Rock ’n’ Roll Legend

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Jailhouse Rock
basso elettrico :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1957-04-30)
batteria :
D.J. Fontana (il 1957-04-30)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1957-04-30)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1957-04-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1957-04-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957) e BMG Music (nel 1957)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 67) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 216)
registrazione di:
Jailhouse Rock (il 1957-04-30)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
3.42:28
2All Shook Up
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-12 al 1957-01-13)
batteria :
D.J. Fontana (dal 1957-01-12 al 1957-01-13)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-12 al 1957-01-13) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-12 al 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1957-01-12 al 1957-01-13)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-12 al 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
remixer:
Dennis Ferrante
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-01-12 al 1957-01-13) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 353)
registrazione cover di:
All Shook Up (il 1957-01-12)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
3.651:58
3Heartbreak Hotel
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
voce:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (il 1956-01-10), Lena Brock "Mom" Speer (il 1956-01-10) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-01-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
editore:
Sony/ATV Songs LLC
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 45) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 347)
registrazione di:
Heartbreak Hotel (il 1956-01-10)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
3.652:10
4Hound Dog
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 19) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 318)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
2:16
5Don’t Be Cruel
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (southern gospel group) (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 11) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 197)
registrazione di:
Don’t Be Cruel (il 1956-07-02)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. e Williamson Music Company
3.82:03
6(Let Me Be Your) Teddy Bear
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-15 al 1957-01-18)
batteria :
D.J. Fontana (dal 1957-01-15 al 1957-01-18)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-15 al 1957-01-18) e Tiny Timbrell (dal 1957-01-15 al 1957-01-18)
pianoforte :
Dudley Brooks (dal 1957-01-15 al 1957-01-18)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-15 al 1957-01-18)
esecutore aggiunto:
The Jordanaires (southern gospel group) (dal 1957-01-15 al 1957-01-18)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Paramount Pictures Scoring Stage M in Los Angeles, California, Stati Uniti (dal 1957-01-15 al 1957-01-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 26)
registrazione di:
(Let Me Be Your) Teddy Bear (dal 1957-01-15 al 1957-01-18)
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
registrazione cover di:
(Let Me Be Your) Teddy Bear
autore:
Bernie Lowe e Kal Mann
editore:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music Inc. e Williamson Music Company
2.751:47
7Blue Suede Shoes
assistente tecnico:
Dror Mohar
tecnico di missaggio:
Ray Bardani
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-30) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 423)
registrazione cover di:
Blue Suede Shoes (il 1956-01-30)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
42:00
8Lawdy Miss Clawdy
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-02-03)
batteria :
D.J. Fontana (il 1956-02-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-02-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-02-03)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-02-03)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-02-03)
registrazione cover di:
Lawdy Miss Clawdy (il 1956-02-03)
paroliere e compositore:
Lloyd Price (US R&B/soul singer) (nel 1952-03)
editore:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC e Venice Music
3.42:09
9Love Me Tender
banjo :
Luther "Red" Roundtree (dal 1956-08-24 al 1956-09-04)
basso :
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (dal 1956-08-24 al 1956-09-04)
batteria :
Richard Cornell (Percussion) (dal 1956-08-24 al 1956-09-04)
chitarra :
Vito Mumolo (Session Musician (Guitar)) (dal 1956-08-24 al 1956-09-04)
fisarmonica :
Carl Fortina (dal 1956-08-24 al 1956-09-04) e Dominic Frontiere (dal 1956-08-24 al 1956-09-04)
voce:
Jon Dodson (dal 1956-08-24 al 1956-09-04, il 1956-09-01), Charles Prescott (dal 1956-08-24 al 1956-09-04, il 1956-09-01) e Rad Robinson (dal 1956-08-24 al 1956-09-04, il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
20th Century Fox Music Stage 1 in Los Angeles, California, Stati Uniti (il 1956-08-24, il 1956-09-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 437)
registrazione di:
Love Me Tender (dal 1956-08-24 al 1956-09-04)
paroliere:
Ken Darby (nel 1956)
autore aggiunto:
Vera Matson (nel 1956) e Elvis Presley (“The King of Rock and Roll”) (nel 1956)
compositore:
George R. Poulton (nel 1861)
editore:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company e Elvis Presley Music (dal 1956 a oggi)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Aura Lea
3.552:42
10Too Much2:32
11That’s When Your Heartaches Begin
registrazione cover di:
That’s When Your Heartaches Begin (il 1957-01-13)
autore:
Fred Fisher, Billy Hill (US songwriter) e William Raskin
editore:
Fred Fisher Music Co., Inc. e Sony/ATV Tunes LLC (ASCAP)
3:23
12I Want You I Need You I Love You
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-04-14)
batteria :
D.J. Fontana (il 1956-04-14)
chitarra :
Chet Atkins (il 1956-04-14) e Scotty Moore (American guitarist and recording engineer) (il 1956-04-14)
pianoforte :
Marvin Hughes (il 1956-04-14)
voce:
Brock Speer (il 1956-04-14), Ben Speer (il 1956-04-14), Lena Brock "Mom" Speer (il 1956-04-14) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-04-14)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-04-14)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-04-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 25)
registrazione di:
I Want You, I Need You, I Love You (il 1956-04-14)
autore:
Ira Kosloff e Maurice Mysels
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music, Elvis Presley Music Inc., Gladys Music e Williamson Music Company
3.652:41
13I Was the One2:35
14Money Honey
registrazione cover di:
Money Honey
paroliere e compositore:
Jesse Stone
editore:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) e ZFC Music
2:36
15Anyway You Want Me (That’s How I Will Be)2:15
16Love Me
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-01, dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
voce aggiuntiva:
The Jordanaires (southern gospel group) (il 1956-09-01)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-09-01)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-01, dal 1956-09-01 al 1956-09-03)
registrazione cover di:
Love Me (dal 1956-09-01 al 1956-09-03)
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) e Sony/ATV Songs LLC
registrazione di:
Love Me, Love Me
autore:
George Richey e Glenn Sutton (US songwriter and producer)
42:45
17Paralyzed
tecnico:
Thorne Nogar
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-09-02)
batteria :
D.J. Fontana (il 1956-09-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-09-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-09-02)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-09-02)
esecutore aggiunto:
The Jordanaires (southern gospel group) (il 1956-09-02)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-02)
registrazione di:
Paralyzed (il 1956-09-02)
compositore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music e Williamson Music Company
32:25
18Poor Boy
registrazione di:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (il 1956-08-24)
paroliere e compositore:
Ken Darby
editore:
Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
registrazione di:
Poor Boy (for copyright reasons, originally credited to Vera Matson and Elvis Presley) (dal 1956-08-24 al 1956-09-05)
paroliere e compositore:
Ken Darby
editore:
Elvis Presley Music, Elvis Presley Music Inc. e R&H Music
32:15
19Playing for Keeps
registrazione di:
Playing for Keeps (il 1956-09-01)
paroliere e compositore:
Stan Kesler (US session musician, composer and producer)
52:51
20Got a Lot o’ Livin’ to Do
registrazione di:
Got a Lot o’ Livin’ to Do (il 1957-01-12)
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
registrazione cover di:
Got a Lot o’ Livin’ to Do
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
2.52:32
21Loving You2:14
22Treat Me Nice2:12
23I’m Counting on You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-11)
batteria :
D.J. Fontana (il 1956-01-11)
chitarra :
Chet Atkins (il 1956-01-11), Scotty Moore (American guitarist and recording engineer) (il 1956-01-11) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-11)
registrazione di:
I’m Counting on You (il 1956-01-11)
paroliere e compositore:
Don Robertson (“Happy Whistler” songwriter)
editore:
Carlin Music Corporation, Don Robertson Music Corp. e Ross Jungnickel, Inc.
2.652:25
24(You’re So Square) Baby I Don’t Care2.51:53
25How’s the World Treating You
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1956-09-01 al 1956-09-03)
batteria :
D.J. Fontana (dal 1956-09-01 al 1956-09-03)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1956-09-01 al 1956-09-03) e Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03)
pianoforte :
Elvis Presley (“The King of Rock and Roll”) (dal 1956-09-01 al 1956-09-03) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1956-09-01 al 1956-09-03)
voce:
The Jordanaires (southern gospel group) (dal 1956-09-01 al 1956-09-03)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1956-09-01 al 1956-09-03)
registrazione cover di:
How’s the World Treating You (il 1956-09-01)
compositore:
Chet Atkins e Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI)
2.52:25
26I’m Gonna Sit Right Down and Cry
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-31)
batteria :
D.J. Fontana (il 1956-01-31)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-31) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-31)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-01-31)
registrazione cover di:
I’m Gonna Sit Right Down and Cry (Over You) (il 1956-01-31)
paroliere e compositore:
Howard Biggs e Joe Thomas (US songwriter and Jazz saxophonist)
editore:
Angle Music, Coblin Music Co., Copyright Records e EMI Music Publishing Ltd. (PRS‐affiliated)
3.52:02
27First in Line
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-09-03)
registrazione di:
First in Line (il 1956-09-03)
compositore:
Aaron Schroeder (1950s~1960s US songwriter) e Ben Weisman
editore:
Rachel’s Own Music e Ross Jungnickel, Inc.
33:23
28Mystery Train
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 77)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
32:26
29Tryin’ to Get to You
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07, il 1955-07-11)
batteria :
Johnny Bernero (nel 1955-07, il 1955-07-11)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07, il 1955-07-11) e Scotty Moore (American guitarist and recording engineer) (il 1955-07-11)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07) e Sun Studios in Memphis, Tennessee, Stati Uniti (il 1955-07-11)
registrazione cover di:
Trying to Get to You (il 1955-07-11)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
registrazione cover di:
Trying to Get to You (nel 1955-07)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
3.352:33
30That’s All Right
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso e contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra acustica :
Elvis Presley (“The King of Rock and Roll”)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 112)
registrazione cover di:
That’s All Right (il 1954-07-05)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2.91:56