Die beliebtesten Meisterwerke der Romantik

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

Annotazione

Cello Violoncello – Anton Fiebig (tracks: 4-2)
Composed By – Alexander Borodin (tracks: 5-1), Anton Bruckner (tracks: 7-1 to 7-4), Antonin Dvorak* (tracks: 2-1 to 2-4), Dvorak* (tracks: 4-3), Bedrich Smetana* (tracks: 10-1 to 10-6), Smetana* (tracks: 4-1), Debussy* (tracks: 4-4a to 4-4c), Felix Mendelssohn Bartholdy* (tracks: 3-1 to 3-8), Hector Berlioz (tracks: 6-1 to 6-6), Bruch* (tracks: 4-2), Peter Iljitsch Tschaikowsky* (tracks: 1-1 to 1-13, 5-2 to 5-5, 9-1 to 9-10), Robert Schumann (tracks: 8-1 to 8-9)
Conductor – Alberto Lizzio (tracks: 1-1 to 1-8, 4-2, 6-6, 9-1 to 9-8), Alfred Scholz (tracks: 1-9 to 1-13, 4-1, 4,3, 8-1 to 8-9), Anton Nanut (tracks: 6-1 to 6-5, 9-10), Henry Adolph (tracks: 2-1 to 2-4), Lawrence Siegel* (tracks: 5-1, 9-9), Marko Munib* (tracks: 5-2 to 5-5), Milan Horvat (tracks: 3-1 to 3-8, 4-4a to 4-4c, 7-1 to 7-4), Zdenek Macal* (tracks: 10-1 to 10-6)
Orchestra – London Festival Orchestra* (tracks: 9-1 to 9-8), London Symphony Orchestra* (tracks: 4-1, 4-3), New Philharmonic Orchestra (tracks: 1-9 to 1-13), New Philharmonic Orchestra, The* (tracks: 9-9), Austrian Radio Symphony* (tracks: 3-1 to 3-8, 7-1 to 7-4), Austrian Broadcasting* (tracks: 4-4a to 4-4c), Philharmonia Slavonica (tracks: 2-1 to 2-4, 4-2, 8-1 to 8-9), Radio Symphony Orchestra Ljubljana* (tracks: 5-1 to 5-5, 6-1 to 6-5, 9-10), Sinfonieorchester Baden-Baden* (tracks: 10-1 to 10-6), Symphony Orchestra (tracks: 1-1 to 1-8), Süddeutsche Philharmonie (tracks: 6-6)

Annotazione modificata l'ultima volta il 2014-04-11 14:14 UTC.

Elenco tracce

1▶CD: Schwanensee / Dornröschen
2▶CD: Symphonie No. 9 "Aus der Neuen Welt" (Philharmonia Slavonica feat. conductor: Henry Adolph)
3▶CD: Symphonie Nr. 4 Italienische / Symphonie Nr. 5 Reformation (Austrian Radio Symphony feat. conductor: Milan Horvat)
4▶CD: Moldau / Kol Nidrei und andere Werke
5▶CD: Polowetzer Tänze / Symphonie Nr. 5 Op. 64
6▶CD: Symphonie Fantastique, Op. 14A / Rokoczy - Marsch
7▶CD: Symphonie No. 4 Romantische (Austrian Radio Symphony feat. conductor Milan Horvat)
8▶CD: Symphonie No. 1 / No. 3 (Philharmonia Slavonica feat. conductor Alfred Scholz)
9▼CD: Der Nussknacker / Romeo & Julia / Capriccio Italien, Op. 45
#TitoloArtistaValutazioneDurata
1Der Nussknacker: Ouverture miniature (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (fino al 1892)
parte di:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:19
2Der Nussknacker: Marsch (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
registrazione di:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:48
3Der Nussknacker: Tanz der Zuckerfee (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:10
4Der Nussknacker: Russischer Tanz (Trepank) (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:16
5Der Nussknacker: Arabischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:41
6Der Nussknacker: Chinesischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:24
7Der Nussknacker: Tanz der Rohrflöten (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
8Der Nussknacker: Blumenwalzer (London Festival Orchestra feat. conductor Alberto Lizzio)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) e Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
direttore d'orchestra:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Takao Matsumo (conductor, an Alfred Scholz pseudonym)
registrazione di:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer)
parte di:
The Nutcracker (suite from the ballet), op. 71a
revisione di:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:10
9Romeo & Julia: Fantasie-Ouverture (The New Philharmonic Orchestra feat. conductor: Lawrence Siegel)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) e New Philharmonic Orchestra London (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia)
direttore d'orchestra:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) e Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
registrazione di:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1869)
rivista da:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (nel 1870, nel 1880)
dedicata a:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
parte di:
The Tchaikovsky Handbook (numero: TH 42) e Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numero: ČW 39)
revisione di:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский20:57
10Capriccio Italien, Op. 45 (Radio Symphony Orchestra Ljubljana feat. conductor Anton Nanut)
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
direttore d'orchestra:
Anton Nanut (conductor)
registrazione di:
Capriccio italien, op. 45
eseguita per la prima volta a:
Moscow, Russia (il 1880-12-18)
compositore:
Пётр Ильич Чайковский (Pëtr Il’ič Čajkovskij, Russian romantic composer) (dal 1880-01 al 1880-05)
dedicata a:
Карл Юльевич Давыдов (Karl Davydov)
parte di:
The Tchaikovsky Handbook (numero: TH 47), Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (numero: ČW 44) e Works of Pyotr Ilyich Tchaikovsky by opus number (numero: op. 45)
Пётр Ильич Чайковский15:00
10▶CD: Mein Vaterland (Sinfonieorchester Baden-Baden feat. conductor Zdenek Macal)

Accreditamenti