The Operas: Complete Opera & Vocal Recordings on Deutsche Grammophon

~ Uitgave van Karl Böhm (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

1▶cd: Beethoven: Fidelio (Act I)
2▶cd: Beethoven: Fidelio (Act II)
3▶cd: Beethoven: Missa Solemnis [1955]
4▶cd: Beethoven: Missa solemnis (1974) (Kyrie / Gloria / Credo)
5▶cd: Beethoven: Missa solemnis (1974) (Sanctus - Benedictus / Agnus Dei)
6▶cd: Berg: Wozzeck (Acts I, II & III beg.)
7▶cd: Berg: Wozzeck (Act III cont.) / Lulu (Prolog - Act I)
8▶cd: Berg: Lulu (Act II)
9▶cd: Handel: Giulio Cesare (Highlights)
10▶cd: Haydn: Die Jahreszeiten (Der Frühling - Der Sommer)
11▶cd: Haydn: Die Jahreszeiten (Die Herbst - Der Winter)
12▶cd: Mahler: Kindertotenlieder / 4 Lieder / Brahms: Alto Rhapsody
13▶cd: Mozart: Idomeneo (Act I)
14▶cd: Mozart: Idomeneo (Act II)
15▶cd: Mozart: Idomeneo (Act III)
16▶cd: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
17▶cd: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
18▶cd: Mozart: Le nozze di Figaro (Acts I & II beg.)
19▶cd: Mozart: Le nozze di Figaro (Acts II cont. & III)
20▶cd: Mozart: Le nozze di Figaro (Act IV)
21▶cd: Mozart: Don Giovanni (1967) (Act I beg.)
22▶cd: Mozart: Don Giovanni (1967) (Acts I cont. & II beg.)
23▶cd: Mozart: Don Giovanni (1967) (Act II cont.)
24▶cd: Mozart: Don Giovanni (1977) (Act I beg.)
25▶cd: Mozart: Don Giovanni (1977) (Acts I cont. & II beg.)
26▶cd: Mozart: Don Giovanni (1977) (Act II cont.)
27▶cd: Mozart: Così fan tutte (Act I beg.)
28▶cd: Mozart: Così fan tutte (Acts I cont. & II)
29▶cd: Mozart: Die Zauberflöte (Act I)
30▶cd: Mozart: Die Zauberflöte (Act II beg.)
31▶cd: Mozart: Die Zauberflöte (Act II cont.) / Der Schauspieldirektor
32▶cd: Mozart: La clemenza di Tito (Act I)
33▼cd: Mozart: La clemenza di Tito (Act II)
#TitelArtiestWaarderingDuur
1La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “Sesto, come tu credi” (Annio, Sesto)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
mezzo-sopraanvocalen [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-sopraanvocalen [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 12 Recitativo "Sesto, come tu credi" (Annio, Sesto) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:56
2La clemenza di Tito, K. 621: Atto Secondo. N. 13 Aria: “Torna di Tito a lato” (Annio)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
mezzo-sopraanvocalen [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:51
3La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “Partir deggio, o restar?” (Sesto, Vitellia) / “Sesto!” - “Che chiedi?” (Publio, Sesto, Vitellia)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-sopraanvocalen [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
sopraanvocalen [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
Wolfgang Amadeus Mozart1:35
4La clemenza di Tito, K. 621: Atto Secondo. N. 14 Terzetto: “Se al volto mai ti senti” (Sesto, Vitellia, Publio)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-sopraanvocalen [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
sopraanvocalen [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:32
5La clemenza di Tito, K. 621: Atto Secondo. N. 15 Coro: “Ah, grazie si rendano” (Coro, Tito)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
koor:
Rundfunkchor Leipzig (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
was koorleider:
Horst Neumann (choir master and conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:20
6La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “È tutto colà d'intorno” (Publio, Tito)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
Wolfgang Amadeus Mozart1:38
7La clemenza di Tito, K. 621: Atto Secondo. N. 16 Aria: “Tardi s'avvede d'un tradimento” (Publio)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:28
8La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “Annio, che rechi?” (Tito, Annio, Publio)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-sopraanvocalen [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
Wolfgang Amadeus Mozart1:03
9La clemenza di Tito, K. 621: Atto Secondo. N. 17 Aria: “Tu fosti tradito” (Annio)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
mezzo-sopraanvocalen [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:54
10La clemenza di Tito, K. 621: Atto Secondo. Recitativo accompagnato: “Che orror! che tradimento!” (Tito)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:34
11La clemenza di Tito, K. 621: Atto Secondo. N. 18 Terzetto: “Quello di Tito è il volto!” (Sesto, Tito, Publio)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-sopraanvocalen [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart4:20
12La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “Eppur mi fa pietà” (Tito, Sesto)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
mezzo-sopraanvocalen [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene X. Recitativo "E pur mi fa pietà" (Tito, Sesto) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:49
13La clemenza di Tito, K. 621: Atto Secondo. N. 19 Rondo: “Deh, per questo istante solo” (Sesto)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
mezzo-sopraanvocalen [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart7:18
14La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “Ove s'intese mai più contumace infedeltà” (Tito)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 19 Recitativi "Dove s'intese mai più contumace infedeltà? ... Publio. - Cesare." (Tito, Publio) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:48
15La clemenza di Tito, K. 621: Atto Secondo. N. 20 Aria: “Se all'impero, amici Dei” (Tito)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart5:13
16La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “Publio, ascolta!” (Vitellia, Publio, Servilia, Annio)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
mezzo-sopraanvocalen [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
sopraanvocalen [Servilia]:
Edith Mathis (soprano) (in 1979-01)
sopraanvocalen [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene XII. Recitativo "Publio, ascolta!" (Vitellia, Publio) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:50
17La clemenza di Tito, K. 621: Atto Secondo. N. 21 Aria: “S'altro che lacrime per lui non tenti” (Servilia)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
sopraanvocalen [Servilia]:
Edith Mathis (soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:40
18La clemenza di Tito, K. 621: Atto Secondo. N. 22 Recitativo accompagnato: “Ecco il punto, o Vitellia” (Vitellia)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
sopraanvocalen [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:15
19La clemenza di Tito, K. 621: Atto Secondo. N. 23 Rondo: “Non più di fiori vaghe catene” (Vitellia)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
sopraanvocalen [Vitellia]:
Julia Varady (soprano) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart8:21
20La clemenza di Tito, K. 621: Atto Secondo. N. 24 Coro: “Che del ciel, che degli Dei”
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
koor:
Rundfunkchor Leipzig (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
was koorleider:
Horst Neumann (choir master and conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart2:40
21La clemenza di Tito, K. 621: Atto Secondo. Recitativo: “Pria che principio a' lieti spettacoli si dia” (Tito, Annio, Servilia, Vitellia)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
mezzo-sopraanvocalen [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
sopraanvocalen [Servilia]:
Edith Mathis (soprano) (in 1979-01)
sopraanvocalen [Vitellia]:
Julia Varady (soprano) (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene XVI. Recitativo "Pria che principio" (Tito, Annio, Servilia) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:28
22La clemenza di Tito, K. 621: Atto Secondo. N. 25 Recitativo accompagnato: “Ma che giorno è mai questo?” (Tito)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart1:53
23La clemenza di Tito, K. 621: Atto Secondo. N. 26 Sestetto con coro: “Tu, è ver, m'assolvi, Augusto” (Sesto, Tito, Vitellia, Servilia, Annio, Publio, coro)
opnametechnicus:
Hans‐Peter Schweigmann (engineer) en Claus Strüben (german sound engineer)
leidinggevend producent:
Werner Mayer (classical producer)
producent:
Reimar Bluth
bassethoorn:
Rolf Schindler (German clarinetist and hornist) (in 1979-01)
cello [cello (continuo)]:
Joachim Bischof (cellist) (in 1979-01)
klavecimbel:
Walter Taussig (in 1979-01)
basvocalen [Publio]:
Theo Adam (German classical bass-baritone) (in 1979-01)
koor:
Rundfunkchor Leipzig (in 1979-01)
mezzo-sopraanvocalen [Annio]:
Marga Schiml (mezzo-soprano) (in 1979-01)
mezzo-sopraanvocalen [Sesto]:
Teresa Berganza (mezzo-soprano) (in 1979-01)
sopraanvocalen [Servilia]:
Edith Mathis (soprano) (in 1979-01)
sopraanvocalen [Vitellia]:
Julia Varady (soprano) (in 1979-01)
tenorvocalen [Tito Vespasiano]:
Peter Schreier (German tenor and conductor) (in 1979-01)
orkest:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1979-01)
was dirigent:
Karl Böhm (Austrian conductor) (in 1979-01)
was koorleider:
Horst Neumann (choir master and conductor) (in 1979-01)
opgenomen bij:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Duitsland (in 1979-01)
is een opname van:
La clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) (in 1979-01)
componist:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
aanvullend librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
deel van:
La clemenza di Tito, K. 621: Act II
Wolfgang Amadeus Mozart3:48
34▶cd: Mozart: Requiem
35▶cd: R. Strauss: Salome (Scenes I-IV beg.)
36▶cd: R. Strauss: Salome: (Scene IV cont.)
37▶cd: R. Strauss: Elektra (beg.)
38▶cd: R. Strauss: Elektra (cont.)
39▶cd: R. Strauss: Der Rosenkavalier (1958) (Act I)
40▶cd: R. Strauss: Der Rosenkavalier (1958) (Act II)
41▶cd: R. Strauss: Der Rosenkavalier (1958) (Act III)
42▶cd: R. Strauss: Der Rosenkavalier (1969) (Act I)
43▶cd: R. Strauss: Der Rosenkavalier (1969) (Act II)
44▶cd: R. Strauss: Der Rosenkavalier (1969) (Act III)
45▶cd: R. Strauss: Ariadne auf Naxos (1944) (Vorpsiel)
46▶cd: R. Strauss: Ariadne auf Naxos (1944) (Oper)
47▶cd: R. Strauss: Ariadne auf Naxos (1954) (Vorspiel / Oper beg.)
48▶cd: R. Strauss: Ariadne auf Naxos (1954) (Oper cont.)
49▶cd: R. Strauss: Ariadne auf Naxos (1969) (Vorspiel / Oper beg.)
50▶cd: R. Strauss: Ariadne auf Naxos (1969) (Oper cont.)
51▶cd: R. Strauss: Die Frau ohne Schatten (Act I)
52▶cd: R. Strauss: Die Frau ohne Schatten (Act II)
53▶cd: R. Strauss: Die Frau ohne Schatten (Act III)
54▶cd: R. Strauss: Arabella (Act I)
55▶cd: R. Strauss: Arabella (Act II)
56▶cd: R. Strauss: Arabella (Act III)
57▶cd: R. Strauss: Die schweigsame Frau (Acts I & II beg.)
58▶cd: R. Strauss: Die schweigsame Frau (Acts II cont. & III)
59▶cd: R. Strauss: Daphne (beg.)
60▶cd: R. Strauss: Daphne (cont.)
61▶cd: R. Strauss: Capriccio (Scenes I - IX beg.)
62▶cd: R. Strauss: Capriccio (Scene IX cont. - Last Scene)
63▶cd: Wagner: Der fliegende Holländer (Acts I & II beg.)
64▶cd: Wagner: Der fliegende Holländer (Acts II cont. & III)
65▶cd: Wagner: Tristan und Isolde (Act I)
66▶cd: Wagner: Tristan und Isolde (Act II)
67▶cd: Wagner: Tristan und Isolde (Act III)
68▶cd: Das Vermächtnis meines Meisters
69▶cd: Karl Böhm speaks to the press on the occasion of the complete recording of Mozart's Don Giovanni in Prague / »Wolfgang Amadeus Mozart gilt meine große Liebe« / Karl Böhm speaks about his relationship with the Wiener Philharmoniker
70▶cd: Karl Böhm: Erzähltes Leben

Relaties

Uitgave

fotografie:Susesch Bayat (photographer)
Diether Warneck (producer)
Gerd H. Siess (photographer)
Siegfried Lauterwasser
Lothar Rübelt (photographer)
Kristina Söderbaum (Swedish-born German film actress, producer, and photographer)
Felicitas Timpe (photographer)
Reinhart Wolf (photographer)
diverse ondersteuning:Harald Reiter (taak: project manager)
samensteller:Alan Newcombe (Producer, coordinator, researcher, and liner notes translator)
verzorgde het ontwerp:Fred Münzmaier
redacteur van het boekje:Jens Schünemeyer (liner note editor for DG)
Discogs:https://www.discogs.com/release/20809144 [info]
discografisch lemma:https://www.deutschegrammophon.com/en/catalogue/products/boehm-complete-opera-vocal-recordings-9375 [info]