7 (First track is 3:46, second is 3:23)

~ Veröffentlichung von S Club (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

Specifically created to match disc ID Y0jYq7b5E3MgEsk9SmJAwsA3Fbg-

Anmerkung zuletzt geändert am 2024-04-13 00:41 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Reach
S Club 73:46
2Natural
Programmierung:
Yak Bondy
Techniker(in):
Aaron Pratley
Koproduzent(in):
Absolute (UK house/garage/production/songwriting team)
Produzent(in):
Phil Bodger (engineer) und Cathy Dennis
zusätzliche(r) Produzent(in):
Dave Way
Mix:
Mark “Spike” Stent (producer, engineer) und Dave Way
zusätzliche(r) Mix:
Jan “Stan” Kybert (producer / mixer / engineer)
Editing:
Jan “Stan” Kybert (producer / mixer / engineer) und Thomas Russo Jr.
Englischhorn:
Kate St John
Gitarre:
Gus Isidore
Instrumente:
Absolute (UK house/garage/production/songwriting team)
Keyboard:
Yak Bondy und Cathy Dennis
membranophone und Schlagzeug:
Yak Bondy
Sologesang:
Rachel Stevens
Interpret(in):
S Club (formerly “S Club 7”)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
Samples:
Pavane in F-sharp minor, op. 50 (for flute and orchestra) von Gareth Morris (British flautist), New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Sir David Willcocks (UK composer, organist, choral conductor)
Musikvideos:
Natural von S Club 7 (formerly “S Club 7”)
recording of:
Natural
Texter:
Cathy Dennis, Jean Fredenucci, Norma Ray und Andy Todd (UK electronic producer/keyboardist, member of Republica)
Komponist(in):
Cathy Dennis, Gabriel Fauré (French composer), Jean Fredenucci, Norma Ray und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
basiert auf:
Pavane, op. 50 (for piano and chorus)
übersetzte Version von:
Tous les maux d’amour
S Club 73:23
3I’ll Keep Waiting
Programmierung:
Simon Ellis (producer)
zusätzliche Programmierung:
Yak Bondy, James Sanger und Andy Wright (UK songwriter, producer and Simply Red keyboardist)
Produzent(in):
Cathy Dennis und Simon Ellis (producer)
zusätzliche(r) Produzent(in):
Cathy Dennis (Aufgabe: vocal), Thomas Russo Jr. (Aufgabe: vocal) und Andy Wright (UK songwriter, producer and Simply Red keyboardist)
Mix:
Ash Howes (British mixer, writer and musician)
Gitarre:
Paul Gendler
Hi-Hat und Perkussion:
Geoff Holroyde
Keyboard [keyboards]:
Simon Ellis (producer)
zusätzlich Keyboard [keyboards] und zusätzlich Schlagzeug [drums]:
Yak Bondy
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
produced for:
19 Productions und S.S.O.
recording of:
I’ll Keep Waiting
Verfasser(in):
Cathy Dennis und Simon Ellis (producer)
publisher:
19 Music Ltd., BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music–MGB Songs
S Club 723:38
4Bring the House Down
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
Mix:
Dave Way
Gitarre:
Milton McDonald
Instrumente:
Absolute (UK house/garage/production/songwriting team)
Interpret(in):
S Club (formerly “S Club 7”)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
recording of:
Bring the House Down
Verfasser(in):
Tracy Ackerman, Andy Watkins (Absolute, Bristol Baseline Productions, Cortex) und Paul David Wilson (soul, disco, funk songwriter, composer, conductor, producer)
publisher:
19 Music Ltd., BMG Monarch, BMG Music Publishing Ltd., Chrysalis Music Publishing und Universal Music–MGB Songs
S Club 73.53:02
5Best Friend
recording engineer:
Keith Mayer
Programmierung und Produzent(in):
Tim Laws
Mix:
Phil Bodger (engineer) und Tim Laws
Bassgitarre und Gitarre:
Mark Jaimes
Keyboard [keyboards] und Schlagzeug [drums]:
Tim Laws
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
gemixt für und produced for:
Bamn Management
recording of:
Best Friend
Verfasser(in):
Stephen Boreland, Tim Laws und Bradley McIntosh
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
S Club 73.53:59
6All in Love Is Fair
Programmierung:
Simon Ellis (producer)
Produzent(in):
Cathy Dennis und Simon Ellis (producer)
Mix:
Dave Way
Gitarre:
Cathy Dennis
Keyboard [keyboards]:
Simon Ellis (producer)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
produced for:
19 Productions
recording of:
All in Love Is Fair
Verfasser(in):
Cathy Dennis und Simon Ellis (producer)
publisher:
19 Music Ltd., BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music–MGB Songs
S Club 734:16
7Love Train
Programmierung:
Dave Arch (pianist, conductor, arranger and composer)
Produzent(in):
Cathy Dennis und Toddy (UK electronic producer/keyboardist, member of Republica)
zusätzliche(r) Produzent(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Editing:
Richard Dowling (Mastering engineer at Transfermation) und Noel Summerville (mastering)
Bassgitarre:
Trevor Barry
Blechblasinstrumente:
The Kick Horns
Gitarre:
Paul Gendler
Keyboard [keyboards] und Klavier:
Dave Arch (pianist, conductor, arranger and composer)
Perkussion:
Steve Sidelnyk
Schlagzeug [drums]:
Brett Morgan
arranger:
Dave Arch (pianist, conductor, arranger and composer)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
gemixt für:
Townhouse Management
produced for:
19 Productions
edited at:
Transfermation in London (Greater London), England, Vereinigtes Königreich
recording of:
Love Train
Verfasser(in):
Cathy Dennis und Andy Todd (UK electronic producer/keyboardist, member of Republica)
publisher:
BMG Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Publishing MGB Ltd.
S Club 73.53:41
8Cross My Heart
sonstige Unterstützung:
Isobel Griffiths (Aufgabe: orchestral contractor) und Nick Ingman (Aufgabe: contractor)
Produzent(in):
Absolute (UK house/garage/production/songwriting team)
Mix:
Dave Way
Gitarre:
Milton McDonald
Instrumente:
Absolute (UK house/garage/production/songwriting team)
Saiteninstrumente:
The London Session Orchestra
Saiteninstrumente arranger:
Nick Ingman
concertmaster:
Gavin Wright (UK violinist, conductor)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
recording of:
Cross My Heart
Verfasser(in):
Tracy Ackerman, Andy Watkins (Absolute, Bristol Baseline Productions, Cortex) und Paul Wilson (member of “Absolute”)
publisher:
19 Music Ltd., BMG Music Publishing Ltd. und Chrysalis Music Publishing
S Club 743:33
9The Colour of Blue
Programmierung:
Lars Aass und Bottolf Lødemel
zusätzliche Programmierung:
Ola Haampland
Produzent(in) und Mix:
Kenneth M. Lewis und Kai Robøle
Akustikgitarre und E-Gitarre:
Børge Petersen-Øverleir
Effektgerät [guitar effects]:
Bjørn Charles Dreyer (guitarist, composer, producer)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
gemixt für und produced for:
Waterfall Productions, A.S.
recording of:
The Colour of Blue
Verfasser(in):
Lars Aass und Bottolf Lødemel
publisher:
Universal Songs (publisher) und Waterfall Music AS
S Club 743:14
10I’ll Be There
recording engineer:
Dave Burnham (UK recording engineer)
Programmierung:
Roger King (keyboard player/engineer/programmer – worked with Steve Hackett)
Produzent(in):
Danny D (British DJ, producer, remixer and A&R) und Cathy Dennis
Mix:
Dave Way
Gitarre:
Gus Isidore
Keyboard [keyboards]:
Roger King (keyboard player/engineer/programmer – worked with Steve Hackett)
Schlagzeug [drums]:
Danny D (British DJ, producer, remixer and A&R)
Interpret(in):
S Club (formerly “S Club 7”)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
produced for:
19 Productions und Slam Jam Productions
recording of:
I’ll Be There
Verfasser(in):
Danny Poku (British DJ, producer, remixer and A&R) und Cathy Dennis
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
S Club 733:23
11Two in a Million
zusätzliche Programmierung:
Steve Hilton
Techniker(in):
Alan Douglas (Scottish born engineer)
Produzent(in):
StarGate (Norwegian production/songwriting team)
zusätzliche(r) Produzent(in):
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Mix:
Jeremy Wheatley (UK mix engineer, aka Jim Bob)
Blechblasinstrumente und Saiteninstrumente:
Pro Arte Orchestra of London (founded 1985)
Interpret(in):
S Club (formerly “S Club 7”)
Orchestrator(in):
David Sinclair Whitaker (UK composer, songwriter, arranger and conductor)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 1999)
gemixt für:
Townhouse Management
produced for:
Delirious/Blacksmith Management Ltd. und Townhouse Management
aufgenommen bei:
StarGate Studios in Trondheim, Sør-Trøndelag, Norwegen
recording of:
Two in a Million
Verfasser(in):
Cathy Dennis und Simon Ellis (producer)
publisher:
19 Music Ltd., BMG Music Publishing Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated)
S Club 743:30
12Lately
assistierende(r) Techniker(in):
Gareth Jenkins (sound design, music) und Jeremy Oswin
Techniker(in):
Paul Wright (UK recording engineer)
Produzent(in) und Mix:
Simon Franglen (English score composer)
Bassgitarre:
Paul Turner (UK bassist for Jamiroquai)
Blechblasinstrumente:
The Kick Horns
Gitarre:
Milton McDonald
Keyboard:
Simon Franglen (English score composer)
Schlagzeug [drums]:
Ian Thomas (drummer)
Blechblasinstrumente arranger:
Simon Franglen (English score composer) und Tim Sanders (UK saxophonist)
arranger:
Simon Franglen (English score composer)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
engineered at:
FLM Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Lately
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music und Jobete Music Co., Inc.
sub-publisher:
BMG Music Publishing Hong Kong Ltd
S Club 74:34
13Never Had a Dream Come True
Programmierung:
Oskar Paul (producer, engineer and programmer)
zusätzliche Programmierung:
Stephen Lipson und James McMillan (arranger)
Produzent(in):
C. Dennis und Oskar Paul (producer, engineer and programmer)
zusätzliche(r) Produzent(in):
Stephen Lipson
Mix:
Heff Moraes
Gitarre:
Paul Gendler
Keyboard [keyboards]:
Pete Murray (pianist and keyboardist) und Oskar Paul (producer, engineer and programmer)
Sologesang:
Jo O’Meara
Interpret(in):
S Club 7 (formerly “S Club 7”)
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
S Club Ltd. (in 2000)
produced for:
19 Productions
Musikvideos:
Never Had a Dream Come True von S Club 7 (formerly “S Club 7”)
recording of:
Never Had a Dream Come True
Verfasser(in):
Cathy Dennis und Simon Ellis (producer)
publisher:
19 Music Ltd., BMG Publishing, Colgems-EMI Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd. und Universal Music–MGB Songs
S Club 73.54:01

Nennungen

Veröffentlichungsgruppe

künstlerische Leitung:Joe Mama-Nitzberg
ausgekoppelte Singles/EPs:Natural
Reach
Discogs:https://www.discogs.com/master/101124 [Info]
Allmusic:https://www.allmusic.com/album/mw0000105845 [Info]
Wikidata:Q2354345 [Info]