:
Mamma Mia! (1999 musical)
ABBA3.752:47
10The Grease Mega-Mix
voce principale:
Olivia Newton‐John (British‐Australian singer, actress and activist) e John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ mixer:
Ian Curnow e Phil Harding (engineer, producer and remixer)
diritti fonografici (℗) detenuti da:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1990, nel 2003)
DJ mix di e mash-up di:
You’re the One That I Want di John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ di John Travolta (American actor and singer) e Summer Nights di John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
registrazione di:
The Grease Megamix
autore:
Warren Casey, John Farrar e Jim Jacobs
medley di:
You’re the One That I Want (Grease, 1978 film)
medley di:
Greased Lightnin’ (Grease, 1971 musical)
medley di:
Summer Nights (Grease, 1971 musical)
John Travolta & Olivia Newton‐John3.554:49
11Red Red Wine
produttore:
Ray “Pablo” Falconer e UB40
arrangiatore:
UB40
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982, nel 1983) e DEP International (UB40) (nel 1983)
registrazione cover di:
Red Red Wine
paroliere e compositore:
Neil Diamond (nel 1967)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label) e Bang Records (Bert Berns label) (nel 1968)
UB403.82:59
12Ghost Town
tecnico:
John A. Rivers
trombone :
Rico Rodriguez (Jamaican trombonist)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 217)
registrazione di:
Ghost Town
paroliere e compositore:
Jerry Dammers
editore:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:39
13Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. e Virgin Music (Publishers) Ltd.
Culture Club3.954:23
14Three Times a Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
The Commodores3.653:36
15God Only Knows
tecnico:
Chuck Britz (il 1966-03-10) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Ray Pohlman (il 1966-03-10)
batteria e campana :
Hal Blaine (U.S. studio drummer and percussionist) (il 1966-03-10)
chitarra :
Carol Kaye (il 1966-03-10)
clarinetto :
Leonard Hartman (il 1966-03-10) e Jay Migliori (il 1966-03-10)
clarinetto basso :
Leonard Hartman (il 1966-03-10)
clavicembalo :
Larry Knechtel (il 1966-03-10)
contrabbasso :
Lyle Ritz (il 1966-03-10)
corno francese :
Alan Robinson (il 1966-03-10)
fisarmonica :
Carl Fortina (il 1966-03-10) e Frank Marocco (il 1966-03-10)
flauto :
Bill Green (woodwind) (il 1966-03-10) e Jim Horn (saxophonist, hornist, flutist and oboist) (il 1966-03-10)
percussione :
Jim Gordon (US drummer with Derek and the Dominos) (il 1966-03-10)
pianoforte tack :
Don Randi (il 1966-03-10)
tamburello :
Terry Melcher (il 1966-03-10)
viola :
Darrel Terwilliger (il 1966-03-10)
violino :
Leonard Malarsky (il 1966-03-10) e Sid Sharp (il 1966-03-10)
violoncello :
Jesse Erlich (il 1966-03-10)
voce:
Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (dal 1966-03 al 1966-04) e Brian Wilson (Beach Boys co‐founder) (dal 1966-03 al 1966-04)
voce principale:
Carl Wilson (Beach Boys) (dal 1966-03 al 1966-04)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1966-03-10) e Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-03 al 1966-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 11), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 130)
registrazione di:
God Only Knows (dal 1966-03 al 1966-04)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
The Beach Boys42:49
16Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:56
17Hit Me With Your Rhythm Stick
produttore:
Laurie Latham
basso elettrico :
Norman Watt-Roy (nel 1978)
batteria :
Charley Charles (UK drummer) (nel 1978)
chitarra :
John Turnbull (nel 1978)
organo Hammond :
Mick Gallagher (UK hammond organ player) (nel 1978)
pianoforte :
Chaz Jankel (English musician and songwriter) (nel 1978)
sassofono :
Davey Payne (UK saxophonist) (nel 1978)
voce principale:
Ian Dury (nel 1978)
diritti fonografici (℗) detenuti da:
Templemill Music Ltd (nel 1979)
registrata presso:
The Workhouse in London (Greater London), England, Regno Unito (nel 1978)
registrazione di:
Hit Me With Your Rhythm Stick (nel 1978)
paroliere:
Ian Dury
compositore:
Chaz Jankel (English musician and songwriter)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Ian Dury & the Blockheads3.93:43
18Two Tribes
prodotta a:
London (Greater London), England, Regno Unito (nel 1984-03)
tecnico:
Steve Lipson
produttore:
Trevor Horn
voce:
Holly Johnson e Paul Rutherford (member of Frankie Goes to Hollywood)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
Two Tribes (nel 1983)
scritta a:
Liverpool, Merseyside, England, Regno Unito (dal 1982 al 1983)
paroliere e compositore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:55
19Should I Stay or Should I Go
tecnico:
Bob Clearmountain
produttore:
Guy Stevens
tecnico di missaggio:
Glyn Johns
batteria :
Topper Headon
chitarra :
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
chitarra basso :
Paul Simonon
voce:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
voce ospite:
Joe Ely
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 228)
registrazione di:
Should I Stay or Should I Go
autore:
Mick Jones (The Clash/Big Audio Dynamite) e Joe Strummer
editore:
Nineden Ltd. e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:08
20Praise You
tecnico e tecnico di missaggio:
Simon Thornton (Big beat mixing engineer)
produttore:
Fatboy Slim
diritti fonografici (℗) detenuti da:
Skint Records (nel 1998)
campionamenti:
Take Yo’ Praise di Camille Yarbrough
video musicali:
Praise You di Fatboy Slim
registrazione di:
Praise You
autore:
Norman Cook e Camille Yarbrough
editore:
Maat Music Inc., Polygram Music e PolyGram Music Publishing Ltd.
si basa su:
Take Yo' Praise
Fatboy Slim4.153:46
21Rewind (The Crowd Say Bo Selecta)
voce e esecutore:
Craig David
voce ospite:
Craig David
registrazione di:
Re-Rewind
autore:
Tony Briscoe, Craig David e Mark Hill (Mark Hill)
The Artful Dodger featuring Craig David44:01

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